Positive Thoughts: Raising HIV Awareness Among Latinos
- October 1, 2016 - 5:42pm
I graduated college in 1992, the same year I tested HIV positive. Sometime in the late ’90s, I reconnected with a college friend. He was actually a friend with benefits, so I was quite happy when he tracked me down, which wasn’t that easy back then, at least compared with today.
He invited me to a nice dinner in Chelsea, which was becoming the happening place in New York City for LGBTs. (Hell’s Kitchen now has that distinction.) His intentions seemed to be more than two friends catching up. It turns out, I wasn’t off the mark. He had recently broken up with a boyfriend.
We were all smiles by dessert, but then he became awkwardly silent. “I have to ask you,” he said, “are you HIV positive?” I said yes. He said, “I knew it!” I said, “What do you mean you knew it?” He said, “Well, come on, we both know what I mean.” Then I became furiously silent.
Finally I asked, “Because I’m a slut?” Breaking the tension with a smile and a squeeze of my hand, he looked me in the eyes and said, “That’s why I tracked you down!” We laughed and moved on, but between his hypochondria and my HIV it was clear that we weren’t going to be a couple.
Instead, we became close friends with some minor benefits along the way as he became more educated about the virus. We’re still good friends, but those benefits expired a while ago, which is just fine. Although I’ve long since forgiven him, I often use this memory as a touchstone.
Even with such a wealth of affection between us, my dear friend couldn’t see past his assumptions. His sexual appetite was no different than mine I eventually confirmed, but nonetheless, as a white gay man, he assumed that I, as a Latino gay man, was naturally more sexual than him.
And there it is, this double-edged sword of a myth. Just as black men have to contend with the myth of their endowments, Latinos have to counter the myth of our libidos. I admit the Don Juan persona can come in handy on occasion, but the price over time for using it is quite high.
Case in point: When citing these statistics — if current trends in U.S. HIV rates continue, 1 in 2 black men who have sex with men (MSM) and 1 in 4 Latino MSM will get HIV in their lifetimes — what often follows is a train of thought among too many people that blames and shames.
Studies show that MSM of color aren’t more sexual or taking more risks than white MSM, and lack of access to health care explains only part of those stats. Another factor is that the sexual networks of many MSM of color only include other MSM of color. There is a measure of choice in that fact.
However, prejudice from white MSM, no matter how benign, is also at work. That is an uncomfortable truth, but it’s not too difficult to see just by browsing posts on dating apps and sites that clearly rule out certain racial or ethnic identities. Such sweeping categorical rejections are all too common.
I know many of you are saying to yourselves, “I like what I like.” I agree, in general. I, too, like what I like. That said, if I don’t find myself attracted to someone, I still take a moment to question why that is. I encourage you to do the same. You may be missing out by sticking to your predetermined likes.
Of course, no matter what our backgrounds are, we are all responsible for our own behaviors. Part of taking responsibility is becoming knowledgeable, which is what annual awareness days are supposed to support. This column in particular is in support of National Latinx AIDS Awareness Day (NLAAD), which is Oct. 15.
This is the first year that “Latinx” is in the official NLAAD title, replacing “Latino.” Latinx (pronounced “La-teen-ex”) is a gender-neutral alternative to Latino and Latina. The Latino Commission on AIDS coordinates the NLAAD campaign, but groups across the country conduct local NLAAD events.
According to the NLAAD website, since the awareness day was established in 2003, there are now about 450 partners that organize more than 150 related events nationwide. To find an event near you, please go to nlaad.org or Twitter @nlaad or Facebook @OfficialNLAAD for more information.
My Son Wears Heels
- October 1, 2016 - 5:41pm
The first day your toddler said he could dress himself was a day you’ll never forget.
He tried, you have to hand it to him. When he was done, part of his outfit was out of season and the other part was out of style, the colors were painful together, and nothing matched except his bright eyes and proud grin. You figured he’d learn and, as in the new book My Son Wears Heels by Julie Tarney, so would you.
Though Julie Tarney had known since he was born that her son, Harry, was a unique little guy, she was still taken aback when he asked how she knew that he was a boy.
Harry was just two years old then, and Tarney thought it was a normal question for a child that age. But his next comment – that he was a girl “inside my head” – sent her to her parenting books.
Tarney had no real frame of reference, other than a well-used copy of Dr. Spock. She was the eldest of two girls, born in Wisconsin to a mother who was controlling and distant; even if she could have asked her late mother about parenting concerns, Tarney probably wouldn’t. Instinct told her that there was nothing to worry about, though she fretted that Harry was gay; she also worried that she’d somehow ruin him if she didn’t completely support his free-spiritedness.
