Cyndi Lauper - Exclusive Interview
- September 1, 2016 - 5:15pm
The legendary Cyndi Lauper hits the stage in Las Vegas early this coming October as part of a stop on her DETOUR tour, named after her new country album of the same name. It just happens to be on the weekend of the two-year anniversary of marriage equality in Nevada. It’s also Come Out Vegas weekend, the NCOD celebration, so talk about the gay stars aligning for this major ally’s appearance in our city.
Gay Vegas spoke with Cyndi about her country influences, collaborations, working with LGBT homeless youth, her new tour and more.
What is one of your first or fondest Las Vegas memories?
Being pregnant and sitting at the bar watching my cousin Johnny [Edwards] perform. He used to do Elvis for Legends [In Concert]. Now he is doing the Rat Pack.
Tell us about the country music influence when you were a kid growing up in Ozone Park in Queens, New York. It wasn’t so much then. It was more like when I was in a rockabilly band. I was learning to write my own material and listen to other singers that had similar sounds and their voice. Obviously the country music people were very much a part of our lives because they were all over the TV. When you’d watch television, you saw these beautiful women with shiny dresses and fringe and big hair. That was very exciting for me. Lipstick. Oh my gosh.
I read that your aunt Gracie was a fan of country music and that you used to listen in with her on a transistor radio. She liked Patsy Cline. Everybody liked Patsy Cline. And Loretta Lynn. At that time there was one station or three stations and everything was on the same station. You’d hear Patsy Cline or Loretta Lynn on the same station you’d hear like James Brown and The Beatles. You’d hear all the music together. It was integrated more. It wasn’t in a compartment like now. I don’t know if there was a country station. There might have been. But I just remember her kitchen and hearing Patsy Cline coming out of the radio.
But, I was really inspired when I was in Blue Angel. I wore a Patsy Cline button all the time. I learned how to sing listening to Wanda Jackson and Patsy Cline... and Tina Turner. It was always a combination of rhythm and blues and country.
Speaking of Wanda Jackson, you cover “Funnel of Love”. Do you have a working relationship with Wanda? She’s so great. I wish I did. I don’t. I don’t know her. I met her once and I love her. I think she’s awesome. And when she was introduced in the Rock and Roll Hall of Fame, I was there. I think she’s great.
I love that song “Funnel of Love”. The first time I heard it was in that LGBT cult classic with RuPaul and Natasha Lyonne titled But I’m a Cheerleader. In the film Natasha’s cheerleader character comes out as a lesbian and she gets sent to a conversion therapy camp to be straight and later when she falls in love with one of the girls there they play that “Funnel of Love song”. Awwwwww.
I think it’s so great that you are taking these country classics and bringing them to people today, giving them new life with your own special style. Thank you so much.
I especially loved “The End of the World”, the cover you did of Skeeter Davis who passed in 2004. It’s such a beautiful song. Were there any points in your life where you felt like that? Any heartbreaks? Oh please, there’s always that. That’s how life is. I wanted to put something together that made you laugh, made you cry, but also gave you hope. I think people gotta have hope. Everybody has heartbreak. When I was little, I didn’t hear the Skeeter Davis version – I only heard Herman’s Hermits. So I didn’t know there was Skeeter Davis until I got older, when I started to study music again and again and again. I always try and study it. Because if you don’t study you can’t be as great as you would hope to be. And you keep trying, and then maybe one day you are.
The collaborations you did on the album with Jewel, Emmylou Harris, Willie Nelson, Alison Krauss, Vince Gill – how was that? Pretty fucking magical for me. It was magical. To have them in there singing with you. You try not to think about it at the time. When I saw Willie Nelson walk in, I almost flipped out crying but I was like, “Hey! Don’t scare him. There’s no crying in rock and roll. You gotta toughen up. Be professional.” So I shook his hand, I shook Annie’s [Note: Willie’s wife] hand, I said, “Come in.” I was very professional. They said, “Do you want to see the bus?” All I kept thinking in my head was, “Wow. I heard stories about the bus. That people go on the bus and they nod out and they wake up in a different city.” I was thinking that whole movie in my head. I was like, “Maybe another time.” Because I gotta finish this record.
Who would you love to collaborate with that you haven’t already had the pleasure of singing with? Oh my god, everybody. Dolly. I want to do more with Emmy. I love that whole scene down in Nashville because there’s still a music scene to be had. There’s still a music community. The community of artists is really still very close, all of them. You don’t have that everywhere, so that’s really precious. And I hope that it’s always like that.
And it’s a very special time for country with artists like Billy Gilman and Ty Herndon coming out of the closet. In a genre that wasn’t really known for being LGBT-friendly, it’s awesome to have you as an LGBT ally and involved with country.
Well “Kinky Boots” did very well in Nashville.
Congrats on that by the way. Oh, thank you. And don’t forget Chely Wright, who is fantastic. She was in The Home for The Holidays Concert and she came out. She was awesome. And it’s not easy, especially for women. I think that people are people. And I think that most Americans are fair-minded people and if their friend or family is being treated badly because of who they are, I believe in my heart that people will tend to look into their hearts and stand up for their loved ones. And that is why I’m an ally and friend, because I’m a family member. And I will not stand by and watch my friends or family be discriminated against or treated badly.
I also know that in every civil rights movement you need everybody, not some people. People need to learn about what certain laws do to their friends and family and how it hurts them. They’ve got all these crazy things that they’re saying and it’s not true. So I just think education, education, education, education. Tell your story, tell your story, tell your story. And share. Because that’s the only way. You don’t want to preach dogma at people. You want to show them your humanity. You want to tell them how it affects you as a human being. That’s what people understand because people are people. They’re human too.
Do you have your own coming out story as an ally involving your Italian family? Well when I was a teenager, all my friends came out and said they were gay. I was trying to be right there with them. I did not do well. I was not gay. I kind of lost all my friends because they huddled together and I was the outsider. So when my sister came out, I was determined that it didn’t matter and she wasn’t going to ditch me because I was her sister and she can’t ditch me. And I think that really affected me.
You know I have to confess something to you. I came out when I was 17 in Las Vegas and it didn’t go over very well. I’m sorry.
It’s okay, everything got better. My family accepts me now and adore my partner. We’ve been together for six years. So there is hope for people, even when it seems really bad. But the catch is after I came out, I ended up leaving Las Vegas for New York, staying with some of my mom’s Italian family in Ozone Park, sleeping on my Zia’s couch. Of course they didnt know what was going on at home in Vegas. Oh my god. When was that? When was that?
2001, before September 11th.There were a lot of Italians there. Oh there’s still Italians, yeah I know. What street did you live on?
I eventually got my own place on 87th St. right by Pitkin Ave., really close to Crossbay Blvd. Oh my god. Yeah. Yeah. Yeah.
Imagine being in drag trying to get to Cashetta’s Star Search show at Barracuda Lounge for amateur night, walking in drag to take the A-train to Manhattan in Ozone Park of all places. Oh yeah, that’s scary. I know. You know, we do a lot of work with kids, homeless kids. Preventing LGBT homelessness. And that includes couch surfing. We’ve done research and we’ve found that sometimes if the parents just say, “Look, you’ve got to give me a minute. I love you, you’re my kid, but this whole gay thing, give me a minute to wrap my head around it.” They’ll stay instead of running. But the whole you’re not my son thing, I don’t know. It’s kind of like Wanda Sykes in that skit. “What do you mean you’re black? You’re not black. You’re just hanging out with black people.” She talks about being gay and what it would be like if you had to come out to your parents as black, like you do as gay. It was so funny.
She is so funny! So this Vegas show, what do you want people to know? It’s going to be a really fun show. We’re going to do the DETOUR songs and the old songs. It’s a special show for me in Vegas because I have DJ Emz opening for me and my son Dex is going to be doing a number with him, opening for me. At the Vegas show we might even perform the one that we wrote together and recorded too. I’m really excited about it. It’s going to be fun, a really fun night!
Cyndi performs at The Joint at Hard Rock Hotel & Casino on Oct. 8 at 7pm.
Visit www.axs.com/events/309786 to purchase tickets.
Come Out Vegas Weekend - NCOD (National Coming Out Day) Celebration
- September 1, 2016 - 5:08pm
Join us for Come Out Vegas Weekend! A NCOD (National Coming Out Day) weekend celebration.
SPECIAL EVENTS
Friday, Oct. 7th from 5pm -11pm - This year we are joining forces with downtown’s First Friday event for their 14th anniversary celebration. This event sees an average of 20,000 patrons each month. First Friday’s theme for the month of October is ‘One World Through Art’. This free all-ages outdoor event features several areas throughout downtown Las Vegas showcasing artists of all calibers and genres. Throughout the festival you can find stages featuring live music, dance areas with DJs, wandering entertainers, various vendors and a variety of food trucks offering the finest in cuisine.
