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Cyndi Lauper

Cyndi Lauper Interview - Live in Las Vegas October 8th

It’s not just about having fun anymore. 

For Cyndi Lauper, music runs deeper than her ‘80s-era eccentricities may have seemed to suggest. A collection of classics from the Great American Songbook, deep Memphis-based blues, the feel-good Broadway romp Kinky Boots, which won her a Tony in 2013 for best score – Lauper changes musical guises like she changes dye jobs. 

The 62-year-old singer takes another sharp turn on Detour, her latest reincarnation, this time as a full-on Southern belle. The spunky pop priestess trades in her pink for plaid and saddles up with a slew of Nashville mainstays, including Willie Nelson, Vince Gill and Emmylou Harris, to sing signature mid-20th-century country ditties.

To talk about her twangy transformation, Lauper called just as she was leaving Los Angeles, where she recently received her much-deserved star on the Hollywood Walk of Fame. Lauper was her usual chatty and chirpy self as she dished on longing to be the “unknown singer,” shoe struggles and forever wanting to take on Joan Crawford and Bette Davis’ infamous revenge relic What Ever Happened to Baby Jane?. How exactly? By starring in a version of it alongside Madonna, of course. 

I love the irony of you, mega LGBT activist, taking on a genre that’s not historically known to embrace the LGBT community. There are a lot of LGBT people who love early country music! They love Patsy Cline, they love Loretta Lynn. I loved Loretta Lynn when I was little and when I heard her sing “The Pill” (a cheeky take on birth control) it was like, “Holy cow!”

But I just know that when I went to Nashville everyone was very kind and they were sweet to me, and it feels like a small town and it doesn’t seem like everybody is like that – it just seems like they don’t talk about it a lot. I talk about it because we did a lot of research about the kids running away, the homeless LGBT kids (in 2011, Lauper opened a homeless shelter in NYC for LGBT youth). We found that if the parents just said, “You’re my kid and I love you and you gotta give me a minute to get my head around this gay thing,” because where the heck are parents gonna go? You can’t go to the preacher man because he’s gonna condemn you and your kid to hell. You’re not gonna go to the school and out your kid. You can’t go to the neighbors. So, where do you go? You have to have an outreach program for the parents and the kids, but you have to have the information to help parents because, you know, I think most parents just love their kids, and when they’re teenagers, you’re gonna fight about everything – I know, I have a teenager. You fight. Hell, that’s the dynamic. 

I didn’t think about that when I did this. I did this for the love of music. I did this because I saw a segment on CBS’s The Early Show about all the great Nashville session players. One group was called the Nashville Cats and they played with everyone back in the ’60s and ’70s, and I was a little jealous because I felt like I missed out. I saw the Muscle Shoals documentary and I kind of wished sometimes – I felt like I was born in the wrong time. I was so busy being famous that I missed out on all these wonderful things. I just wanted to go back. In the beginning everything is, “You can’t do this! You’ll be ruined!” And you believe it! 

At what point in your career did you feel creatively liberated? I guess in 1991. I wanted to work with Muff Winwood (English songwriter and record producer known for his work with Dire Straits) and he believed in me as an arranger and as a producer. You know, I should’ve moved to England but I didn’t. I loved New York. I was born there and I would’ve missed my family and my friends, so I didn’t go. But it was a lot easier in England; the English people were different. And he wanted me to do this thing for him. It was around that time that I realized, “If you’re gonna be doing this, maybe you should start practicing the rhythm of your own beat and sing your story, not try and do a story with other people’s stories,” which is OK because that’s what singers do, but at that point I wanted to do that and then I wanted to work with (Detour producer) Seymour Stein. I wanted to go and do a blues record. I wanted to do the blues since 2004, and then when I finally got to do it in 2010, you know, I felt blessed because I was able to do something I really wanted to do as a singer. And then I wanted to do this country record, and I hoped that I could sing as best as I could sing. I wanted to do a good job.

You’ve called your new label, Sire Records, your “dream label.” And actually, Madonna’s self-titled debut was released on the same label in 1983. Do you think you and Madonna might have done a duet if you’d been on the same label back in the day? Was there ever talk of that happening? Oh, not by business people. You know, I always felt for me, I would’ve loved to do What Ever Happened to Baby Jane? with her... ’cause I think that’s very funny! (Laughs hysterically)

Which part would you play? Come on! Who do you think I’d play? I’d play Baby Jane – I’d be torturin’ her. Because she’s always viewed as the bad girl, you know! They’d make her the good girl and I’d be the bad one. Or (we could do Joan Crawford’s 1954 western-drama) Johnny Guitar – she’d be the righteous one (laughs). But whatever. Who knows! For me, all I wanna do is a good job. I wanna be a great singer. I wanna learn. I wanna always learn. I study music constantly. I try and listen to what’s happening. I try and listen to what’s happened, to what I might’ve missed. I think music is… I love it and I think it lifts people up. I think I finally did a record that makes people happy, ya know? Maybe I learned that from Kinky Boots.

Pop, rock, country, blues. Is there anything you can’t sing? Really, this is the roots of rock, that’s what I sang, you know what I’m sayin’, hun? It’s all the roots. The blues was the roots of what we sing and so is this. There was a time when country and R&B were very linked. The songs would go from R&B to country, country to R&B. A perfect example of that would be the Wilma Burgess hit “Misty Blue,” that was a hit in 1966 and then in 1975 for Dorothy Moore. But they were pop songs. 

When I was little, Patsy Cline was on the radio. She was not country radio – she wasn’t segregated to country radio, and neither was Loretta Lynn and neither was Johnny Cash. Those guys were on the pop stations. And we had three AM stations, and everybody was on ’em in New York. You know, some of the stuff, especially “Funnel of Love,” it was a rockabilly song and Wanda Jackson was one of the earlier rockers, and when I was in Blue Angel (Lauper’s pre-solo career rockabilly band) – oh, she was prominent on my playlist because she was an early rocker and there weren’t a lot of women rockers that you listened to, but you always listened to her. You listened to the amazing Brenda Lee, but Wanda Jackson was just a little dirtier. 

Do you have your cowgirl boots picked out for the tour? I’m having trouble with shoes – a lot of trouble. I think some of the shoes I wear are ugly but they don’t hurt. I just don’t want my feet to hurt anymore. You know, I just want a nice pair of wide combat boots and I’d be happy. But I don’t know. I’ll probably find somebody who can actually make me shoes that don’t hurt so I can dance! I don’t want to dance barefoot anymore because I think I beat my feet up that way too. 