As he grew up, Harry’s creativity grew, too; he loved to play dress-up and experiment through pretend. Wigs and shoes were his passion, but he also liked skirts – all of which Tarney successfully prevented him from wearing in public. Even so, by time he was ten years old, Harry had his own fashion sense and had gotten bullied for it. He knew he was different, but he was too young to articulate how.
At fourteen, Harry came out as gay.
Through the years, while Harry worked to understand more about himself, his mother went through a period of personal acceptance, too. She discovered that she could be a single mom, and survive. She learned that loving herself wasn’t a bad thing – and that she could never “screw up” her son by loving him.
At its very basic, My Son Wears Heels is a good book. It showcases how one mother encouraged her son to openly explore who he was, and how his journey allowed understanding within hers. And if that was all there was in this book, you’d probably be very happy; instead, there’s a lot of plumping-up in this tale.
Author Julie Tarney drops product names like she’s in a grocery store, sometimes right down to the ad tagline; that’s often followed by minute details that seem inconsequential, as though they’re merely filling conversational silence. Add recreated dialogue, quoted from more than 20 years ago and, well, continuing can be a challenge.
Again, great premise, good story, too much fluff, and if that bugs you, too, then take a pass. Unless you can overlook its padding, My Son Wears Heels is no shoe-in.
My Son Wears Heels by Julie Tarney
c.2016, University of Wisconsin Press $24.95 / higher in Canada
213 pages
THE CENTER PROUDLY ANNOUNCES 22ND ANNUAL HONORARIUM
- September 13, 2016 - 3:15pm
The Gay and Lesbian Community Center of Southern Nevada, also referred to as The Center, will host its 22nd annual Honorarium Saturday, Oct. 8, 2016 in The Chelsea at The Cosmopolitan of Las Vegas. The organization’s largest annual fundraiser, the Honorarium will feature a VIP cocktail hour, silent and live auctions where guests can bid on exclusive luxury items and experiences, a culinary spread by the chefs at The Cosmopolitan in addition to bottle-service style lounge seating. And for the first time ever, The Center announces an entertainment component by comedian and 2016 Qmmunity Honoree Margaret Cho.
“This will be my third personal experience at the Honorarium,” says Michael Dimengo, who became CEO of The Center in 2014. “In the past two years, I have been strikingly impressed by the outpouring of support and generosity by people who come together not only to honor our honorees but to support The Center. Each year, The Center depends upon the success of this event to fund its operations and its continued social impact within the LGBTQ and wider Southern Nevada community. Get ready for an outstanding event!”
Bestowing honors upon the local LGBTQ community’s most dedicated and influential leaders, volunteers, allies and financial supporters, The Center announces its 2016 award winners:
· PERSON OF THE YEAR — MATTHEW FRAZIER
Matthew Frazier is a trustee of the John C. Kish Foundation and founder of The Social CirKISH Foundation. With classes held at The Center and other locations throughout the year, the Social CirKISH program promotes physical and social development of under-served youth through the exploration and participation of circus performing arts. Frazier has a BA in history from Brigham Young University followed with a Juris Doctorate from The University of Utah College of Law. His passion for nonprofit work has led him to serve on the boards of UNLV, The Animal Foundation, The College of Southern Nevada, The Public Education Foundation and The President’s Advisory Council for the Smith Center for the Performing Arts.
· ALLIES OF THE YEAR — DANIEL AND ROBIN GREENSPUN
Daniel Greenspun is the founder and past chairman of Greenspun Media Group, which publishes a variety of titles including Las Vegas Magazine, Las Vegas Weekly and Vegas Inc. He is also the founder of Vegas.com and LasVegas.com. Currently, he is developing Cityledger.com, a Blockchain advertising business. Robin Greenspun has a long history as an arts advocate, once serving as treasurer for the Kennedy Center President’s Advisory Committee and most recently serving on The President’s Advisory Council of The Smith Center for the Performing Arts. She recently received the 2016 Nevada Woman Filmmaker of the Year award from the Nevada Women’s Film Festival. Together, the Greenspuns own the internationally recognized CineVegas Film Festival. The philanthropic arm of their family, Greenspun Family Foundation, supports numerous local organizations and charitable causes such as Three Square, The Lou Ruvo Brain Institute, Nathan Adelson Hospice and the Greenspun School of Urban Affairs at UNLV. Within the LGBTQ community, the Greenspuns are involved with the local Human Rights Campaign chapter and actively support The Center.