1025 First St. Las Vegas, NV 89101
Saturday, Oct. 8th at 7pm - LGBT ally Cyndi Lauper performs LIVE in concert inside The Joint at Hard Rock Hotel & Casino. Buy tickets online at
www.axs.com/events/309786/cyndi-lauper-tickets 4455 Paradise Rd. Las Vegas, NV 89169
Saturday, Oct. 8th at 8pm - Celebrate NCOD weekend with our LGBTQIA+ community at a celebration in Vegas’ famous gay district. Have fun with Las Vegas’ LGBTQIA+ community and the businesses inside The Loop.
4640 Paradise Rd. Las Vegas, NV 89169
Visit ComeOutVegas.com for added and continuously updated information on additional events, talent, sponsors, vendors and learn how to get involved.
The History - NCOD was founded in 1988 by Robert Eichberg and Jean O’Leary. Eichberg, who died in 1995 of complications from AIDS, was a psychologist from New Mexico. O’Leary was an openly lesbian political leader and long-time activist from New York and was at the time the head of the National Gay Rights Advocates in Los Angeles. The original date of NCOD was chosen because it marked the anniversary of the 1987 National March on Washington for Lesbian and Gay Rights. The first recorded NCOD celebration in Las Vegas was in 1991. We will also celebrate Nevada’s two-year anniversary of marriage equality.
Gay Vegas Buys a Car
- September 1, 2016 - 3:30pm
“Yes. I’m very open about it,” responded Chris Michael Hepler when Gay Vegas asked him if he was open to sharing his HIV-positive status. Last month, at a coincidental run in at Get Booked, Chris opened up to us about being HIV-positive for the last five years. He shared some of his personal experiences working with some of Vegas’ various HIV/AIDS non-profits and the difficulties he and others have had when trying to receive services during the 15 years he’s called Las Vegas home.
If you’ve been to Get Booked over the last few years, you probably recognize Chris Michael Hepler. Along with working part-time in sales at this LGBT favorite shop, Chris also works in deliveries at Core-Mark. In addition, Chris has been involved with “ The Men of Charlie’s Las Vegas” helping to raise funds for local LGBT charities.
Weeks after the emotionally charged conversation with Chris around HIV/AIDS, Gay Vegas noticed a GoFundMe campaign he had created after being left without transportation.
The campaign page stated: “I am a person that works hard and always there for people when they needed help i didn’t plan on doing this but one of my jobs depend on it. my old car decided to break down and beyond repair and need to get a new car. My main job you have to have a car and they gave me one month to get a new car been trying to save but every time i do something comes up and don’t like asking for help it’s just not who i am but letting my ego go and asking for help. I love my job and don’t want to lose it. This would mean so much to me you don’t even know. and thank you for every little bit you help with Help spread the word!”
By the time the campaign came to our attention, 19 days had already gone by and the GoFundMe account balance had not budged. Remembering the struggles Chris had spoken of so passionately and with so much love, we couldn’t let him go another day without a vehicle.
Gay Vegas bought Chris a car today. And with that said, all that we ask for in return is that you support some of his favorite local HIV/AIDS non-profits, such as Golden Rainbow and the St. Therese Center HIV Outreach.
Thank you for your support. And Chris: we hope you enjoy the car!
Dishin' It OUT with MasterChef D'Andre Balaoing
- August 2, 2016 - 1:42pm
- Comments
Vegas local and LGBT community member D’Andre Balaoing is lighting things up with his marvelous cooking and fabulous shoes on the latest season of MasterChef. We recently caught up with the charming home cook and got to chatting about his fascinating upbringing, how he got into cooking, what his MasterChef experience has been like, what he thinks of Gordon Ramsay and much, much more.
Tell us a little bit about yourself. I was born in Barksdale, Louisiana, but I didn’t spend a very long time there. My mom was a single mother and shortly after delivering me, we moved to South Korea, where I lived until I was five years old. My mom was young and from the military and she was strong. She was the kind of women who didn’t need no man and I really value her for that. But throughout my life we’ve moved all over. I’ve lived in South Korea, Japan, Portugal, Guam. I’ve visited places that people would only dream about as a kid growing up. The airplane was my way of life. My mom met my stepdad when I was nine. We were living in Okinawa, Japan. He was this gruff, hardened military guy. The two of them got married and had my little brother when I was 11.
My whole life, I knew that I was gay. It was normal for me. I was never made to feel weird about it from any of my friends or anybody that was close to me in my life. But my stepfather, who was more conservative, he didn’t really see that being a part of his life. And so when I was about 16 years old and finishing high school, he did make the decision to sort of give me the black sheep treatment. He did throw me out. And so I came to Vegas. I was 17 and I signed up for college. I lived out of my car for a little while I was getting work going and getting some money and living on campus. I worked washing dishes in the dining commons at UNLV. And that’s how I supported myself until I could do better. But my family and I, we’re making slow steps towards acceptance.
What about your mother? My mom and I have always been close. That separation of me with her family was really difficult. I didn’t want her to feel like she had to choose my stepfather and little brother over myself. And so I told my mom, “I’m done with high school. I’ll be okay.” She gave me that strong will that she had raising me by herself and so I felt like no matter what happened in Las Vegas, I would be just fine.
Who else in your family has been in the military? My birth father was in the military, but he and I have never really had any true connection. The option was there when I was younger to reconcile and to be in contact with each other, but I felt like that was something that I didn’t need at that point in my life. My mother and stepfather were both in the military. They both served 24 years and retired. My mother retired as a tech sergeant and my stepfather retired as a master sergeant. They both worked out of Bolling in Washington, D.C., which is where they still are. My mother now works for the federal government and my stepfather is in teaching.
Do you feel like you grew up a lot faster than your friends? I feel like I had to. There were moments of joy but I think when you combine being an LGBT teen with being a military brat, my life is colored a lot with absence. Sometimes parents would have to go away for months, deployed, and you wouldn’t get to speak to them, you don’t know how they’re doing. Sometimes friends would leave and it’s hard to develop relationships. I didn’t feel comfortable going to dances or proms or things like that either because, one, I was an ugly duckling, but, two, it was hard to feel like you’re going to have these friends for life when you know that all of you are going to be moving to different parts of the world. I felt like I was always more independent than people who lived seaside.
What do you mean by ugly duckling? I was in an accelerated military school course. I was in fourth grade in a hybrid class of sixth graders. They called me “Webster” just because I was so small. I was always the smallest person in my class. I actually had to carry around a Merriam-Webster dictionary to sit on so that I could see the board. That was kind of my booster seat. I had really bad acne and really thick glasses and I was just generally moving pretty awkwardly throughout the whole high school phase.
Well you sure have transformed into an amazing person with some incredible cooking skills. How did that come about? Cooking was always the most important thing in my family growing up with my mom and I. We didn’t have a lot in terms of money. We actually didn’t have a television in our house until I was I think 10 years old. But before that all the time that we spent together when she wasn’t at work or when I wasn’t at school was in the kitchen. It was really important to her that I walk away with some solid life skills. I remember being five or six and climbing onto the kitchen counter and making myself scrambled eggs and being so proud of that. As time went on and we moved to some of these great countries, I learned to smell, to taste, to not be afraid of anything, because when you don’t have a lot in terms of money, you have to really appreciate every piece of food that comes your way. And so nothing was weird to me. I sort of took that philosophy with every other culture that I came across.
Speaking of the show now, what are some of the most difficult elements to being on a show like MasterChef? I think the most difficult part is maintaining your sense of self. You want to show what you have and you want to prove to America that you have these gifts and that you’re competent and talented and passionate. But then you have to remember that cooking in the MasterChef kitchen is nothing like cooking in the kitchen at home. The pressure that you face, the cameras, the lights – we all do our best to minimize our starstruck-ness. We’re constantly being introduced to these culinary titans and these huge chefs that we grew up idolizing. You want to showcase what you’ve got, but you also have to remember that there’s a time limit. That means that you can’t always bring to the plate what you want. But the goal I think is to just give the judges a general sense of where you’re headed. They’re looking for potential and that means that sometimes another thing that’s difficult is feeling out pressured or out shadowed by your fellow competitors. What that means is that the strongest cook upfront is not always going to win. The person who’s the most impressive on day one is not always what they’re looking for. They’re looking for growth. And so it’s remembering that you were chosen and that even though a lot of the people around you might feel powerful, the judges also see you in that respect as well.
There’s a lot to be said about even just being chosen. It’s not easy.
There’s a lot of speculation floating around the Internet about time limits and about help – make no mistake about it: MasterChef is very real. What you see on television is a 100 percent portrayal of what happens in the kitchen. We don’t get extra time. We don’t get people to come and help us. You get one shot. You don’t get any recipes and so you have to lean on your intuition and know that you’re going to do this well. Because we really don’t get any sort of help. It’s very difficult.