How about some comfy slippers? Slippers aren’t strong enough. We do rock. When you slam your foot down, you gotta have some weight to it. You can’t just have a little slipper on.

Why is it important to you to still perform in North Carolina despite the state’s new discriminatory legislation known as the “bathroom bill”? North Carolina is a very important place to go because once people are disenfranchised the way they have been, it’s very important to bring light to a place where people have none and also educate people on what the real concerns are and get people involved in their own destiny.

It’s hard for me to even string these words together, but because you were on Celebrity Apprentice: What if Donald Trump becomes president? Ugh. Everybody keeps asking me the same question. I don’t know. I really don’t know. I wouldn’t feel that good about it. I don’t think people should campaign to stop Trump. I think people should vote, for one, and vote for the person they feel is most responsible and can really understand the way the government works right now and make it move forward instead of stopping it every frickin’ two minutes and costing people who pay taxes a lot of money. It’s a little disconcerting – the whole frickin’ thing – and it’s gone on for too long. 

You’ve won just about every major award – so, then, what does getting a star on the Hollywood Walk of Fame mean to you? It’s funny because I had been approached a few times over the years and this time felt right. It was surreal – and to get a star on the same day as my good friend Harvey (Fierstein) felt awesome.

It’s been seven years since Bring Ya to the Brink, your last full album of original non-musical material. Do you write? Are there plans to release original material under your own name? Well, I’m probably gonna write another Broadway show. 

Oh, you are?! Yes. I think if I wrote (for a solo project) I’d probably write under a pseudonym and sing under a pseudonym because it’d just be a lot easier to have it be received better.

Why do you say that? Oh, you know, I like good music (laughs). There’s a really great sound coming out of California – the Southern Bay area has a whole kind of surf, kind of rock sound. Little bit of what we did on “Funnel of Love,” but there’s a whole resurgence and group of people doing that kind of surf bass-y sound but rock. 

Why can’t you put your name on it? I don’t know. Because I don’t want to be judged. I’d rather do new music with a paper bag over my head and be the unknown singer. (Laughs)

But you’ve been in the spotlight for almost your entire life. Aren’t you used to critics? No, I know, but there are things that I can do as Cyndi Lauper and things that I can’t. Just ’cause I can’t doesn’t mean I won’t. I just won’t do it in a conventional way. 

You never have, though! That’s why you’re so adored. Well, thanks. I mean, with this record, I was very fortunate to have some really incredible people on it. I don’t even know – it just happened. It snowballed and the producer, Tony Brown, knew somebody and I knew Emmylou Harris and wanted Emmylou Harris to come and sing. It’s a kind of small town, so I had met with (songwriter / producer) Buddy Cannon who was working with Alison Krauss and Willie Nelson and all of a sudden it started to come together just like that. 

I had gone to see Vince Gill and kind of knew him through his wife Amy (Grant) when I did a concert years ago and he had liked a song that I did called “Water’s Edge.” I went to go see him with the Time Jumpers, and when I went to do Detour I felt like if we had him lay down the track with a couple of the Time Jumpers it would really make sense and feel right because they understood real cowboy swing. Tony contacted him and he said he would come in and he did. It just fell together. And if you went to see him with the Time Jumpers, you wouldn’t believe it because he’s really that good. I just thought to myself, “Oh my god, these musicians are great – pinch yourself now because you’re actually really doing this.”

Cyndi Lauper will be performing in Las Vegas Saturday, October 8th at 8pm inside The Joint at the Hard Rock Hotel & Casino on the same day as Come Out Vegas, the neigboring NCOD (National Coming Out Day) Festival. 

You can purchase tickets to see the fabulous Cyndi Lauper by visiting CyndiLauper.com/events 

 

MTV's Real World Downtown Vegas

MTV's Real World in Downtown Vegas : pansexual Mormon stud speaks out!

Chris Ammon is the hunky pansexual cast member on Real World: Go Big or Go Home. Now in its 31st season, the MTV series has returned to Las Vegas, a city Chris is familiar with from his days as a Mormon. Today, Chris no longer considers himself a Mormon and is instead a big advocate for LGBTQ rights. We spoke with Chris about his time on the show, what it was like being a queer Mormon, how he thinks the Mormon Church can do better by its queer members, and more. 

How did you begin this journey? How did you end up being selected for Real World? Well I think we both know I got chosen as probably the token queer character, which was actually just such an honor. So as much of a motif as they made out of me in some ways, it really was an honor to uphold that legacy.

I had just dropped out of Brigham Young University, came out to my family as being queer, and then just picked up everything and moved to New York to try and get a fresh start. The second week I was there I met another girl here who was also queer – she was my first queer friend in the city. And she heard my story and she actually submitted me. Three or four months later when I heard from MTV and they’re like, “We’re interested in hearing more from you,” I was very, very stressed.

How old are you and at what age did you come out? I’m 24. I’ve come out and come back in several times. I came out to my family I think the first time was when I was 22.

Had you been to Las Vegas before? I had lived in Vegas before the show. The first time I started kind of doubting my religion, my parents moved me to Vegas because my grandparents and my aunt and uncle lived there. And they kind of like ushered me back into Mormonism before I went to BYU. So I hadn’t lived in Vegas since that.

Were you familiar with downtown Las Vegas? No. When I had lived there, the downtown area had still been not quite the safest place to be. So I was amazed by the changes that have been made. It was beautiful.

The suite that you folks on the Real World were staying in, is that in the Gold Spike? Yes, in the Gold Spike. People who go to the Gold Spike have open access to Oasis’ pool, so we got to use it. It was great. 

This was filmed last year, right? Yeah, we filmed October through December of last year.

What conversation are you looking to have through your appearance on the Real World? I think the thing that the Real World really allowed me to do was, for the first time in my life, truly become comfortable in my own skin and, as a part of that, embrace my sexuality. While we were filming, I don’t know if many people know this, but November, in the middle of filming, was when the Mormon Church came forward and said that all same-sex couples are considered apostates and their children can’t be baptized before they’re 18 and disavow their parentage. It was horrible. It was an issue that I have been dealing with forever. Like understanding and trying to come to terms with my sexuality. But then something so personal from this Church that I had been a part of for so long, I think that is the conversation that I would like to start. Whether we want to admit it or not, discrimination in this country against LGBTQ people is so very, very real, and it’s something that we still need to talk about and fight against.