· CORPORATION OF THE YEAR — COX COMMUNICATIONS
Cox Communications is the nation’s third-largest cable company and leading provider of broadband communications to Las Vegas residents and businesses. Cox is known for its pioneering efforts in cable telephone and commercial services, industry-leading customer care and its outstanding workplaces. For eight years, Cox has been recognized as the top operator for women by Women in Cable Telecommunications. Cox has ranked among DiversityInc's Top 50 Companies for Diversity 10 times, including the last nine years. Internet technology and cable television at The Center are supplied by Cox, and the provider’s charitable arm, Cox Charities, recently granted The Center $5,000 to use toward arts and culture programming.
· QMMUNITY ADVOCATE OF THE YEAR — MARGARET CHO
Beginning with her early days in Southern California, comedian Margaret Cho has always been the Agent Provocateur of stand up. Never one to shy away from a taboo topic, there are no subjects off limits. Her socially aware, no-holds-barred brand of comedy has made her both a thought leader and a tolerant teacher to those with open minds and open hearts. An accomplished performer in all formats, Cho has conquered the worlds of film, television, books, music and theatre. Having been nominated for three Grammy Awards and one Emmy Award, her comedy tours are a constant sell-out both in the U.S. and abroad. She’s had two shows debut Off-Broadway (“I'm The One That I Want” and “The Sensuous Woman”) and her last stand-up, psyCHO, was filmed at the historic Gramercy Theatre in New York City. With so much success in her artistic life, Cho has never turned away from the causes that are important to her. She is incredibly active in anti-racism, anti-bullying, homeless and gay rights campaigns, and has been recognized for her unwavering dedication over the years with many accolades and awards. From her activism to her music to her stand up, Cho is honest, forthright, passionate, uproarious, raucous, bold and unyielding.
The Honorarium will begin at 5 p.m. in the Brera Ballroom featuring cocktails, culinary stations and a silent auction. At 7 p.m., guests move to luxurious lounge seating inside The Chelsea where the program begins at 7:30 p.m. with guest speakers, video introductions, a rousing live auction and an awards presentation. After the conclusion of the Honorarium program, Cho will perform a stand-up comedy set beginning at 9:30 p.m. with doors opening to the general public at 9 p.m.
Lounge seating and enclaves for parties of 10 or 12, as well as individual tickets, are on sale now at www.thecenterlv.org/honorarium. Early bidding on silent auction items will also be available via the website. All proceeds from the Honorarium will go toward supporting The Center’s programs and services for the LGBTQ, allied and low- to moderate-income populations it serves throughout the following year.
Meryl Streep Interview
- September 1, 2016 - 6:18pm
Meryl Streep is laughing her signature laugh. You know it: Sometimes light and airy, sometimes a surge of boisterous euphoria that carries well into the next question – but always unmistakably Meryl.
Cinema’s grand dame cracks one of her warm, famous chortles during our recent interview, while entertaining the idea that her latest chameleonic role, as real-life opera diva Florence Foster Jenkins in the movie of the same name, could once again spur drag queens to emulate another one of her queer-loved characters. Then she laughs again as she fondly remembers locking lips with Allison Janney in 2002’s The Hours. Meanwhile, the mere mention of 1992’s Death Becomes Her has Meryl unleashing a hearty roar. Another laugh, too, when she ponders how sexting and Snapchat are related.
Gay audiences know this laugh because they know Meryl Streep. They also know her compassion for LGBT issues, both as an extension of her queer-inclusive acting repertoire and more explicitly, when, during her Golden Globe acceptance speech in 2004, she slammed then-president George W. Bush by condemning his anti-gay marriage stance. They’ve learned the art of shade from her sharp, searing tongue in The Devil Wears Prada, and they live for all the campy one-liners in Death Becomes Her. And during Angels in America, HBO’s 2003 watershed miniseries about the AIDS crisis, they wept.
Now, Streep, 67, sheds her skin once again to portray Jenkins, one of the worst singers in the world. In the poignant dramedy Florence Foster Jenkins from Stephen Frears, director of The Queen, the esteemed once-in-a-lifetime luminary plays a wannabe opera singer with a voice so hysterically appalling her loyal husband (Hugh Grant) bribes critics into letting her think she can sing.
Here, during this rare and revealing one-on-one conversation with Streep, the three-time Academy Award winner and record holder for most Oscar nominations discusses why she regards Angels in America as one of the most important LGBT-themed films she’s done and how she feels about gay men performing Meryl monologues. And looking ahead, is the biopic queen ready to consider her own story becoming a feature-length film in the future? Streep laughs at the very thought, of course, but she’s not kidding when she says, “I hope I fade into oblivion.”
You’ve given the gay community a breadth of greatness over the last four decades. When you look back at your gay roles, which has been the most important to you?
Oh, gosh. To me, I mean, Angels is such an important piece of history, and I felt really lucky to be part of that because I don’t think there was anything like it before. It really felt like being at the Democratic National Convention in the moment that Hillary shattered the glass ceiling – a big deal. The Hours was important too. And of course I got to kiss Allison Janney, which was a perk! (Laughs)
Don’t tell Emma Thompson, who famously tongue-kissed you and gave you an orgasm in Angels.