Being an LGBT person on MasterChef – was that difficult? Was it something you made known to all the contestants? That’s such a great question. I’ve done a lot of interviews and I think that’s the first time anybody’s ever asked me about this. They cast a very wide net to find the best home cooks. They’re finding passionate people from all over the country with different backgrounds and beliefs. And not all of them, as you can probably imagine, took to my being LGBT as well as I’d hope or as anyone else could hope. But the one thing that I can say is cooking brought us together, especially as the groups got smaller and smaller. We bonded over that. Nobody really has time to talk about, “Oh my boyfriend” or girlfriend or wife or husband. The only thing we want to see is what you’re putting on the plate. That’s the only thing that’s really important.
I feel like I don’t have to tell people that I’m LGBT. People can smell it on me at this point. It was never a conversation that I did have to have with people, but it was really important for me to be authentic and true to myself because I want people to see – I’m definitely not the first LGBT contestant on MasterChef and I certainly won’t be the last, but I wanted people to see me, to see the LGBT community, to see people, represented on the show, because I think that really does paint a true and authentic picture of what America looks like.
Were you the only out LGBT person on this season of the show? To my knowledge, I’m the only one. And that’s something that I’m really proud of.
Did you ever wonder what you had gotten yourself into? Or did you think it was just the best experience? I think the MasterChef journey is probably a combination of both of those things at all times. You’re super proud, but then you’re also given these challenges. To expect us to do it and hold us to a standard makes us better, but I also think it definitely strikes fear in our hearts. Off camera there’s a lot that you don’t see and there’s a lot that goes into making the show. When we do have off time, we are gathered together and talking with each other because we don’t have cellphones or the Internet or access to our families. All we really have is each other and I think the contestants are really good about reinvigorating each other and making each other feel supported throughout the competition.
Which of the friendships that you made on the show would you say is the most surprising? I started very early on in the show as somebody that I think the other contestants thought would go home soon. I was in the bottom two for the first two full episodes of the show. That’s never really a way that you want to introduce yourself, especially to Gordon Ramsay. But again, they’re looking for growth. My surprising relationship was someone that I was actually in the bottom two with: Barbara [Savage]. She and I have always been very close. As soon as we arrived in Los Angeles, she and I were like – she just looked at me and said, “Girl,” and I looked at her and said, “Hey!” and ever since then we’ve been really close. She was my mother in the competition. We were holding hands when the judges decided who to eliminate. She was wearing a string of pearls and when she got eliminated, she put them on me and kissed me on the forehead and told me to get my ass up to the balcony. I still have them.
Were there any contestants from previous seasons that you looked up to as role models? I’ve always been a huge fan of Tommy [Walton]. Just because he’s funny and he serves up plenty of realness. But he’s also really talented. I think his passion took him a long way in the competition and I’m hoping it does for me as well. I’m also a really big fan of Derrick [Peltz] from season 6. I was impressed by his technique, especially in the finale. I think when you create dishes that look like that, when you have that sort of eye for detail, it’s hard not to draw a fan base. But I was also trying to pull from my own recipes from season 5, because I was cast into the top 100 on season 5 and tried out for the show then. And so it was a matter of comparing what I did last time and what I was going to do this time that was going to keep me in the MasterChef kitchen.
There are several Las Vegas-based contestants on MasterChef this season. Was there any connection there? There was an immediate connection. I think when we were all on the plane – you know, we can’t really talk about where we’re going or what we’re doing, but when you’re sitting on a plane and you look around you and there’s a big group of people and they’re all like reading cookbooks and trying to memorize everything, you kind of just look at each other and you’re like, “Hey, what’s up? Where are you going? Oh, a rental car convention? Cool. Me too.”
What’s great about this season is it’s actually the first time that you’re seeing anybody from Las Vegas featured in the MasterChef kitchen. Nobody from Las Vegas in all seven seasons has ever won an apron. This is the first time that our city’s on the map.
It made sense. We have the best food in the world so we had to have some of the best home cooks in the world. I hadn’t met anyone from Vegas before, but I have heard of some of them. I used to work in professional gaming so I’ve heard of David [Williams]. I’ve seen David’s face before with the professional poker playing. And I’ve definitely been to Rockbar where Shaun used to be and I used to dance. I didn’t know that was him, the DJ, but we’ve passed each other before. Vegas is a really small town.
Gordon Ramsay lives in Las Vegas, doesn’t he? He does sometimes. He did just buy a house here. So he is a part-time Las Vegas native, but he also has his restaurants.
Gordon scares me a little bit. Was he difficult to deal with? Or is there a sweet puppy dog underneath that bulldog? If Gordon Ramsay is not scaring you, then you’re probably not listening. He’s not trying to scare us. I think what Gordon Ramsay is showing is passion. And it’s something that I was really worried about, to be honest with you, before I went on the show. Like, “Oh, I don’t want to get yelled at. I don’t want to feel stupid on national television.” But I think when you’re in the heat of the moment in the MasterChef kitchen, you tend to not think about things like that. Gordon Ramsay, he very quickly became a mentor to all of us. Sort of like a father figure. He really just wants us all to do and to be our best, whatever that means for us. So for some of us, we’re coming in with lots of technical knowledge and we need to work on plating for other people. We need to sharpen our core skills. Gordon Ramsay sort of recognizes all of our needs and tries to teach us as best as he can. He does look at all of our recipes and he does keep a very close eye on what we’re doing and how we cook, so I’d like to think that he know us pretty well.
Can we talk about the shoes you wear on MasterChef for a second? Tell me about those shoes. Did you make those or buy them? It’s a combination of both. There’s a company that makes them as well, called Electric Styles – I’m not doing any plugs. They’re USB rechargeable and they’re powered by battery. It’s about five hours of continuous use on one battery charge – it takes about two hours to charge. I thought it was important to bring them with me to the MasterChef kitchen because coming from Vegas I wanted like a little reminder of what home was like if I ever got homesick. I think they’re my Dorothy slippers. I just look down at my shoes and I remember what home is.
Career-wise, what do you do outside of MasterChef? Where do you want to go next in terms of your career? I work, very proudly, as a bartender. I have for the last three years. Every now and again, by special request, you can catch me at the Huntridge Tavern on Maryland and Charleston, one of Vegas’ oldest dive bars. But my passion has always been about cooking. I’ve always regretted not going to culinary school and I’ve always regretted everybody’s naysay and advice. So my goal now is to sort of catch up. I’m working on a few projects that I’m really excited to release to the public once they’re finished. But right now I’m focusing on harnessing my cooking skills. I’m still working part-time as a bartender. I’m also working part-time as a web designer – I did get my degree from UNLV in web design. But for the most part I’m at home and I’m fortunate enough to have a partner who’s supportive to let me make a mess in the kitchen and photograph things. Hopefully all of this work that I’m putting into cooking and perfecting recipes will lead to something later.
So what’s your favorite thing to make at home? That’s a really tough question. I think without a doubt I have a really soft spot in my heart for fried chicken. It’s because it’s one of those things that when I was travelling the world I noticed that every country has. It’s sort of like the meatball or maybe even noodles. Every country has a fried chicken. And even though there’s different ingredients and preparations that get tossed into making that fried chicken, they all sort of come out the same. They’re crispy and they’re juicy. It’s sort of like a universal dish. And so that’s why I put everything that I had into fried chicken.
What about the boyfriend? What dish does he love for you to prepare for him? We’ve been together for seven years and I think I can pride myself on saying, “You’ve never ever been hungry.” He’s from New Jersey – he comes from a very strong Italian background and so he’s always looking for pasta. I find myself cooking pasta maybe two or three times a week. If he’s really homesick, he might ask me to whip up some pierogis.
Is it true you guys have chickens? It became important to me about last year to start reconnecting with where my food came from and so I decided to invest in chickens. I have two: Daisy and Scramble. They’re both great hens who give me eggs everyday. And we have a nice garden in the backyard. I’ve got 11 different kinds of tomatoes and eggplant and broccoli and Brussels sprouts. It’s just a way for me to feel closer to my food. There is an education aspect. I’m enjoying farming and raising in this desert climate.
I’d like to ask you what advice you have for other LGBT community members who also want to follow their dreams? Something that I wish somebody would have told me when I was younger and dealing with issues about my sexuality and how that would relate to finding work and succeeding ultimately is that, “You are worthy and your dreams are worth it.” I think nobody should ever make you feel like you don’t deserve the best, because I think everyone does. And what the best means for different people is what it means for different people, but I think that you being LGBT is something that you should be proud of and something that you should draw strength from because as you move throughout the world, you find that there’s a lot of people who might aim to tear you down. And so holding on to the people that love you and the people that know you can be a really important thing.
So how can we get more of D’Andre beyond the show? If you want more of me and some behind-the-scenes fun, follow me on social media. I’m always available for catering. I love to do events and I’d love to come out and meet people. If you have a need for demos, if you want lessons, even just like a one-on-one dinner, that’s something that I’m always up for. Just reach out to me on social media.