Tell us what it was like for you coming out as pansexual as a Mormon. When I came out to my parents, it was in a text message. I don’t think I was brave enough to say it out loud yet. I was at Brigham Young University, which was very scary because if you’re gay at Brigham Young University then you get picked on. But I had reached a point where I just needed to start being more honest with myself and with others because due to the lack of transparency I had very, very deep, deep depression. It was heartbreaking because my dad, I didn’t really hear anything from him and he just sent me a text of love and support. He told me a month later, he said, “I cried all night long when I got that text from you because I thought my son is going to die of AIDS.” And when I spoke to my mother about it later, she said, “It just breaks my heart that I will no longer get to see you in heaven.” I think through coming out I realized it really is just a lack of education everywhere that is perpetuating stereotypes and hatred against LGBTQ people in America.

Those stereotypes are incredibly divisive and damaging. Yeah. It’s the same problem that I think has been created in minority communities where we’re taught that looking a certain way or acting a certain way is more appropriate or it’s more right. And the problem is that when we do that in our own community as well, all we’re doing is dividing ourselves and taking the focus off of the people who are really perpetuating the hatred against us.

A short while ago, a 22-year-old gay Mormon committed suicide. Lincoln Parkin. He was a respected LGBTQ activist. This is known to happen quite often within the Mormon community. I know you’ve stated you’re an atheist now, but given your past experience with the Mormon community, what do you think can be done to bring about change? First of all, it’s important to recognize that this is, I believe, the 36th suicide of an LGBTQ Mormon since the Handbook, the new doctrine, was leaked in November of 2015. Thirty-six people are dead. That is so intolerable to me. I think what needs to happen is there needs to be conversations had in the Mormon community about what this really is. This is not a choice. This is not a test. And this is not a plague from God. This is a person being a person and everybody deserves to feel like they are human.

Do you think your life would’ve been different if you were born Mormon 100 years from now? I absolutely think so. Just seeing the change that has taken place in my family. Even since my exit from the show, it’s been amazing. But it took having really, really hard conversations. And a lot of them. And a lot of them really hurt. But I see it now. Especially in my father – well only in my father. My father really has made incredible changes, in both his own life and our relationship. So in 100 years from now if all the Mormons are like my father, I think they’ll be just fine.

Elder Bednar actually recently said I think in a church conference several weeks ago, he said, “We do not have any homosexual members of our Church.” And what that says to so many people in the church is that, “You do not exist.” I think that’s the conversation that needs to stop. We need to start realizing that these are people.

The Real World flew me to Salt Lake to speak at that rally where they had the mass resignation at Temple Square. And I got to give speech. It was the most incredible moment of my entire life.

How was that? Was it more about you sharing or listening? The biggest reason that I came onto the Real World is that – and I think people will see this on the show – I always have just loved to listen to people’s stories. I have heard wonderful stories and I have heard terrible stories. But so many of the stories that I heard about since coming out at BYU were of just this rampant discrimination against LGBTQ individuals. And none of it was being talked about. I had a friend get drugged and raped by an ex-boyfriend. He reported the rape to a bishop and the bishop promptly expelled him from the school, never reported the rape, and publicly outed him to his family. I have so many friends who had put a picture of themselves up on Grindr or SCRUFF and people within BYU were trolling – straight people were trolling the pages to try and find gay men to turn into the school. You are literally trying to end someone’s education because they are gay. That is just truly horrible to me.

There have been some pretty big names pushing for equality in the Mormon Church though. I think it’s important to recognize that Tyler [Glenn] and Gladys [Knight] and Brandon Flowers, these are Mormons who do a lot to just start conversations about equality within the Church. I think that that’s important too, that both people who are out of the Church like me and people who are still in the Church like them, who are people of influence, if the Church is not going to, they start having those conversations on a grander scale. 

Jenna is a fellow Real World house member. She’s from South Carolina and was raised Mormon, but I don’t think she’s the kind of Mormon a lot of Nevadans have come to know. I think something that’s really important to bring up about Jenna too, and something that I know it was hard to represent on the show because of the circumstances, but she not only came from this very, very small town, but she came from a trailer park on meth row with an abusive stepfather and a mother who was dealing with a drug addiction. She has seen everything. And unfortunately, those aren’t things that we learned about Jenna until well after this process. But I think when people start to understand this, the combination of ingrained and societal racism and then the idea of like it’s just cultural the sentiment against homosexuality, a lot of that is religion, it’s upbringing, it’s culture, and it’s also just how some people are raised. I think that was an amazing takeaway for all of us, is realizing like, at her core, Jenna is truly a sweet girl. But there’s a lot of conversation that remains to be had. 

She was entering the “real world”.Absolutely. You know, more so than any of us. To your comment about Mormonism, I think that the thing that was so personally affronting to me was that I think when she and I started having these conversations where we began really arguing against each other about LGBTQ issues – damn, wow. It’s so weird to reflect on all this.

It hit a very personal place for you.It really is. I think the thing that I realized about Jenna is that the things that she said were the things that I had heard so many Mormon people say behind closed doors. Like when they thought that they were just with each other. And it took me back to a very personal place – sitting there in those circles and just not being able to say anything because the things that people were saying about gay people or different races, even while I was in the midst of the Church, I knew were wrong. I think that’s what was scary and so, so sad about Jenna, was that she had just never had the opportunity or, I guess, the learning to tell her like these things are just not true anymore, or ever, and they’re not appropriate or considerate to say to people. 

Having left the Real World, do you continue to talk to your housemates? Yeah. I talk to every single one of them almost every single day. I think that’s unique to me, which I feel really blessed. They are all, in their own ways, incredible people, and I’m just so, so lucky to have made friends with them.

And you did drag for your first time, so that was pretty cool. Yes! And then when I got back from Real World I saw my first episode of RuPaul’s Drag Race.

Did you know any of the Brooklyn queens before watching the show? No, no. And I actually got to go to a viewing party with Thorgy Thor a few weeks ago. And she said the most wonderful thing, she said, “Michelle Visage told me that I needed to tone it down. But if we’re going to tone it down, why are we even doing this?” I just thought that was beautiful.