(Laughs) Yeah, right! (The Hours) was nothing like that!
I remember Emma talking about that kiss in an interview with The Hollywood Reporter. She’s very proud of it. She said she learned that “you have to use tongues even if you’re not a lesbian.”
Oh yeah, you really do. (Laughs)
When you look back at that moment, how does your takeaway from that kissing scene compare to Emma’s?
It’s just, you can’t take the baby from the bathwater. You can’t. It’s just the whole thing of it – that (orgasm scene) was just like the culmination of it. But what (screenwriter Tony Kushner) was doing was for a really mainstream HBO audience at that point – just groundbreaking. That hadn’t been on television. Movies, yes. But not television. So it was very cool.
You discovered you were a gay icon in 2012, when you found out about Streep Tease – gay men taking on Meryl monologues in West Hollywood. Did you ever get a chance to see it?
I didn’t. We went immediately to London to shoot something else.
How do you feel about watching other people – gay men, for instance – do Meryl?
I love it when they do other people! (Laughs) I don’t know. I’m sure it would tickle me, but I’m just not – I don’t have a distance on myself yet that I probably should have. It’s like when my kids imitate me. I laugh but I kind of don’t like it. (Laughs)
Do they imitate you often?
Oh my god, yes. Endlessly. Especially when I answer the phone and they can tell that it’s (me pretending to be), like, a Jamaican operator or something, because I sort of start talking in the accent of the person I’m talking to. Oh, they’re merciless.
Do you feel a connection to the LGBT community?
I just can’t remember when LGBT people were not in my life. You know, gosh. My piano teachers when I was 11 and 12 were two gay men in a little town in New Jersey who had a collection of Mexican art and piñatas and silver lantern covers, and their house was wonderful, not like anybody else’s house in Berkeley Heights, New Jersey. And yeah, I came of age when everything was kind of opening up and that’s a good time, right like now.
This film harkens back to the ’40s when communities were kind of cloaked and undercover, and yet in Greenwich Village and just communities of people in the artistic world, they were always embracing of people, every kind. That freedom – very staid people were drawn to that world because of its imagination and exoticism and willingness to embrace life in a different way.
How do you think the message of Florence – doing something you love because you love it and not because of what other people think – will resonate with the LGBT community?
Well, to the extent that anybody tells you that you can’t be a certain way or you shouldn’t be a certain way. You know, I think the limits other people put on you are the least valuable. A child announces who they are and people who encourage them are the ones to be around... and you have to get rid of everybody else who doesn’t help! (Laughs) I feel that way about everything, but certainly LGBT audiences will understand that.
In 1979, when you played a lesbian in Manhattan, being LGBT wasn’t cool. Why did you take on a role that might’ve been deemed “too much” during that time period?
I didn’t think of it that way. I mean, I was coming to movies sort of sideways from the theater. I got an early movie and I thought, “Well, this is a one-off; they’ll never ask me again.” I was fine with that. I was happy in the theater. And in the theater I had lots of gay friends and my longtime collaborator Roy Helland is gay. I’ve grown up with gay people and been in love with gay people.
Romantic love?
Oh no, not that kind!
I mean, I know women who’ve had gay boyfriends and gay husbands.
No, no. Well… not that I know of! (Laughs)
If you were to play another lesbian role, who would be your dream co-star?
Oh, well, someone younger, clearly. (Laughs)
But who? I mean, you and Sandra Bullock have already had practice making out at the 2010 Critics Choice Movie Awards.
Yeah! That was famous. But I don’t know! I can’t pick! There are so many. One thing I think is, there are so many young talented actresses and actors. I grew up in a time when people emerged – like, there were a handful of people. Now, there’s like 35, 40 people who are just beyond talented, and because of the opening up of long-form television and all the other platforms – webisodes and things like that – I think there are more opportunities for people to demonstrate their talent. There are so many talented people.
And streaming – I heard you say you’re learning about it.
Getting on that, yes. Not really. (Laughs) Somebody told me that I Snapchatted but I don’t know how to Snapchat and I thought it was the thing that you do when you’re sexting sort of and then you want it to be erased. I didn’t know what they were talking about!
It’s very confusing out there, Meryl. Stay in your bubble.
OK, fine! (Laughs)
Emily Blunt said she’s interested in doing another Devil Wears Prada if everybody else returns. Would you be interested in doing a sequel?