MasterChef airs Wednesdays on FOX at 8/7c and is also on Hulu.
Ichabod's Lounge
- August 2, 2016 - 1:20am
Looking for an off-Strip dining experience? An old-school joint where locals congregate for a good meal, strong cocktails, gaming, and even dancing and live entertainment? In the Renaissance III shopping center on East Flamingo and Pecos, is Ichabod’s Lounge, where you’ll find good, hearty real-people food and drink - a true throwback to the restaurants I remember from my childhood.
As a kid, my Dad would take us to dinner at steak and seafood spots with names like The Golden Plough, or Victoria Station - a railroad themed eatery, created from refurbished train boxcars, where you entered through a genuine caboose, to find a space with dim lighting, plush banquettes, dark wood accents, and a gigantic all-you-can-eat salad bar. Some of these restaurants had separate cocktail lounges, often hidden behind swinging doors with little diamond shaped windows. I’d hear people inside laughing and singing, and wonder what was happening in there that was so much FUN! Ichabod’s Lounge transported me back to those days the moment I walked in!
I was accompanied by my friend Rhiannon - pin-up girl, plus-size model, and all around great gal! We were greeted by an elegant woman in a black gown and escorted inside. To one side was a glassed off section for non-smokers, the bar was to our left, with tables and chairs to the right and on the far side of the bar. Directly in front of us was the piano bar and dance floor, bordered by a few more tables. This was where we were seated. There were a few adorable couples dancing and enjoying the music provided by Howie, the pianist, and Elisa, the vocalist. We sat down and almost immediately, Shannon, our server was there to take drink orders while we studied the extensive menu. We began with two nice, strong Lemon Drop Martinis, and chose a few appetizers to split.
First came the Fried Mac & Cheese Bites - crispy little nuggets filled with creamy macaroni and cheese, tasty and addictive. We also had the Jalitos - fried, breaded jalapeño peppers stuffed with cream cheese, which mellowed out the pepper’s natural heat. Both dishes were served with house made Ranch dressing for dipping and were definitely guilty pleasure foods! The kitchen also sent out a little bonus; the classic Shrimp Cocktail. Fresh, cold, and sweet, served with house made cocktail sauce, those jumbo shrimp were gone in a flash! Then came the Steamers - two pounds of Littleneck clams swimming in a delicious broth, and served with garlic toast. The Littlenecks were fresh and meaty, and the broth was fantastically garlicky. We considered asking for more bread for sopping up the extra broth! Clearly someone in the kitchen loved garlic, and we loved him for it!
As we worked on our appetizers, Howie and Elisa provided pleasant musical accompaniment; light country pop tunes like Patsy Cline’s “Crazy,” and Roy Orbison’s “Blue Bayou.” I must confess I sang along a bit, having worked for years in piano bars, and when Howie found out I had been in a Doo-wop group years ago, he gave us a couple of fun 50’s songs: “Why Do Fools Fall In Love,” and “Da Doo Ron-Ron.”
Shannon brought out our main courses; the 14 oz. Choice Rib-Eye Steak for Rhiannon - flame broiled, tender and juicy, the steak had a lovely caramelization on the outside, while the inside was done to a perfect medium pinkness. Seasoned just right, it needed no steak sauce or condiment of any sort - perfect just the way it was! Served with a side of fresh broccoli and a steaming hot baked potato, it seemed a perfect old-school meal. I opted for one of their daily specials: the Blackened Snapper - a firm, dense piece of fish, coated in Cajun seasonings, and lightly grilled, the subtly delicious spices never overpowered the flavor of the snapper. I was also curious to try one of the pasta dishes, so Shannon had a side order of the Shrimp Scampi Pasta sent out. The linguine was done to a nice al dente consistency, and the shrimp were highlighted nicely by the buttery sauce of garlic, lemon, herbs, and dry white wine - overall, a strong, irresistible scampi.
Finally, Shannon brought out two desserts for us to sample: the Tiramisu - yummy layers of espresso-soaked lady fingers, cocoa, and a creamy mixture of eggs, sugar, and mascarpone cheese. The coffee flavor never overshadowed the sweeter ingredients, making it a beautifully balanced dessert. We also tried the Limoncello Mascarpone Cake - a lighter than air sponge cake made with the traditional lemony Italian digestif, a creamy mascarpone filling, and topped with shaved white chocolate. A perfect not-too-sweet ending to a fantastic meal!
There is so much to like about Ichabod’s Lounge. From the old-school Vegas atmosphere, to the varied menu, to the charming entertainers in the piano bar, Rhiannon and I enjoyed it all. Ichabod’s is family owned and operated, and indeed, we felt like family when we were there - the staff were all warm and welcoming. They’re also open 24 hours, so whether you’re craving breakfast, lunch, dinner, a late night bite, or just some good strong cocktails, Ichabod’s Lounge will be able to accommodate you.
And yes, the place is named after Ichabod Crane, from Washington Irving’s “The Legend Of Sleepy Hollow.” So if you want a Vegas experience that’s unlike anything on the Strip, don’t lose your head! Just head on over to Ichabod’s Lounge.
Absolutely Fabulous : The Interview
- August 1, 2016 - 6:00pm
How to be a free spirit, why a wallet, not a toaster, is better suited to carry cash, the power of a heavy pour – since 1992, fictional besties Edina Monsoon and Patsy Stone, played by Jennifer Saunders and Joanna Lumley, respectively, have guided legions of outsiders into the light. (And not just after a late-night Stolichnaya vodka binge blackout.)
As the Absolutely Fabulous duo cheerfully imbibe from London, it’s a classic case of life imitating art – everyone wants to get these iconic ladies smashed as they “work” the promo for their long-awaited return to the screen with Absolutely Fabulous: The Movie. Oh yes, sweetie darlings, it’s a real thing now. Thank god; thank vodka.
The film is Edina and Patsy’s first time together since 2012, when the series celebrated its 20-year anniversary. For the premiere movie adaptation of the BBC series, Saunders, making good on her pledge to write more adventures for the TV-born trainwrecks, stars alongside Lumley and a cast of familiar faces – Julia Sawalha as Saffy, Jane Horrocks as Bubble and June Whitfield as Mother, plus star cameos – as they continue to live their best, booziest lives.
Pour yourself a Stoli-Bolli and read on as Saunders, 58, and Lumley, 70, sip their signature cocktail and dish about their “great crash entrance” into gaydom, being ahead of the queer curve and how the LGBT community catapulted Absolutely Fabulous to global-phenom status.
I don’t want to shock you with this news and I hope you’re sitting down, but gay people really like you.
Jennifer: (Both laugh) And we love gay people!
For both of you, what was your introduction to the gay community?
Jennifer: Oh! So long ago I can’t really think. It just seems like college; I had gay friends then. To be honest, I don’t know. It just seems to have always been there.
Joanna: But I think the great crash entrance was when we had Absolutely Fabulous and we were welcomed into New York to a certain extent. That was quite fantastic.
Jennifer: Yeah. And the first time we saw our drag doubles was startling! (Laughs) Because you realize quite how small we are, and short and insignificant, when you’re standing next to your drag doubles. They’re more glamorous than we could even hope to be!
Joanna: And occasionally with a beard!
Jennifer: And often with a beard; yes, you’re right! (Both laugh)
You just made an appearance during London Pride. Because the gay fandom for Ab Fab is so intense, I’m surprised you can go anywhere with a sea of gays and it’s not a mob scene. When gay fans see you in everyday life, what are those encounters like?
Jennifer: Really lovely, I have to say. Because people love the show and love the characters, I always get such a nice response.
Joanna: We get kissing and we get a bit of selfies, and it’s lovely.
Jennifer: I think we’re recognized more if we’re together. The response is more extreme.
How did Ab Fab come to be so gay? Did you make the show for gay people?
Jennifer: No, we didn’t. And we’ve been thinking about this a lot, and I think (the gay fandom is) because of the friendship and because they’re not in search of love – they’re not constantly looking for a man, they’re quite happy with each other. They live life to the fullest, they live life without brakes and the friendship is all (they need), I think.
Joanna: And I think because they’re glamorous. Edina always longed for (her daughter) Saffy to come out as gay and she’s very proud of having a gay son, Serge. But there were always gay people in the show, Jennifer; you always had them written in.
Jennifer: Yeah, ’cause it’s normal.
When the show ran from 1992-1995 the word “gay” was barely uttered on television. Then you two came along and changed the game.
Jennifer: Good!
Was it your intent to introduce queer themes and people into the television zeitgeist?
Jennifer: To be honest, we never analyzed it like that. It just seemed to me, if we were representing lives, especially those in the fashion world and the creative world – it’s full of gay people. And you know, Edina married one – one of her husbands was gay! (Laughs) It’s just part of the fabric of society.