Being pansexual, was it easy for you to get along with Dean and Dione on the show? They actually were two of my biggest advocates on the show and I wish that this was better represented on the show because I think it’s very powerful. It was funny. I went essentially the whole season without really hooking up with anybody. I had hooked up with a couple of girls, but I had not hooked up with a guy yet. And the last party that we all went to together, I met a guy there and we were out on the dance floor and I looked over and I remember being so scared because of the experiences that I had in my own coming out before being on the Real World. I remember looking up and being so scared that they were going to look over and be uncomfortable, but they looked over at me dancing with this guy and they both made eye contact with me and started cheering for me like they would have each other if they were picking up girls. I realized, “This is so powerful that if you give someone the opportunity, you get to know them as a person before you get to know them as a label or a sexuality.” What kind of relationships can we be forming from there?

So, did you have any crushes on Dione or Dean initially? There was actually this cameraman and I thought he was so cute. We’ll leave it at that.

 
"It's On Us" Lady Gaga & Joe Biden at UNLV

"It's On Us" Lady Gaga & Joe Biden at UNLV

Vice President Joe Biden and pop star Lady Gaga recently visited UNLV to promote the “It’s On Us” campaign, a White House initiative that looks to raise awareness about sex abuse on college campuses. 

“Everybody knows somebody – including young men – who have been abused,” said Biden to about 1,000 individuals packed into UNLV’s Cox Pavilion on April 7. 

Fans stood in line for over two hours to get into the free rally. It was capped by Gaga’s performance of “Til It Happens to You.”

“We have to support each other. We have to care for one another, and what I’ve learned is the most powerful form of healing is compassion,” she said.

“I stood in the audience and heard Lady Gaga say, ‘Just take like one moment today to have compassion for something you may not understand,’” said Wynn Tashman, a law student at UNLV. “This message resonated with me on a personal level. As a member of the LGBT community, I am appreciative of our allies who bridge that cultural gap and take it upon themselves to advocate and have compassion for something they may not understand.”

UNLV reported five campus rapes in 2014. Seven cases were reported in 2013 and one in 2012. Barrett Morris investigates sexual harassment and assault claims at UNLV and told the Las Vegas Review-Journal that the jump could mean more students are reporting abuse as opposed to staying silent. Others believe the school’s numbers are underreported because victims are hesitant to come forward with a claim. 

“Maybe they don’t want to out themselves as survivors,” Hafid Acosta-Gomez told the publication. A student advocate, Acosta-Gomez works with LGBT abuse victims at UNLV’s Women’s Center. “They might not want to out themselves as LGBTQ.”

According to the Las Vegas Review-Journal: The university offers a variety of sexual assault prevention and treatment services for students, including its Campus Advocacy Resource     Empowerment line, which provides help for victims of domestic violence,     sexual assault and stalking. Students undergo training to staff the CARE line, which is housed under the Women’s Center.

All the same, for individuals like Tashman, the “It’s On Us” campaign remains important. 

“This campaign is about proactively creating compassion for the struggles of people you don’t understand or relate to, and then taking responsibility and advocating as an ally.”

 

Dixie's Tupperware Party

Dixie's Tupperware Party

Looking for a laugh this May? Then you have got to check out Dixie Longate, America’s favorite Tupperware lady, at the Smith Center. Hailing from Mobile, Alabama, Dixie now travels the world delivering Tupperware and a good time. Dixie recently took the time to chat with Gay Vegas about her roots in the Tupperware biz, her love of Vegas, what you can expect at her show and more.

You’re going to be in Las Vegas at the Smith Center from May 17 to May 22. Tell me about that. I’m so excited. Everyone has been so neighborly each time I’ve been out there. They’re like, “You’re fun! Come on back!” I’m like, “Okay! I’m not drinking now. I’ll get on a plane.” Then I start drinking on the plane because, of course, I’m Christian – that’s what we do. But I love Vegas and every time I’m there everybody is so neighborly. The audience is just so wonderful. And I’m so grateful every time I pick up the phone – well I’m grateful every time I pick up the phone and it’s not my parole officer. So when it’s somebody calling from Vegas saying, “Come on back,” that’s even better.

So how long have you been hosting Tupperware parties? I started in Tupperware parties 15 years ago. It was part of the conditions of my parole. I got out of prison and my parole officer, she’s an adorable lesbian, she said, “You need a job in order to get your kids back.” And I was like, “Stop talking.” Because, you know, the kids were sticky and I didn’t want them back. I had just gotten out of prison. That was my freedom. You think I want to be straddled with my kids? I mean, what a pain in the ass. But she said, “You should do Tupperware.” And at first I thought she was crazy because Tupperware’s an old lady’s gig. But then I did my first party and I had so much fun. Everyone was so neighborly. I figured, “Oh my lord. You know what? I’m gonna stick to doing this.” And then I went to the Jubilee, which is the big Tupperware convention, and I saw all these ladies getting recognized and being put up on stage for all of the accomplishments they’ve done. And I thought, “I’ve got to do this. I’ve got to go full bore.” And then I did. I started working my tail off. And I went to the Jubilee and I got recognized on stage as one of the top sellers. It was one of just the most amazing things and I’ve just never backed down. 

A couple of years after that in 2004, I took my show to New York for the first time because a friend of mine that was a director in New York said, “You should put this on stage.” And I said, “Oh alright.” So we did. We did an itty-bitty thing called the Fringe Festival and that got me a lot of attention. It went from there. It went off-Broadway and I started doing the show off-Broadway, which is crazy. And that led to the tour, which started in 2008. I’ve been on the road since 2008. I love it because I have the best time and I don’t have to see my kids that much, which is great. 

What about your personal life? Do you have a boyfriend or a husband? Or are you single and ready to mingle? I’m single and ready to mingle. When I go to Vegas, you know I’m going to mingle just plenty. I’ve been married three times and all my husbands have sadly then died under mysterious circumstances. But I’ve gotten through my grievance, so that’s okay! And now I’m moving on. You know, I don’t really see myself getting married again because why milk a free cow when you get the free cow milk that has the free milk – or whatever that saying is. My momma told me I don’t listen all that much. For me, I’d rather just be like you said, “Single and ready to mingle.” Meet some people. Do some things. That’s what I’m looking forward to. 