In theory. But the heart sinks until you read the script. It’s like, somebody said (they want a) Mamma Mia 2! and it just – ack! I thought, Gram-Mamma Mia!? Really? No. (Laughs) So it would depend on the script; the script is everything. If somebody has the imagination and wit to apply and has an interesting story, yeah, sure. But absent that, no.
Your gay fans wouldn’t mind, I’ll tell you that – as long there’s a solid script, of course.
No, I wouldn’t mind either if the script were good.
Your Death Becomes Her co-star Isabella Rossellini said that she didn’t know she was making what became a gay cult film until after some market research. When did you realize Death Becomes Her would become a gay cult classic?
I knew when I met the writer! (Laughs) When I met Martin (Donovan), I thought, “OK, here we go.” And then (when I sang) my first number, I thought, “Oh, all right, I’ll see this in a club somewhere.” I mean, with lines like, “Now_ a warning?!” – I mean, come on! It was so much fun, and it’s sort of a documentary on aging in Los Angeles now, it seems to me.
For years you’ve been playing real-life people: Julia Child, Margaret Thatcher, now Florence Foster Jenkins. If one day there’s a Meryl Streep biopic, what do you hope it captures about your life and career?
I hope that doesn’t happen! You know, I treasure my life and the fact that it’s not on Facebook, and I really love my solitude and privacy – all these old-fashioned concepts. In a job where I’m with hundreds of people all the time and going on these press things, I just really love to get away and not be in the chattering world. That’s really important to me. So, I hope I fade into oblivion.
We rode in from the airport and Roy – my hair and makeup guy – pointed out the Will Rogers museum here in LA that’s closing and I said, “Why?” He said because nobody knows who he was and nobody cares, and there was no more central figure in his time that could sort of translate the best of the wit and charm of his era. So, you know, then it’s over. He’s gone. Nobody cares.
And you’re OK with that happening to you?
Yeah, I’m fine with that! (Laughs) I seriously feel like you can only speak to your moment, and right now your work should reflect it. Your work has to just be important right now. And in 10 years if it looks obsolete or like you were overdoing it, that’s fine, because for that time you were.
5 Things You Need to Do If Someone You Love Is Deeply Depressed
- September 1, 2016 - 6:15pm
September is National Suicide Prevention Month.
As someone who has experienced the devastation of suicide in mourning the loss of friends who have taken their own lives, it’s important to me to recognize this annual awareness campaign. In addition, like many of you, I’ve battled with my own demons and depression over the years, which has included suicidal thoughts. While no one can or should tell another how to think or feel, it’s critical to remember, however – especially in down times – that suicide is preventable. Someone loves and misses you this very moment, and help is available – whether you believe that or not. Furthermore, if you know someone who is deeply depressed because you’ve recognized the warning signs, it’s your humanitarian responsibility to reach out and offer an ear that will listen, a shoulder to cry on, or a hand to hold. Here are a few other ways to help.
1. Educate Yourself on Depression
While you may be able to spot signs of depression in a loved one, are you confident that you’re well informed on the matter? Depression is a tricky and sensitive disorder, and it will benefit both you and the person suffering from depression if you educate yourself on the potential causes and effects. For instance, onset of depression may be triggered by a specific event or a series of events, like a string of bad luck, and it also may be linked to a brain-chemistry imbalance not connected to an event, according to Psychology Today. Thus, knowing what you’re dealing with before entering the trenches is recommended.
2. Show You Care By Asking Questions
When we’re depressed, we experience feelings of loneliness or perhaps that no one cares about our predicament. But that’s not the case. In fact, friends and family are often eager to help those who are depressed, and one of the first steps to showing your support in your loved one’s time of need is to ask questions.
“Your friend may be so desperate that she’s had a suicide plan in action for weeks, or she could just be under a lot of stress at work,” writes Therese Borchard at EverydayHealth.com. “She could be having a severe episode of major depression, or just need a little more vitamin D. You won’t know until you start asking some questions.”
Some questions to ask may include:
• When did you first start to feel bad?
• Can you think of anything that may have triggered it?
• Do you have suicidal thoughts?
•Is there anything that makes you feel better?
• What makes you feel worse?
• Do you think you could be deficient in vitamin D?
• Have you made any changes lately to your diet?
• Are you under more pressure at work?
• Have you had your thyroid levels checked?
3. Provide Support Without Judgment
The last thing someone who’s already at their lowest needs is to be judged for how they’re feeling or acting. Dealing with a depressed person is not always easy, granted – they’re irritable and sometimes lash out – but it’s in those moments that you should try to put yourself in their shoes. You don’t know what’s going through their head, what stresses they’re facing that brought them to this breaking point, or the painful physical manifestation of depression they may be experiencing. So, just be there for them – without any restrictions or conditions. Let them talk, vent, cry if they need to – all the while being a soothing, reassuring voice and pillar of strength to which they can cling.