But it wasn’t then, right?
Joanna: Do you think it had a way of making people feel more open toward gays, Chris?
I do think so. I also think it made gay people feel comfortable in their own skin. I know friends who call you their lifeline because they’re gay and grew up in small towns; they had no role models, no one who even acknowledged them or their sexuality. How does it feel to know that you and these characters had an immense influence on people in the LGBT community?
Jennifer: I feel incredibly proud, then. We have a lot to thank the gay community for, because I think the show largely started being popular in the gay community and through that into the wider community. So, it’s been a lovely relationship.
Joanna: We had the most wonderful award given to us in New York from the LGBT community (the 2002 Gay, Lesbian, Bisexual and Transgender Pride Award) and I’m totally proud of mine. It’s a wonderful citation which has made us priestesses of New York forever. It came from them thanking us for exactly what you’re thanking us for, and it makes me feel so humbled because Jennifer actually wrote these two characters and the characters are the people who have somehow become attached to us like an outer skin. It’s rather thrilling to be attached to those characters.
How attached are you to those characters?
Jennifer: Only in that it’s very hard to move without having a glass of champagne put into your hands. That makes life really, really nice. (Both laugh)
Are you drinking at this very moment?
Jennifer: We are! Hugely! She’s just poured a vodka into my champagne.
What cocktail do you recommend people order when they watch Ab Fab: The Movie?
Joanna: I think it’s gotta be the Stoli-Bolli cocktail. Stolichnaya vodka slipped into a glass of champagne – it’s almost half and half, actually, the way we drink it. (Both laugh)
Jennifer: It just knocks the bubbles out and puts a little bit more alcohol in.
Joanna: But as they would not add: Please drink responsibly.
Jennifer: It would damage your health. It would severely damage your health. (Both laugh)
Edina is always saying, “All my friends are gay.” How true is that for you in real life?
Jennifer: (Laughs) All my friends are gay!
Joanna, let’s talk about Patsy being transgender. Her gender change was addressed several times during the series. Why was it decided that Patsy should be trans?
Joanna: Yes, in series 2 (episode) “Morocco” we had a flashback to when Patsy had indeed been taking hormones and grown a mustache...
Jennifer: (Laughs)
Joanna: And cut her hair off, had something switched on. Sadly after a year, it dropped off and she stopped the hormones, had a quick shave and went back to being Patsy again. But she goes in and out of it. And I think she was slightly dreading having to do it this time (for the movie), which is why she tried to resist. (Slips into character as Patsy) “No, Eddy, no!” And indeed she managed to fool a very, very old almost-blind woman that she was a man.
Jennifer: She makes a very good man. We are basically like a married couple, Edina and Patsy, in a funny way. (Laughs) And they are sort of genderless.
Joanna: Indeed. In one of the New York episodes we got married by Whoopi Goldberg! (Both laugh)
I’ve always thought of you as gay men in women’s bodies.
Jennifer and Joanna: We are, yeah!
What advice do both of you have for gays who are on a quest to live their best life?
Jennifer: Don’t listen to anybody else. Kate Moss’s great thing: “Never complain, never explain.” That’s a very good way of living.
Joanna: She’s adapted it from the original quotation, which was from the 1930s: “Never apologize, never explain.”
Jennifer: Oh!
Joanna: Never apologize – I think that’s a good one.
You’ve always had something to say about the PR industry on the show. What other business could use some mocking?
Jennifer: I think politics is just making a mockery of itself at the moment, so that’s not much help.
Joanna: Bankers have sort of been done, with things like The Wolf of Wall Street and The Big Short and so on. All those that have kind of taken on the financial world. What else is there, Jennifer? Plenty?
Jennifer: (Laughs) I don’t know!
Joanna: But you didn’t really set out to make a parody of it – you just had that as the background.
Jennifer: Well, the great thing about PR is you can do anything. It can be any job, you can go anywhere. It’s such a wide, wide field, so it was the perfect job for (Edina) because it meant that during any show you could do anything – you’re not stuck in an office. But I suppose nowadays the thing is, nobody’s stuck in an office anymore. You know, anyone can live online, live at home, work at home, do their own PR via social media. You could honestly do your job from your bed, and that’s fantastic.
When doing Eddy and Patsy in drag what should a queen always keep in mind?
Jennifer: Ohh, well, you know, the funny thing is, when they do Patsy they used to always do kind of trashy dressing. But actually, I noticed yesterday at London Pride they were very well dressed. I think Patsys are becoming better dressed, and that’s quite important for Patsy because you’ve gotta start off looking good, like you’ve got somewhere to go. Always give yourself somewhere to go.
And then by the end of the night?
Jennifer: By the end of the night, you can be hopeless. I mean, literally. Spread eagle.
What about Eddy?
Jennifer: Oh, Eddy… everything’s gotta be too small. Wear shoes that literally hobble you and costumes that strangle you. Remember that Eddy has never woken and not been marked by her clothing; she’s always marked. Elasticated marks everywhere on her body from the clothes.
Where can we expect to see Eddy and Patsy in 20 years?
Jennifer: In a home.
Joanna: Attached to intravenous bottles of Stolichnaya and Bolly. Still smoking like chimneys. Organs removed.
Jennifer: But having a fabulous time.
Joanna: Still having a fabulous time.
Any final words for your gay darlings?
Joanna: We love you, sweetie darlings!
Tegan and Sara : Interview
- August 1, 2016 - 6:00pm
“The world has changed a lot,” Tegan Quin says, knowingly speaking to the queer choir.
And who can argue? In the last five years alone, the LGBT community has made considerable strides in being seen as equals. But the effect doesn’t just mean more same-sex weddings and the prospect of mixed-gender bathrooms.
The world changing means Tegan and Sara can change too.
“We love the support of the queer community,” says Sara, “but we also needed to set our heights to be included in other places too. We shouldn’t just be the ‘gay band’ – that’s not who we are.”
Tegan and Sara, then, let the sound of their collective youth – the flamboyancy of David Bowie, the heartfelt resonance of Annie Lennox – guide them beyond the indie-rock fringe they’d inhabited since they formed out of Calgary, their birthplace, in the mid-’90s. Because they could.
Because why not?
Of the switch from Hole-inspired alt-rockers to New Romantic revivalists who went on, in the last few years, to share the stage with pop heavyweights like Katy Perry and Taylor Swift, Tegan credits “the mainstreaming of gay culture,” which, she says, has “helped propel our band beyond the underground.”
If you missed the signs along the way, you weren’t listening. Pop had already been bubbling up beneath the surface on their breakthrough LP So Jealous, released in 2004, and onward through 2009’s Sainthood. But in 2013, the duo shed their punk skin completely. Like a dusted-off early ’90s relic, Heartthrob, their first full-on pop outing, shimmered with retro shine. For the project, they joined forces with super-producer Greg Kurstin, whose radio-ready synth sounds have imbued the pop landscape and its biggest names, from Lily Allen to Kelly Clarkson to Sia to Adele.
“Artists change,” Sara explains. “When we were younger we also didn’t really like to wear makeup. Now, I’m so sick of having my picture taken where I look normal. We have definitely established what we look like and who we are in our everyday lives, so it’s fun to play with not being that.”
Take the cover of their eighth studio album, Love You to Death, for instance; on it, the Quin sisters’ faces are streaked in bright, contrasting tribal swirls. That kind of color also runs through the kaleidoscopic beats Tegan and Sara, along with Kurstin, helmed for their second synth-powered soirée and follow up to 2013’s Heartthrob. The guitar that marked their earlier work? Long gone.
“As we’ve gotten further into our career,” says Sara, “we feel more comfortable and excited about challenging ourselves and being creative. That evolution feels really natural and exciting, so that experimentation visually and sonically is necessary after 17 years, I think.”
Love You to Death is also striking for its overt gayness, evidenced by a liberal smattering of “she” references. Female call-outs aren’t the norm for the famously pronoun-shy sisters, who’ve generalized the subjects of past songs to make their queer experiences universal. Sara says “I Was Married” from 2007’s The Con was “the beginning of me taking on more directly the political issue of relationships and being gay.”
“Maybe in the past we didn’t emphasize certain things because we were already being conditioned and pigeonholed as a gay act,” she continues, “and we were sort of resentful and like, ‘Fuck you, we’re not a gay act; we’re gay and we’re musicians.’”
Being labeled is a “a complicated topic,” according to Tegan, who says, “When people call us gay in mainstream pieces, especially if it’s a blurb like ‘lesbian duo Tegan and Sara,’ it feels so offensive and marginalizing because we don’t declare heterosexuals, ‘heterosexuals.’
“I always want it to be in context with the music,” she adds.
So, in their mind, are they pop? Indie pop? EDM? Tegan doesn’t care to clarify anymore. “I just gave up,” she admits, noting that she’s reluctant to call their reinvention “glam” even if their retro, mag-ready makeover would suggest otherwise.