This is your third time at the Smith Center. Had you been to Las Vegas many times before? I love Las Vegas. I’ve been there a bunch of other times. This will be my third time doing my program, but I have come there other times. Just to have a good time and see people and see shows. I love the shows there and everybody’s so nice. They have the best shopping and everything. And the food! Listen, I’ve been to my fair share of honky-tonks and mechanical bull bars all up and down the Eastern seaboard. I’ve never, in my life, seen some of the places like y’all have there in Vegas to drink in. It’s amazing. So you know me – I’m gonna drink it. I’m gonna take them up on it. And so I have the best time in Vegas every time doing just that.

What type of people go to your Tupperware parties? Everybody comes. Obviously the little old ladies who love the Tupperware and know it and grew up with it, those are the people that come all the time and just have the best fun. They just giggle and have a ball. But then we have date night people that come. Like boyfriends and girlfriends and husbands and wives. And then the husbands will look at me and go, “She’s so pretty.” It’s true, because Jesus was in a good mood when he made me. So that’s always fun. But then I get all kinds of different people. I get the homosexuals. They’re some of my favorites. Just wonderful people because they smell like glitter and they always look so put together. That would come and brighten up any day. So it’s a whole smatter of everybody that you could think of. A lot of times people look at it and they think, “Oh, a Tupperware party. That’s just for old ladies.” I’m like, “Oh no. Not just for the ladies. It’s for everybody.” You like to laugh? You’ll come and have a good time. Trust me. You’re gonna laugh your butt off, you’re gonna giggle, and you might even walk out with some new Tupperware, which is the best thing in the world because everybody needs creative food storage solutions.

Some readers of Gay Vegas have commented that they think your shows are hilarious. Why do you think people find your Tupperware parties to be so funny? I talk about some of the different uses for Tupperware that a lot of people don’t even think about. Like I didn’t know for those first two years that Tupperware was even supposed to be used in the kitchen. I thought it was for the bedroom. It wasn’t until one time someone came over and said, “Hey, what’s that plastic bowl doing underneath your bed? What’s that collar doing sitting there?” and I was like, “Why are you in my bedroom, Reverend? It’s not Thursday.” And so I took some of my favorite things that I’d been using in the bedroom and used them in the kitchen. I thought, “Well damn it all to hell, I didn’t know you could use this for that.” 

I talk not only about Tupperware, but also where Tupperware came from and sort of talk about the history of Tupperware and my backstory and everything. 

I try to make everybody lighten up and sort of drag everybody up and make them feel good about themselves. Because I don’t want anybody to leave the party who hasn’t had a great time because, after all, it is a Tupperware party. I underline the word party because it’s fun. But I also want to make everyone leave sort of feeling uplifted and feeling like they can go on and take on the world. I also want to let people know that they’re a little bit better than they give themselves credit for. 

Now they say that you have a lot of secrets. Do you reveal some of your secrets at your shows? Well I guess there are some things that might come out of my mouth because when I’m drunk it happens. I try to be real neighborly and “not stick out at school”, but sometimes I realize that I didn’t finish school, so I can stick outside of it if I damn well want to. So yeah, there’s all kinds of things that are gonna come out of my mouth. And I get people up on stage all the time, so you never know what they’re gonna say too. Because every show is a little bit different. You’re never going to see the show two times the same way. And that’s why we get a lot of people that will come back again and again and again, because that’s what they love about it. They love seeing something that’s going to be different every single time. 

So what is your number one seller right now as far as Tupperware goes? There’s so many things that I love. There’s my Jell-O shot caddy. It is so good to take Jell-O shots to church in. Because sometimes you need a little bit of extra juice to get you through that time because we’ve all heard these stories before. 

There’s this great wine bottle opener that we have that’s amazing. I keep one in my glove box. So that way if I’m driving and I get parched and need something to drink, I can reach into my glove box, I can reach for my backseat for my stash of wine, and I can open that damn bottle of wine before that light turns green. Oh my lord, it’s the best thing in the world. I love it. 

There are things that will blow your mind that you didn’t even know you didn’t know you didn’t need that you know that you need. 

Do you see an increase in sales where marijuana is legal? It’s funny. I’m here in Denver right now with my show and, surprisingly, all of our small little containers are selling like crazy. And at first I was thinking, “Why are these selling so well?” Well it’s because you can put some of the herbal things in it.

So yeah, we do real well every time we’re somewhere you can get things like that. Now someday it’s going to be legal all over, I’m sure, and when it does become legal, holy crap, then you’re just gonna see this stuff fly off the shelves because everyone wants to keep their stash fresh.

You know what else is sure to sell out? Tickets to Dixie’s Tupperware Party at the Smith Center – so get on them quick!

Tickets range from $33 to $40 and can be bought by visiting 

www.thesmithcenter.com

Gay and Lesbian Community Center of Southern Nevada (The Center)

(Update) Former Center Youth Resource Specialist Charged With Sex-Related Offenses Against Juvenile

A former youth resource specialist with the Gay and Lesbian Community Center of Southern Nevada (The Center) has been arrested and charged with sex-related offenses. Hector D. Esparza, 40, was charged with three counts of sexual assault and eight counts of open or gross lewdness. Also known as Hektor Esparza, the Las Vegas community organizer worked with at-risk youth.

The criminal complaint against Esparza was filed on April 8. According to his arrest report, Metro Police had been contacted on March 19 with allegations that Esparza had, over a period of four to five years, sexually assaulted a juvenile family member. Police then arrested him on April 6 and have since held him at the Clark County Detention Center without bail.

On April 11, Esparza appeared in court for an arraignment hearing. He pled not guilty. A preliminary hearing in this case is set for April 25.

Esparza served as The Center’s youth resource specialist in 2014 and 2015, during which time he conducted outreach and implemented events and programs for LGBT youth.

According to the Las Vegas Sun, Center CEO Michael Dimengo had this to say of the charges: “All I can say is, I’m surprised.”

Caitlyn Caruso, director at UNLV Spectrum, a student run organization dedicated to the LGBT community and its allies, has since said the following in response:

"I wonder why The Center is surprised when multiple youth (including myself) came forward with complaints of sexual harassment and emotional abuse at the hands of Hektor Esparza, previous youth specialist, and were ignored."

"I expect a better statement in the coming days from CEO Michael Dimengo."