4. Suggest Seeking a Professional Who Can Help
While providing nonjudgmental support is critical to someone who is depressed, you should together recognize that you, as a friend and likely nonmedical professional, can only do so much. If the depression is mild to severe – that is, it’s more than just a “bad week” – suggest seeking professional help. Ask family and friends for psychologist and psychiatrist recommendations – while being considerate to the person in need by keeping them anonymous – and return with those recommendations and your availability to accompany your loved one to the first appointment, if they’re open to the idea.
5. Take Matters Into Your Own Hands If You Have To
If your loved one’s depression is so severe that you’re afraid they may do something drastic, like commit suicide, you have every right to step in and call the proper authorities. Your friend or family member may not like you very much at that moment – in fact, you may become mortal enemy No. 1 for a while – but when the depression is properly treated and that black cloud dissipates, they will recognize that you were acting purely out love and concern and in their best interest. You can call the National Suicide Prevention Lifeline for advice at 800-273-8255, but if it’s an emergency situation dial 911.
Accepted
- September 1, 2016 - 6:12pm
“Accepted: How the First Gay Superstar Changed WWE” by Pat Patterson with Bertrand Hebert, foreword by Vincent K. McMahon
You are the champion of all-time.
Nobody can beat you; nobody can even tie your record. When it comes to thumb-wresting, you know all the moves and you really throw your arm into it for the win. Hands-down, you’re the best. So now read “Accepted” by Pat Patterson (with Bertrand Hebert) and take it to the mat.
Pierre Clermont understood poverty.
As one of eleven children plus parents in a two-bedroom apartment in a poor Montreal neighborhood, he was acquainted with lacks of privacy, hot water, and food. He and his younger brother slept in a closet, because there was nowhere else to sleep.
Perhaps because he was one of a crowd at home, young Pierre longed to set himself apart and he loved to “create a show and get a crowd to come out and watch.” He thought of becoming a priest, joining the circus, or somehow performing, so when his mother found a ticket to a wrestling match as a premium with a loaf of bread, Pierre became determined to see that show.
He was right – it was a life-changer. Pierre fell in love with wrestling and, because he knew someone whose father was a promoter, he began training to be a pro wrestler. He changed his name to Pat Patterson and, at around that time, he also began to understand why “girls just weren’t doing it for me.” He was gay, an ultimate admission that got him kicked out of the family home.
In Boston – his next home of many – Patterson had to learn English while he worked his way up the pro-wrestling ladder. He became the “bad guy” on the mat, and developed a ring persona. Also in Boston, he was set up with a man who “looked spectacular,” and with whom Patterson fell in love; he brought Louie Dondero into his act and his life for the next many decades, and they traveled the world on behalf of Patterson’s career. And though their relationship and their sexuality might have seemed out-of-place in an über-macho industry like pro-wrestling, says Patterson, “being gay turned out not to be an issue at all.”
Or was it? Did it have anything to do with the “scandal” to which author Pat Patterson (with Bertrand Hebert) mysteriously alludes? Plenty is said about old friends, old matches, and off-work high-jinks but “Accepted” only merely bumps into that subject about which fans still argue.
But what’s in here for non-fans?
Well, not much. Patterson’s love of pranks is clear in this book, which makes it mildly entertaining, and there are many times when he points out how times have changed. That’s interesting but, for non-fans, those bits are overwhelmed by names, travels, venues, organizations, and more names that might not make much sense.
Yes, you’ll find a story of an openly-gay athlete at a closeted time in history in this book, but there’s a lot to sort through to get there. Non-fans might want to think twice about reading it, but for pro-wrestling followers, “Accepted” is two thumbs up.
copyright 2016, ECW Press $25.95 / $27.95 Canada 258 pages
Dolly Parton Interview : Vegas Exclusive
- September 1, 2016 - 6:06pm
There are no angel wings.
Instead, Dolly Parton scoots into a drab backstage garage on her own two legs like a unicorn dream: knee-length canary yellow dress, rhinestones, more rhinestones, and a glow that can apparently turn even an industrial underground into heaven on earth.
But something’s off. Something is missing. Angel wings, I think.
Which, of course, you expect from a beaming Dolly Parton, even as she literally just stands in front of you. Her presence alone radiates her own healing power as she greets a mishmash of fans one by one, all of them basking in her shine.
Moms, dads, kids. An elderly woman in a wheelchair. Me, a gay man.
This woman – a country queen, a “backwoods Barbie,” the self-proclaimed fairy godmother – has united us all merely by existing. And if it wasn’t already evident, it certainly is in her midst: Dolly Parton is the only religion we may ever agree on.