“I feel like I’m grown up lately, that’s what it is,” she says. “Like, I should wear pants that fit me,. And I probably shouldn’t wear sneakers onstage. Maybe I’ll put something on that looks like I tried. We’re at that stage in our career.”
In 1999, when the duo released their debut, Under Feet Like Ours, if it wasn’t about the music, it wasn’t important. They were more apt to go with the flow then, Tegan notes. The exception? When Elle Girl requested they wear their bathing suits for a photoshoot.
“We were so traumatized,” she remembers, verbally assaulting the mere idea with a “fuck no” as she remembers shooting down the opportunity because, as Sara adds, “It wasn’t really our aesthetic.”
“I was sooooo upset,” Tegan continues. “Now, I would just laugh. I don’t think the shoot would be able to continue I’d be laughing so hard. But back then, when you’re young, you don’t know how to say, ‘Uh, no.’”
These days, “we’re really bossy,” admits Tegan, who revels in the visual aspects of their newest releases, a drastic change from their pre-pop days when “we would play it safe.”
Lyrically, they’re also taking risks.
On “BWU” (i.e. “Be With You”) the Quins resist the concept of marriage despite, as of June 2015, their legal right to wed. To some in the LGBT community, their stance may seem divisive, but Sara, who’s in a five-year-long relationship, explains that – though it may be read as such – “it’s not a critique of same-sex marriage; it’s a critique of marriage and the institution of marriage and the culture of weddings.”
Denouncing “the ring” to “prove that you’re worthy,” the anti-marriage anthem – bouncy, bold and romantic – stands out not just for its uncharacteristically assured feminist leanings (“You can keep your name”), but also its direct openness regarding Sara’s same-sex attraction: “All the girls I loved before told me they signed up for more,” she sings.
When Tegan first got wind of the track, she says, “I was really moved,” stating that they’re taking a “very political stance” on the track and “people are either gonna really get this or they’re not.” She thought of their parents, who divorced when the twins were just 4 years old; their mother found love again with another man and they stayed together until Tegan and Sara were 20. They never married.
“The traditional male-female marriage thing didn’t appeal,” Tegan says. “It was almost like, ‘I am gay so I get out of getting married,’ and then all of a sudden it was a big deal around the time we were 27, 28 years old, when Prop 8 was happening. I was like, ‘God, this is so weird. I never wanted to get married and it’s so strange to want to because I’m not allowed to.’
“I believe in all of the rights and reasons that come with wanting to get married. What I really am is not a wedding person.”
Elsewhere on Love You to Death, there’s “Boyfriend,” which finds Sara confronting a closeted girlfriend. Is it a sign of the times that Love You to Death is, perhaps, more rainbow-swathed than any of Tegan and Sara’s previous releases? That it’s more “she”-centric? Partly. But moreover, having “always struggled” with using third-person pronouns, Sara says, “It wasn’t purposeful that I wasn’t acknowledging (my sexuality).”
“As for being more openly queer in our music, for me as a songwriter, I’ve always thought songwriting is a direct conversation between me and the person that has usually done something bad to me,” she continues, breaking into a laugh.
In the past, the duo’s gender expression has been nuanced. “Now I’m All Messed Up,” a track from Heartthrob, Sara says, references a girl “leaving her makeup – without emphasis on the fact that she’s a girl.”
She cracks another laugh, joking, “It’s just like, yeah, well, whoever’s in my bed is now in someone else’s bed and they wear makeup. Maybe they’re a Robert Smith. I don’t know!”
As the twins continue to forge their pop path, donning more makeup of their own, with sparkly throwback-tinged jams pushing them further from their punk genesis, Sara says there’s no going back now. On tour, as the duo promotes Love You to Death, they’re reshaping their past guitar-driven punk standouts to “bring them into the current sound of the band.”
In 1999, pop music was different. It was Britney Spears. It was NSYNC. Not exactly the kind of sound the duo aspired to, Sara says. But now, after being the antithesis of pop and acquainting themselves with synths, electronic drum beats and programming, she’s “excited to be a part of the wave heralding a different kind of version of pop music that maybe is a bit more of a throwback to pop music, where you could be pushing the boundaries of sex and gender.”
“Pop music wasn’t stupid, and it isn’t stupid,” she asserts, referencing Madonna and Kate Bush, trailblazers and personal influences. “Pop music is complicated. And it’s expensive to make!”
For some fans of their bygone grit, it hasn’t been easy to acclimate to their new shiny-sonic shift. Tegan acknowledges that “there’s definitely a contingent of fans that sort of found us around So Jealous and The Con” – the latter being their darkest, least pop-oriented release – “and those tend to be the ones having the most trouble with this transition.” On the flip side, “there’s a sense of pride, like, ‘Oh, we found them 10 years ago and they’ve grown up with us.’”
Now, of course, Tegan and Sara, both 35, have gone from coffee houses to stadiums; from winning Outstanding Music Artist at the GLAAD Media Awards to nabbing an Oscar nod for their The Lego Movie theme “Everything Is Awesome,” a collaboration with The Lonely Island. Even Taylor Swift is a fan – you can hear it on Swift’s own pop detour, 1989, released the same year as Heartthrob. In 2013, the twins made a surprise appearance on the “Shake It Off” singer’s Red tour to sing “Closer,” their first major pop foray.
Yes, the world is changing for us and for them… for the most part, anyway.
“I think as we become more embraced and accepted and more popular it’s made (fans) feel like they’re still outsiders and we’re not,” Tegan says, reflecting on how they’ve queered the mainstream, “and it’s like, ‘Oh no, we’re still outsiders, don’t worry.’”
The Heroism of Mariah Carey
- August 1, 2016 - 1:29am
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I told my mom I interviewed Mariah Carey and she cried. “I know how much this means to you,” she said, verklempt.
She knows Mariah saved my life. I was 10 and confused and gay when I first heard her voice. It was one of those meant-to-be moments: A friend eagerly, and thankfully, played me the cassette single of “Emotions.” That voice, all seven octaves, captivated me, changed me. Years later, when I heard the curly-haired, hand-wavey songstress singing pick-me-ups like “Hero,” “Make It Happen” and “Can’t Take That Away (Mariah’s Theme),” I was lifted beyond those signature high notes.
In 1997, I was 15 and still confused, on the brink of self-discovery, without a role model. The parallel wasn’t lost on me – Mariah was coming into her authentic self, channeling the artist she never could be on the triumphant confessional Butterfly, a metaphorical nod to the newfound freedom she was feeling after years of professional and personal captivity. The album, which turns 20 next year, ended on a deeply intimate note with “Outside,” where she referenced the inferior feelings she harbored as a biracial child.
As a gay adolescent internalizing the “feeling there’s no one completely the same,” as the song goes, my already-strong bond to the chart-topper, the diva, the survivor – my musical salvation, my “it gets better” – was strengthened. It was more than music. It is and has always been a palpable affinity to Mariah’s courageous and encouraging life story.
The story of an emancipated 27-year-old woman asserting independence. The story of a broken-winged 31-year-old woman who, a decade into her illustrious career, hit rock bottom, entered rehab for “exhaustion” and more than made it through the rain – four years later, in 2005, “We Belong Together,” the second single off The Emancipation of Mimi, held the No. 1 spot on the Billboard Hot 100 for 14 weeks. For Mariah’s ever-faithful “lambs” who, too, have experienced, or are still experiencing the outside, it’s her inspirational narrative they’ve clung to with undying devotion.
Nearly 25 years after first hearing her voice on cassette, my phone rings. It’s Mariah Carey, the sales-crushing icon with a whopping 18 No. 1 singles, the five-time Grammy winner, my childhood lifeline, our ally. As we speak, I’d be remiss not to acknowledge the roots of our connection, so I do. We also, of course, talk about Vegas, where she’s headlining The Colosseum at Caesars Palace with her hits show, Mariah #1 to Infinity, now armed with more “confidence,” she says, to go on vocal “tangents.” Naturally, her lingerie collection comes up. Furthermore, Mariah elaborates on the “unconditional love” she’s experienced from the LGBT community, which she emphasized when GLAAD recently recognized her with an Ally Award for all the lives she’s changed. An honor she received, in part, and most admirably, by changing her own.
You can’t see me right now but I’m bowing down.
Awww! I’m bowing down right back.
I’m going to start with the GLAAD Media Awards because what a big moment for me, too, as a gay man to finally see you honored for being an ally. You acknowledged the “unconditional love” from the LGBTQ community, and it’s true: I’ve never had anything less than that for you. To be completely honest, you and your music were why I followed my dream of being a writer who one day wanted to interview you. And here we are. Anyway, Lamb 4 Life right here; not even kidding.