UPDATE:

On April 13, Dimengo released the following statement:

“Yesterday, we learned of the media reports about Hektor Esparza, a former employee of The Center. We find the news tragic and most regrettable inasmuch as a well-defined part of our mission here at The Center is for the protection, care, and nurturing of all youth, most particularly, LGBTQ youth. However, as his former employer, we are legally obligated to refrain from making any comments about his employment at The Center.

The Center takes its responsibilities as an employer very seriously. As a measure of that care and protection and as standard operating procedure for all personnel, all those who are either employed at The Center or who volunteer at The Center are administered a thorough background check before employment or any volunteer activity commences.”

Las Vegas Sun Article

Le Dîner en Blanc Las Vegas

I had the airline tickets and the hotel room confirmed minutes after a friend called to tell me she had secured tickets for the inaugural Dîner en Blanc in Las Vegas. I had the privilege of attending my hometown of Washington, D.C.’s first Dîner en Blanc a few years ago and absolutely fell in love with the concept. I was certainly not going to miss its debut in Sin City. Plus, I like feeling naughty about wearing white before Memorial Day.

For those unfamiliar with Dîner en Blanc, it’s a dinner party. But not just any dinner party. Oh, no. Dîner en Blanc was born in Paris (the real Paris, not the one on the Strip) nearly 30 years ago. As the story goes, François Pasquier invited a group of friends to dress in all white and join him for an impromptu dinner at a beautiful park in Paris. From that initial event sprang forth a global franchise with elaborate Dîner en Blanc events now taking place in more than 70 cities.

Of course, the concept has evolved from that first little gathering. Whereas participants were once just invited exclusively by word-of-mouth, invitations are now made available through an elaborate online process with a requirement that if you do receive and accept an invitation, you must attend or risk being banned from all future Dîner en Blanc events. 

According to the organizers of Dîner en Blanc Las Vegas, the event sold out (a nominal registration fee is charged to help cover logistical expenses) in just 32 hours. Just over 1,000 people were accepted and thousands more were placed on a wait list. 

As part of accepting the invitation, participants had to agree to abide by a series of rules ranging from the size and type of table and chairs they bring (yes, you have to bring your own) to the plates and cutlery they use (no plastic, no plastic, no plastic) to the food they consume (you have to bring that too, or pre-order it from the event’s official caterer). Of course, the main rules revolved around attire – everyone must “be dressed elegantly and strictly in white.” What’s more, the organizers make a point of stressing the white only requirement – no ivory, no cream and no eggshell.

Another significant part of Dîner en Blanc is the location. In every city, it is promoted as taking place in an outdoor, highly visible iconic space. But unlike Pasquier’s first gathering, the location is now kept secret. Participants are instructed to gather at designated spots, but not told the exact location of the event until moments before its start. Once the location is announced, the gathered groups converge flash-mob style to set up for the evening’s festivities.

In the case of Dîner en Blanc Las Vegas, which was held on April 17, my gathering spot was at MGM Grand. Once everyone for that designated location had arrived, it was then announced that the secret location was The Park – the newly christened outdoor dining and entertainment district that MGM Resorts developed to link together New York-New York, Monte Carlo and the new T-Mobile Arena.

It was quite the sight to see the hordes of people dressed head to toe in white, merging together from different directions along the Strip. For Michael Habicht, it was the culmination of more than six months of planning. His Los Angeles-based special events firm, iii designs, was tapped by Dîner en Blanc International to produce the Las Vegas event.

“Vegas had been waiting for a Dîner en Blanc for years,” said Habicht. “And this year, the universe pulled the elements together to make it happen.”

When MGM Resorts, which served as one the event’s sponsors, first presented Habicht with the idea of using The Park, it was still under construction. But he liked the plans and thought the space would be the perfect setting for Dîner en Blanc Las Vegas. He was right.

Within seconds of the first group of participants’ arrival, rows of tables and chairs were being arranged among The Park’s beautiful desert landscape design. As expected for a city known for being over the top, many of the participants’ tablescapes would have made Martha Stewart weep with joy. There was everything from fancy candelabras to enormous floral arrangements. 

Once everyone had finished setting up, Habicht gave a brief welcome and instructed all the participants to wave their napkins in the air to officially mark the start of dinner. The waving of the napkins has become a tradition for all Dîner en Blanc events and creates a stunning visual. Another tradition is the lighting of sparklers to signal the end of dinner and the opening of the dance floor. In the case of Dîner en Blanc Las Vegas, the sparklers were replaced with battery operated “sparklers” but the spirit was still there.

Dîner en Blanc Las Vegas’ dance floor was in the center of The Park surrounding “Bliss Dance”, a 40-foot-tall sculpture of a dancing nude woman. It was created by artist Marco Cochrane in 2010, debuting at Burning Man and residing on San Francisco’s Treasure Island as a public display before being refurbished and relocated to The Park.

Celebrity DJ Casey Connor, who came directly to Las Vegas from attending the first weekend of the 2016 Coachella Valley Music and Arts Festival, had the dance floor buzzing. Attendees (Gay Vegas publisher John Lawrence and myself included) formed a conga line and paraded around the park. The diversity among participants was inspiring – age, gender, race and sexual orientation blended together perfectly in a gyrating line of white.

Picnic By Design

The Center Brings DIFFA’s Popular Picnic by Design Event to Las Vegas for Second Year at Symphony Park April 30

Las Vegas — In partnership with Design Industries Foundation Fighting AIDS (DIFFA), The Gay and Lesbian Community Center of Southern Nevada (The Center) will host the second annual Picnic by Design fundraising event, themed “Parasols in the Park,” at Symphony Park on Saturday, April 30. Local designers are creating over-the-top picnic baskets and tables to be purchased online at www.thecenterlv.org/picnic and then enjoyed with delicious food and fine wine in the shadow of The Smith Center for the Performing Arts (361 Symphony Park Ave.). UNLV Jazz Ensemble, songstress Toscha Comeaux and male quartet These Guys will provide live entertainment throughout the evening. Lawn games and a VIP cocktail hour begin at 4:30 p.m. with the buffet-style dinner and live entertainment to follow at 5:30 p.m. All proceeds will benefit The Center and DIFFA.