For over two transcendent hours during her Pure & Simple tour, in support of her 43rd studio album of the same name, the Goddess of Goodness emerges as something too precious for this world. During her song “Little Sparrow,” the stage goes dark as screened-in birds take to the sky alongside Dolly’s silhouette – or, in this case, the Grand Rapids, Michigan arena she was setting aglow. Add “bird whisperer” to the long list of Dolly’s accomplishments, which is seemingly endless: 100 million albums sold worldwide; 25 certified gold, platinum and multi-platinum awards; 25 No. 1 songs on the Billboard Country charts, a record for a female artist; seven Grammy awards and 10 Country Music Association awards; one of only five female artists to win the CMA’s Entertainer of the Year Award; an Oscar nomination for writing the title song to one of her many films, 9 to 5, and obviously, a star on the Hollywood Walk of Fame.
An angel, though?
Parton demurs. “I don’t know if I’d go that far! I don’t think I’m all that!” she says, as humbly as you’d expect, laughing the squeakiest of laughs.
Our 11-minute chat is peppered with that trademark Dolly charm (I conclude the interview by thanking her for bringing joy to my life and she responds like my mother: “Love you too!”). And yes, 11 minutes. “I don’t know where you got that odd number,” she squeaks again in her godly Southern accent, acknowledging the bonus minute her manager, Danny Nozell, has graciously given us. “He’s saying you’re getting a li’l something extra!”
Read on as Dolly blesses us with an extra 60 seconds of divinity, along with a look back on her introduction to the gay community, that time she may have gotten a contact buzz from Willie Nelson’s grass and, like any paragon of virtue, helping her own family members come to terms with their sexuality.
Growing up in the Great Smoky Mountains, did you know any gay people? If I did, I didn’t know they were at the time! (Laughs) We were just mountain people, and I did not know at that time – I sure did not.
What was your introduction to the gay community then? As I started to be a teenager there were a couple of guys downtown that everybody was sayin’ were queer, ya know? I know they often said that about anybody who was odd or different – “they’re just queer, just strange and odd” – but the way they would talk about these two guys they would say, “Well, they’re sissies, they’re girls.” I was a teenager then. But in my early days we did not know (what gay was). It didn’t take me long to know that people were different and that was always fine with me ’cause I was different too, and I embraced and accepted them and I _knew_ them. I knew them well. But no, in my early days I did not know. But I know a lot of them now! I have a huge gay and lesbian following and I’m proud of ’em, I love ’em and I think everybody should be themselves and be allowed to be themselves whoever they are, whatever they are.
How big is your gay circle these days? You know what, I have so many (gay) people in my companies. And later on, I did find out I have many gays and lesbians in my own family. We accept them, we embrace them. Oh, there are some in the mountains who still don’t know quite what to make of it or how they should feel about it, but they’re ours and they’re who they are and we know they’re wonderful and they’re like us. We love the fact that they are who they are and we nurture that. We don’t try to make them feel separate or different. We embrace it.
Because you’ve always been so LGBT-affirming, are you a safe place for them to open up about their sexuality?
Yes! Actually, I’ve had many people through the years who I have helped to feel good about themselves. I say, “You need to let people know who you are and you need to come on out. You don’t need to live your life in darkness – what’s the point in that? You’re never gonna be happy; you’re gonna be sick. You’re not gonna be healthy if you try to suppress your feelings and who you are.”
I have a couple of transgender people in my company who are on salary with me, so I am totally open for that. And a lot of people feel like they can come to me… and they do! Whether it’s about being gay or whatever, a lot of people do me like they used to do my mama and come to talk to me about things. Hopefully I’m able to help. I think I have.
When were you first aware of transgender people? I remember watching the news when I was a girl and they (were talking about the) first operation that somebody had. That’s the first time I ever heard about that, and so that was many, many years ago. But yeah, I’ve known a lot since then, though.
Throughout your career, gay people have leaned on you for musical moral support while also absorbing your sage wisdom. But what have you learned from the gay people in your life?
I certainly know that the gay people I know are the most sensitive and most caring of all. I think they go through so much that they have to live with their feelings on their sleeve. They’ve had to go through so much that I think they’re very emotional and tenderhearted and more open to feelings, so I’ve just learned the same things I try to learn from everybody. I know they’re good people and I’ve tried to learn from that as well. They’re very creative, most of them. And I think that also comes from just embracing the fact that they’re different. Most of the gays I know just want to make the world a more beautiful place like I do.
After 50 years of marriage, what inspired your new self-proclaimed “friends with benefits” song, “Outside Your Door”?
Well, I’m married, but I’m not dead! I’m a romantic, fantasy person and I’ve felt all of those feelings. I’ve been through everything in my life. And when I don’t write about myself, I write about other people that I know and their relationships, and people I know who don’t know how to express themselves. So I gather my ideas from everything. And hell, you don’t get too old to fantasize!