Oh, wow; that’s amazing! L4L! Seriously – that’s such a great thing to hear; thank you for telling me that.
http://issuu.com/gayvegas/docs/gay_vegas_magazine_august_2016/46?e=12173140/37581984
Through the "Looking" Glass
- August 1, 2016 - 12:27am
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It was goodbye for now as the cast and crew of HBO’s modern-queer dramedy, Looking, stood in the rising San Francisco sun tearfully hugging. Just like in the film’s final scene, “we broke night,” Daniel Franzese, who plays Eddie, reminisces.
Of course they did. Looking was, after all, extraordinarily ordinary, a time capsule of contemporary queerness revolving around a chummy, could-be-your-own friend group navigating love and life in the Mission-Castro district.
That final diner scene wasn’t just our last time with Patrick and Dom and Agustin, along with the others, like Eddie, who became part of our own lives during these last few years – for the actors, it was, provisionally, their last time too. “It was like the last two of weeks of high school, like the weekend after everyone graduates from college,” Franzese muses.
Premiering in 2014 to critical praise and a modest following (at its peak, the series reached 519,000 viewers six episodes into its first season, up 50 percent from the premiere episode, according to Variety), Looking was divisive from the get-go, with viewers either drawn to its languid style of storytelling or vehemently against it. Was it too gay? Not gay enough? You know, everyone’s a critic. So when Doris, the group’s longtime straight girlfriend, comments on a squabble between main-gay Patrick and his ex’s new boyfriend during the film, you might say she's onto something. “Ohh, I love it when gays argue with other gays about being gay,” she cracks, as if addressing the show’s very opinionated audience.
Still, there’s no arguing Looking broke ground merely by existing. Beyond that, however, creator Michael Lannan and director Andrew Haigh, who helmed the beautifully rendered gay love story Weekend in 2011, spent the last several years tapping into the LGBT zeitgeist, past and present. The result was special, relevant and sincere.
Out actor Jonathan Groff, who portrayed neurotic boy-next-door video game designer Patrick, shared that sentiment even before Season 1 premiered, telling me, “I feel so excited to be a part of a show that could potentially be a great moment for the gay community, because it's crazy how few shows there are where there are a lot of central gay characters. I feel really lucky to be a part of this specific show because I believe in it so much as a television show.”
So did Lannan. The screenwriter never believed his idea for Looking could be more than the images swirling around in his mind, and even when they did land on the screen, and Season 1 aired, and then the show got HBO’s go for a second season, “I don’t think I ever thought it was really happening.”
Before Looking, Lannan had been living in New York for many years. There, his own friend group and their stories became the catalyst for the short-lived dramedy, which he initially wrote as an indie film script before HBO expressed interest in the concept. They envisioned his idea as a scripted show.
“I always thought it should be a show,” says Lannan, whose 2011 short film, Lorimer, was the seed for the series. “I think one of the reasons HBO wanted to do the show and we all wanted to do the show was because the world has changed so quickly in the past 10 years and this isn’t the Queer as Folk world – it’s a different world – and we wanted to do a show about people just living their lives in a time of great change.”
Now, he says, in the wake of its final-for-now chapter, it also feels “bittersweet.” Looking: The Movie is a thoughtful and heartfelt send-off, as Patrick, currently living in Denver, returns to San Francisco for a wedding and thereby meets up with his closest friends: BFFs Agustin (Frankie J. Alvarez) and Dom (Murray Bartlett), Doris (Lauren Weedman), Franzese’s Eddie, as well as his two former flames, Kevin (Russell Tovey) and Richie (Raúl Castillo).
“We wanted to find some midpoint between resolving their stories and sending them off on their way for new adventures and leaving that door open,” Lannan explains. “It’s tricky to do both of those things.”
Lannan confirms that they’d already been plotting a third season just as HBO announced the show’s cancellation, optioning, instead, to tie up loose ends with a feature film (and to finally offer closure to Patrick’s ongoing romantic drama). And so, though “we were heartbroken,” Lannan and the writers were forced to condense “stockpiled” storylines into an 86-minute movie.
“We just went back to the heart of the show, which is Patrick, and we let him drive the story,” Lannan says. “I think everyone’s lives are really reflecting on Patrick, and his on theirs. At its heart the show was really as much about friendship and the family of friends as it was about anything else.”
Eddie, one of the show’s popular periphery characters, plays a pivotal role in Patrick’s life in the film. It almost wasn’t supposed to happen that way – initially, Franzese, of Mean Girls fame, was only booked for a few episodes. That changed once showrunners witnessed his natural chemistry with Alvarez during Season 2’s premiere episode, “Looking for the Promised Land,” Franzese’s introduction to the series.
Even though Franzese’s HIV-positive bear character may not have had as much screen-time as his co-stars, the actor and his watershed role left an indelible mark on the show and the people who watched it. And for many reasons. Eddie was the first character with HIV in six years to be on scripted television, since a story arc on ER, according to GLAAD. Furthermore, his character represented what it means to be HIV-positive in 2016 and introduced PrEP to the TV landscape as he pursued a relationship with Agustin, who’s HIV-negative.
“Andrew told me, ‘Eddie will never get sick, that’s not what this is about,’” Franzese recalls. “Knowing that, I just kind of put it to the side and didn’t really think about the impact it might have. I was more happy and excited to be a larger guy, a man of stature, on a television show and shown in a sexual light and not as castrated comic relief.”
Because it was “just shown,” the feedback from viewers has been rich, which demonstrated to him that, “Representation matters, and education matters.”
Bears continue to reach out to him on Instagram expressing their admiration for a character on TV they can finally identify with. But “most moving,” he professes, was meeting a “magnetic” couple – one HIV-positive, the other negative – when Franzese made an appearance during Dallas Bears’ Texas Bear Round-Up.
“(The HIV-positive partner) said to me, ‘You know, I hope that I’m with my partner forever, but if I’m ever not and somebody wants to date me I’m going to show them Season 2 of Looking and say, ‘If you can get through this, then you can date me.’”
Franzese leaves Looking with a fondness for his influential character, the show and also the cast. Inside jokes, that already-established vibe, the camaraderie – sometimes, he says, speaking from experience, joining a show after it’s already launched feels like a “fleeting relationship.” But Looking was different. “When I’m a regular on a show and I have a guest star coming in, I will treat them with the same grace and respect and friendship that I learned on this set.”
Franzese was only recently out when the show premiered. Now newly engaged, the 38-year-old acknowledges that Looking was “profound for me in a lot of ways.”
“I had just come out and this was my first job after that,” he recalls. “To not only be accepted for being gay but to be celebrated and to have it not be a big deal – like, it was cooler to be gay on that set – was so freeing and reaffirming.”
And not just for Franzese. Looking’s greatest legacy could be, perhaps, how it rendered the gay experience as simply the human experience. It wasn’t about coming out. It wasn’t about gay people dying of AIDS. The narrative felt fresh because finally gay people could just… be.
Before Season 2, Tovey told me, “It’s such a true voice for gay people,” adding, “This is, right now, where it’s like to be a gay man who can get married and adopt.”
As the show’s creator, Lannan has been forced to contemplate the show’s legacy, and if anything, he says, he wants it to represent a moment in time – and also the passage of time.
“We wanted to see what happened when Patrick grew up,” he says about the finale, “and I think it’s exciting to see Patrick in command of his sexuality in a different way. He certainly hasn’t solved all of his problems, sexual or otherwise, but he has grown throughout the seasons and throughout the movie and I love seeing that.
“Patrick was always a character who had one foot in the past as a gay man. He grew up with the shadow of AIDS in the background, yet he wasn’t a part of that generation, so he had one foot in the past and one in the future. I hope that’s part of the legacy of the show, that it spanned a transitional period for gay men like Patrick.”
As advances for the queer community continue to progress, could _Looking_ become an ongoing TV narrative where we check in with these characters every now and again? What will Patrick be like in 2026? What will we all be like then?
The thought has crossed Lannan’s mind.
“We’ve definitely talked about it,” he reveals, “and I think if the stars aligned we’d all love to do it again in the future. I think it depends on a lot of things, but I would say, none of us would count it out.” He says that “one of our spirit-animal shows while we were making Looking was The Comeback ” – the Lisa Kudrow cult sitcom was renewed for a second season after a nearly decade-long hiatus – “so maybe we’ll do sort of a Comeback thing and check in again in the future.”
Franzese still has plans for Eddie and for the lives of the young transgender characters Eddie looked after at a homeless shelter for LGBT teens.
“(To know more about those characters) would’ve been such a beautiful thing,” he says. “That would’ve unfolded in Season 3. I would really look forward to that in the future.”
And so the end maybe isn’t the end after all. Maybe the sun hasn’t fully set on Looking just yet.
“Who knows – later on down the line I’d love to revisit these characters again,” Franzese says. “Knowing the people I worked with, I can’t even think of a production assistant who would say they wouldn’t want to be back on that set again. But I think this movie is a beautiful next step in the story, and if we all love each other and we love these characters, and I think if Andrew and Michael are inspired with some story, why not?”