“Our vision [in 2015] was to create a fun event that exudes a casual elegance and celebrates design,” said Cray Bauxmont-Flynn, Picnic by Design Chair. “We are now aiming to target a cross-platform demographic of talented individuals, and it is important for us to keep ticket costs low and bring in new awareness to DIFFA and The Center. In past events only interior designers and architects have participated — for this year’s picnic, we are inviting floral designers, graphic designers, culinary masters, event designers and producers, set designers, stylists and photographers to participate, bringing a whole new audience to the event!”

"We are very excited to have such a committed and dynamic group of creative individuals and sponsors on board for Picnic by Design 2016," said Bauxmont-Flynn. “With this group of talented individuals DIFFA and The Center will be able to raise significant funds to provide preventive HIV/AIDS education and direct care services — the fight is not over.”

Along with Bauxmont-Flynn, International Market Centers President and CEO Robert Maricich serves as Honorary Chair. Cory Sadler, a member of The Center’s Associate Board, serves as co-chair. A number of nationally recognized Star-Chefs and name brands have signed on as participants and sponsors of the event.

For more information about Picnic by Design’s mission and ways to support the event as a designer or sponsor, or to purchase tickets to the event, please visit www.thecenterlv.org/picnic. Picnic baskets that serve two start at $300 each, and picnic tables that seat and serve eight start at $1,500 each — each designer chooses to sell their creation at a set price or at auction. Exclusive celebrity chef tables will also be available. For $125 per person, guests may also enjoy the dinner and activities without purchasing a basket or table. All guests must be 21 and older.

Queer as Folk

“QUEER AS FOLK” STAR THEA GILL MAKES LAS VEGAS DEBUT

Fans of the hit Showtime series, “Queer As Folk” can catch the Las Vegas debut of actress/singer THEA GILL (“Lindsey”) who will perform live with entertainer/vocalist KEVIN SASAKI at the Eastside Cannery Hotel & Casino – Marilyn’s Lounge, this Friday and Saturday, April 22-23 at 8:30pm.

The duo will bring their American Songbook musical show to Marilyn’s Lounge at The Eastside Cannery, paying tribute to the legendary entertainers of the Las Vegas Strip. Backed by the Charlie Harrison band, Gill and Sasaki will perform musical evening of popular standards, big band, Broadway and jazz.

Meet & greet with photos to follow performance.

Marilyn’s is located at the Eastside Cannery Hotel & Casino – 5255 Boulder Highway, Las Vegas 89122. Show times begin at 8:30pm, Friday and Saturday evening. Admission is free. For further information, please call (702) 856-5300.

Steve Grand

Steve Grand on new music, haters, touchy-feely fans and moving beyond 'All-American Boy'

Steve Grand can barely stand himself – that is, the superficial, Internet-packaged version of the singer/songwriter/dreamboat presented to the public since even before his 2013 viral hit “All-American Boy” rocked our gay world. 

“I don’t like the me that most people probably see,” admits Grand, 26. 

Now, the self-proclaimed “weird guy trapped in a douchey gym guy’s body” is tackling YouTube with a fun and frank smattering of endearing, no-holds-barred confessionals. He takes on his constantly-criticized image… and also a half gallon of Breyers, which he (in)appropriately slurps as he dishes practical advice on clean bottoms. In another video, called “Steve and Trev PUMP it up at the GYM,” Grand delivers on the dream of him wearing compression pants over his jockstrap. 

As he preps new music, the “All-American Boy” is certainly less all American-y these days. In our new freewheeling interview, Grand opened up about everything and anything: people’s “low expectations” of him, his more carefree career attitude, his junk, boner kills, handsy fans, haters and his fear that someone will start singing “All-American Boy” while having sex with him. 

I have a confession to make: I like you better now than I did at the beginning of your career.
Fuck you! (Laughs) ... I’m kidding. 

Yeah, fuck me. I blame the Internet. I got bits and pieces of you. The abs. The music.

 

 

But now, through your YouTube videos, we’re finally seeing the real you. 
I’m not so bad. People have (such) incredibly low expectations of me, that I just need to show up. For my performances, I need to not be terrible and people will be impressed. I just know people have really, really low expectations of me and that’s what the Internet does. I’m such an easy person to target. Young, good-looking, white, gay men – we love to hate those people. But there’s been a real person there the whole time. It’s weird. For a long time there’s been a big disconnect between how much I could expect to be understood by people and how much I actually was understood by people. I had this unreasonable expectation that I was going to be understood by people and it took me a long time to get over that. I don’t make sense in any kind of headline, so I’ve kinda given up on that and I’m fine with it. The more you kind of give up and don’t care, the more people feel that and like that. 

When did you stop caring as much? 
Of course I do care. I revel in not caring, but I still am human. I’m not very good at crafting the public image version of me. I’m just not. I’m too messy of a person, and I care too much about being able to be a real dimensional human being.

Why do you say you’re “messy”? 
(Hesitates) There’s a good answer to this. Some people just make more sense in a headline. Taylor Swift – she’s an example of someone who’s not really messy. She’s a well-oiled machine. Everything about her is very comfortable and that’s one of the reasons she’s so massively successful. That’s not a criticism; it’s an objective observation. With me, I still am just a regular person operating in the same world as everyone else. I’m not rich and famous. And I think there’s a weird disconnect that, when someone has any degree of fame on social media or whatever, we discount them as being a real, complicated human being. I feel like I have always fought for myself to be seen as a complex, nuanced human being, to the point where I would rather not have lots of success and notoriety if it means that I can’t let all the messy edges of me show.

“All-American Boy” categorized you as “country music’s first out gay male,” but then you didn’t make any “country” music after that and even resisted the label. Was that time in your career as confusing for you as it was for other people? 
What I’m mostly confused about is how important labels are to people. Music is music and maybe “All-American Boy” is a country song to some people and maybe it’s not to other people. I just never put much energy into thinking about what it was classified as. I probably would’ve been smarter to, but I just genuinely don’t care about labels that much. I never called myself a country singer, so yeah, it was kind of confusing and another reason why you have to separate yourself from the way that you’re seen publicly. Even going down to the most basic details of who I am publicly, it’s not even correct. I never said I’m country and I never said I’m the first anything; those are all things that people associated with me and it had absolutely zero to do with anything that I said or did myself. 

Do you regret having that song be country-tinged at all because it put you in a box that you didn’t want to be in?
No – I have to learn everything through life experience. I didn’t have anyone taking me through this. It’d be so easy to get caught up in, “I regret this, I regret that.” We’re not all on the same playing field, and I’ve had certain advantages and I’ve also had certain disadvantages. One is that I really got into this on my own and I didn’t necessarily have the guidance that maybe would’ve made everything turn out a little differently. 