Lady Lovin’ Ladyhawke
- August 1, 2016 - 12:17am
- Comments
Here comes the bride… and the other bride.
It was as simple as that for Pip Brown, whose stage moniker is Ladyhawke. The New Zealand-born indie popster flew under the gaydar until 2015, when she announced her marriage to actress Madeleine Sami. During the six years leading up to the couple’s wedding, the 36-year-old musician, known for intoxicating synthpop earworms like “My Delirium” and “Paris Is Burning,” was writing about the “highs and lows” of their partnership. The result? Her third studio album, Wild Things, a buoyant love-smacked delight.
Hours before hitting the stage in Boston, the first gig on her American tour, Brown rang for a tell-all about the life few knew she was leading and the album she recorded that she never wants to hear again.
When did you know you were not straight?
As a teenager, I didn’t really understand anything about sexuality. I didn’t have any understanding of gay or straight; I had no one teaching me that stuff. I’m from a really small town in New Zealand, and I didn’t know any gay people. There aren’t any out gay people in my town, that’s for sure. And just… it wasn’t on my radar. So, I questioned, when all the girls were falling all over themselves to get to the boys, why I wasn’t like that – and still, I was best friends with all the boys. All my friends were guys and I was their “buddy.” I was like, “Why am I like this? And why do all their girlfriends hate me?” (Laughs). It took me a long time actually to realize what that was. I sort of thought for a while that I was bi, and so for a long time I ran with it. I just thought surely there must be some part of me that could fall in love with a guy, but I’ve never been in love with a guy. I do find men attractive. But I was quite confused and it sucks that that’s a thing because we’re not taught about that. We’re not taught that it’s OK to like someone who is the same sex as you. It’s really horrible growing up thinking you’re not normal.
Did you experience queer culture shock going from New Zealand, where you didn’t know a single gay person, to LA?
I actually haven’t lived in New Zealand for about 15 years; I left a really long time ago. I moved from New Zealand to Melbourne, Melbourne to Sydney, Sydney to London, and then to Los Angeles. Melbourne was the real defining city for me, where I sort of found myself more – not because of the epic gay community there, but because that happens to be the place where I realized for the first time that I had the ability to fall in love with a woman, which I’d never considered before. You know, then moving to LA after all of this, it’s just another city where I can be myself. There are definitely a lot of cities I would question living in because I just don’t know if I could walk down the street holding hands with my wife. It sucks that it’s still like that in 2016. I feel sad even saying that.
You saying that makes me think of the recent shooting in Orlando and how necessary it is that we have our safe places. How have you been processing the incident that happened in Orlando, and what kind of effect did it have on you as a queer person?
I just can’t even… I was so…. I cried. I absolutely couldn’t believe that. I’ve DJed so many clubs, so many gay clubs, and so that could’ve been any of my friends or anyone I know. I just… it was very close to home and I feel very sick about it. I was in the UK on tour when it happened and I had loads of friends at LA Pride. And I was scared. I was like, “Why the fuck am I scared?” It’s a horrible thing to be scared because of your sexuality. I was scared for my friends for being at LA Pride, for being proud of being gay, and for all our friends who are supporting them, all of our mates who are out there with us, side by side. It’s a disgusting thing. I just don’t even know what to say. I just can’t believe it’s still going on. It feels so medieval to me.
How have you used music to express your sexuality?
All things are fueled by my sexuality, basically. It’s who I am. I can’t really avoid it. And the confusion as well. My songs have always been full of metaphors and confusion; I think it’s part of life. I feel like sexuality is a spectrum; there’s no black and white; there’s no gay, straight, you’re this or that. And the more open people are about it, the more you realize not everyone is black or white. Some people are very gay, very lesbian, but there’s so much more to it than that.
Where do you fall on the spectrum?
I don’t know. My sexuality has confused me my entire life and it still does to this day, and I think it’s because it’s not taught to us in any way. It’s always been an embarrassment. It’s like, “Don’t talk about it”; it’s hush hush. You know when you’re a little girl you play with dolls? I wasn’t that girl. I was the polar opposite. I was a tomboy. I played with trucks and Transformers. So, I don’t know where I fall. All I know is that I am attracted to women, but I don’t rule out that I could ever be attracted to a guy – I just haven’t ever been. I can’t say what the future will hold, but I know that I’m married and I love my wife.
Did you pull from that relationship when writing Wild Things?
Oh god, yes. I’d actually finished pretty much the whole album right before we got married and then I properly completed it two months after we got married, so the whole buildup to our wedding was me writing and reflecting on the last few years of my life and the experiences I’ve had and on finding somebody who you go through highs and lows with and still get through it and realize you’re with your best friend. I think that was one of the most rewarding conclusions I ever came to. This album is a timeline of all these things I’ve gone through.
Tell me about your favorite part of recording “Chills” with Scott Hoffman, also known as Babydaddy from Scissor Sisters.
Scott is one of my favorite people in the world! He’s so funny and I just love him. I met up with him in New York and we wrote that song; that song happened quite quickly. He’s just a great musician all around. He was on piano; I was on bass. We just jammed it out, and then we had “Chills.” It was just a really fun experience, and I know we’ll do stuff in the future together because we’re friends and he’s just a great guy. I love him. He’s got the best sense of humor; he’s hilarious. And we relate to each other on anxiety and germophobia. (Laughs)
You recorded an entire album that was much darker from what I’ve heard.
Yeah, it was, definitely.
Why was that album so dark and why didn’t it get a proper release?
I’ve had really bad depression for a really long time – my whole life, basically; since as long as I can remember. I think since about puberty. I developed a really bad drinking problem and it all just became this horrible thing where I didn’t know which came first anymore. I didn’t know which was fueling which. I wasn’t doing myself any favors and I wasn’t doing my career any favors and I definitely wasn’t doing my relationship any favors.
It got to the point where I had all these songs, and I remember playing them for my mom and I was in such a bad place at this point. I was feeling really yucky. Sad and gross. And I played the music to my mom and stepdad, and I just remember the looks on their faces really tore me up. They just looked shocked. Obviously, being used to me making somewhat upbeat music and then hearing this, I think it was more the lyrical content – it was just dark, dark music. And I remember my mom saying to me, “I can tell just by listening to this how bad you feel.” And that was the moment when I went, “Right, I need to sort this out. This is so bad. I can’t have a record that in 10 years time I’m not even gonna wanna listen to because it’s going to remind me of a shitty time I went through. I need to fix myself.”
Was it cathartic making it?
Yeah. It was good making it. It was also painful making it. I just didn’t enjoy the process. I’ve always said I love being in the studio, but it was just hard. I was so depressed. I couldn’t really focus properly. I was blowing off appointments as well. I would blow off writing sessions. That’s not what I’ve ever been about in the past, and I knew I needed to cut that out. I needed to stop drinking. First, I needed to just sort my life out, and my health, and my mentality. And that’s exactly what I did. It took me ages. All the tours that I’ve done that have given me the flu, that have kicked my ass, just trying to stop drinking and getting to the point where I was starting to feel really good and not having anxiety panics on the daily – that was harder.
Based on Wild Things, I’m guessing you’re in a much better place.
Yes, definitely.
When you married Madeleine Sami in 2015 the Internet seemed surprised that you even dated women. Were you surprised that people were surprised?
(Laughs) I was! This is gonna make me sound like I dated loads of girls – which I didn’t! – but I would always bring my girlfriend to whatever press I was doing. My girlfriend would be at everything. This is before Madeleine – well, Madeleine would come to everything too. But I would always bring my partner to everything: video shoots, press, shows, everything. And no one batted an eyelash! I always quite laughed at that. I thought it was quite funny. But yeah, I never even got quizzed on it.
I remember my manager being like, “You don’t really ever talk about this.” And I was like, “No one ever asks me!” He was like, “Why don’t we just tell people you’re married?” But I’ve been out for forever. Everyone knows. I dated guys – I’ve had boyfriends – but it was never anything serious for me. It wasn’t until I had my first girlfriend, I was like, “Uh, I see. This is a thing.” So it’s been so long for me that I just forgot that it was even a thing, you know? I know it’s so different when you’re really young and you’re just coming out and you’re realizing who you are and you have your entire family to tell. I remember that feeling. I know it’s incredibly hard. But this was so different for me because it’s no secret (laughs). I like the way we did it, though: “Yeah, she’s married.”
You made a statement without having to make a statement.
Exactly. Getting married is such an important step in a person’s life and it was something I was proud of as a human being. I’d always been such a – I couldn’t really commit to anything; you can see that from how many different bloody cities I’ve lived in! (Laughs) I can’t really stay still. I’m always jumping around from place to place to place, and so this was important for me and I wanted everyone to know. I wanted them to know that this was huge decision for me and that I was proud of taking this step.