With that said, is the facial hair intended to shift you from the “All-American Boy” image? 
(Laughs) I’m really trying! I’m really, really trying. It’s not growing right! But it’s natural and nice. I just feel like it fits my personality to be more cuddly and look like a bear a little bit. Even having shitty facial hair fits my personality. (Laughs)

Can you talk about the struggle to be taken seriously as a music artist when there are half-naked photos of you circulating all over the Internet?  
It used to be really frustrating, but I’ve readjusted my expectations. I don’t have that high of expectations for the general public – I mean, we don’t even understand things that really actually fucking matter, like, with this election. So why should I expect people to take the time to understand me? I don’t matter. And people don’t even care about things that do matter. I take my music seriously. I’m a good musician and I’m a good performer, and I also like to work out my body and show it off sometimes. It’s a fleeting thing; when I’m 50, I’m not gonna look like this. Everybody has to feel like they have to be a special snowflake. People can’t just look at a picture of a hot guy and let it be beautiful. It has to be some statement about them. Let people just fucking appreciate what is beautiful and let things be beautiful if they’re beautiful. 

So, you never look at a photo of another guy and think, “I wish I could look that good”?
Oh my god – of course I do. But I try to take personal responsibility and not lash out at that person because they maybe make me feel less. I just fucking look at the picture and enjoy it. I’ve had a lot of moments where I’ve seen someone who is maybe more beautiful or someone who sounds better than me or has written a song that I think is gorgeous – yeah, sometimes I have that envy and that jealousy rises up. I could either leave a really bitter comment about it on the Internet or I could go work on my own shit and be the best I can be. 

Do you think your more risqué photos have helped or hurt your career? 
Oh, I don’t know. It is what it is. I’m just trying to be myself. 

Would you ever go back into modeling full time?
I never was a model. I never got paid for any of it. I’m just another guy who has photos online of me in my underwear and that’s really all it is. It’s really true. I don’t know what qualifies as being a model anymore because we all have Instagram accounts. Max Emerson is a model. I’m not. I just wanted to take pictures of myself with my clothes off. 

You recently got naked for a promo advertising bassackwards tees. Tell me about that. 
I got with them and worked with them and we’re still figuring out which organization it’s gonna benefit. It’s definitely gonna be an LGBT organization. If people are gonna click on this shit then yeah, I’ll be a part of this cool T-shirt (campaign) and we’ll give some of the proceeds to our cause and everyone wins. 

How do they decide how much butt to show in a video like that? 
Everyone’s seen my butt, but some days I’ll feel more like an instigator than other days; other days I want no part of that. With this, I don’t think I’d done anything that I hadn’t done before. I just wanted to make a video that was beautiful and sexy. 

Under what circumstances would you go completely au natural? 
And show my dick? You can pretty much see it in some of the shots from the past, but I probably wouldn’t. I’d rather not. But if someone was like, “Here’s a million dollars,” I would be like, “Sure.” But, like, I don’t think my dick is that exciting. It’s just like, whatever. It’s pretty unremarkable. I think it’s good to be proud of what you have but I think there are more interesting things about me than my relatively… what’s the word I’m looking for? It’s very appropriately sized and shaped, that’s what I would say. 

That’s gonna be the headline somewhere: “Steve Grand calls his dick ‘unremarkable’ and ‘appropriately sized.’”
That’s fine. If it makes people happy…

How has notoriety changed your life? 
That’s a big question. I don’t know. I have a Wikipedia page! Googling myself is a really scary thing that could have really adverse effects on my psyche! 

You’re not supposed to do that, Steve.
I definitely don’t anymore. It took a long time. It’s been months since I’ve done it. I’m terrified of what’s out there. 

How has it changed dating for you?
When “All-American Boy” came out I couldn’t be on dating apps without getting shit for it, but now it’s fine. It doesn’t really have any effect. 

Have you ever been faced with a flirty fan that made you uncomfortable? 
Someone was tickling me as we were taking a picture and I’d kind of had it, and I think they thought they were being sneaky about it. But I really reacted and made a scene. “That tickles!” And I jumped. There’s a picture of me reacting. It’s hilarious. I was gonna repost it but I didn’t wanna embarrass the guy. Like, it’s fine. He was tickling my side; I don’t know what he got out of that. Sometimes people, if they’re more drunk, their hand will lower to my ass and I’ll be like, OOOK

You have to slap their wrist?
Yeah. (Tickling) is one of those things. I felt like tickling me was really presumptuous and I didn’t like it. It was uncomfortable. One time there was someone who was a fan and I was like, “You’re really hot,” and, you know, that whole thing happened, but that doesn’t really happen. I just feel like I’m automatically put in a position when someone is a fan. I’m already something to them. There’s an expectation there. It freaks me out to think about if I’m having sex with someone they might be thinking about my music video, like that’s really weird to me. I wouldn’t like that. 

Or if they wanted to play your music during sex.
My fear is that someone will start singing “All-American Boy” during it. People joke like, “Oh, I feel like we’re in your music video,” and that’s a boner kill. I like to keep those things separate. It’s so pure. What I put out there is so pure and I don’t want to think about purity when I’m actually having an intimate moment. 

What’s next for you?
I really do wanna have something out in the next couple of months and I wanna move more quickly with getting content out there. I really want to put out a full album, so I’m working on that right now. I’m in a better frame of mind and what I’m putting out is gonna be about a lot of things that happened in the last two years. I’m more grown up and things are gonna be more stripped down. I just feel like I’m better and more comfortable with myself, so I’m letting the edges of me be present on the album and in the recordings more than before. I was always trying to round off my edges because I wasn’t comfortable with them. It’s gonna be a little more gritty. It’s gonna fuck up people's brains. 

So the “Anti All-American Boy”? 
Yeah, I have a rebellious spirit and that’s what made me want to do “All-American Boy” as my first thing, but now I’m rebelling against something different. I don’t feel like making a music video about two guys is an act of rebellion. So, what am I saying now? That’s the question I’ve been asking myself while making this music. It’s gonna be interesting. I’m grateful I’ve relieved myself of the burden of trying to be whatever expectations people had of me because I think I fucked all that up good enough to where I’m able to freely be myself now.

 

 

 

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