There’s a 20-minute intermission during your Pure & Simple show. What do you do for those 20 minutes?
It takes every bit of my time! I fly back to my bus right after intermission, and I go back and I change. I take a little breather to cool off for a minute, and then I change clothes – that’s the only change I do (during the show). Then, I change my hair, change my wig, and I touch up my makeup. And by the time I’m done with all that it’s time to go back on.
What if you have to pee?
Oh, I take a pee break and drink a little bit of water. But yeah, it’s just a pee and pray break! (Laughs)
You jokingly mentioned during the show that you should run for president. Say you were elected – what would be your first order of business?
I would just resign! That’d be my first order if I got elected – I’d say, “No, I don’t want it, I don’t want it!” (Laughs) But no, I don’t know what I’d do. I don’t even think on those terms. I’d make this world a better place, I’ll tell you that.
During the show you hysterically joked about how you could get a contact buzz from Willie Nelson’s tour bus. Where do you get your sense of humor and sharp wit?
Oh, that comes from both sides of my family. My mama’s people were hysterical; my daddy’s people were hysterical. They just had a different sense of humor, and that’s how we got through everything, with our sense of humor. And as a writer I just think funny. I try to find things to laugh about and so anyway, I just say whatever I say.
What’s the closest you’ve gotten to Willie and his weed?
Oh, I know Willie really well! I sang with him on my last album. We did a duet together called “From Here to the Moon and Back” and I was singing – well, I was trying to sing and I said, “Willie, I’ll tell you, you’re the worst person I ever tried to sing with. I mean, you’re brazen! I can’t keep up with you! I’mma need a sack of your grass! I’mma need something!” But he laughed so hard. But anyway, I love him, but he’s Willie and that’s OK.
He smoked in the studio with you there is what you’re saying?
Oh, yeah! Willie smokes at the drop of a hat! I probably had a contact high from that too!
You’ve been singing “I Will Always Love You” since the early ’70s. What does that song mean to you now that it didn’t mean to you when you first wrote it?
Well, you appreciate things more as you get older. That song is just the gift that keeps on giving. It’s always getting licensing in my publishing company; somebody’s recorded it and we’re signing off on that. And so the fact that people are always calling me and always wanting rights for (the song for) a wedding – I actually rewrote it as a wedding song; it makes a beautiful song – it just makes me appreciate the fact that I’ve been able to write something that’s been that meaningful to so many people through the years. So, it does touch me. And it turned out to be the perfect song to sing to my fans – it’s the song I like to dedicate to the fans. Not the sad parts, but the good parts – especially the line of, “I will always love you” for letting me do this.
Vernita Matters
- September 1, 2016 - 5:45pm
Eighteen-year-old Vernita used to worry about using too much electricity in the Las Vegas garage she was calling home. This was her reality since the LGBTQIA youth was kicked out of her home.
At 6:34pm, Gay Vegas saw a message of distress on Facebook: “Does anyone have a wall unit A/C they can donate for an lgbtq youth who is living in a garage without air? If so, please contact me or The Center.” That shocking message came courtesy of Holly Reese, program manager at The Gay & Lesbian Community Center of Southern Nevada.
By 10am the next day, at a local hardware store, Gay Vegas met with the woman who had sent the original request to The Center. Doreen Guerra is a case manager with WIOA Youth One Stop Affiliate East and the Southern Nevada Regional Housing Authority.
Gay Vegas purchased the exact cooling system requested by Doreen to meet Vernita’s specific needs. That same morning, the Southern Nevada Health District reached out to offer additional assistance.
Gay Vegas started a Go Fund Me campaign and we were deeply moved by the showing of love from our LGBTQIA community in response to the Vernita Matters fund page, gofundme.com/vernitamatters.
In merely hours we reached our $1,000 goal for Vernita and our inbox was full of support and love. Many community members and organizations offered employment, clothing, food, financial assistance and even offered to share their homes with Vernita.
A HUGE Thank You to Gay Vegas magazine reader Ricky Lomeli who, along with her partner, provided Vernita with immediate employment.
A special Thank You to the following individuals & organizations; Guy Puglisi, Mya Reyes, Ronald-Neal Nolan, Dr. Jerry Judd Pryde Jr. MD, MPH, Angell Scott, Marcus Wilson, Zachary Joseph, Linda Washington, Anthony D, Maria Garcia, Ryan Nelson, Lisa Miller, Christopher Lambert, Erin Sharpe, John Klai, Grace Olivieri, Ryan Reynolds, Su Walton, Thalia Siqueiros, Tanya Goodgame, Danelle Kitching, Elias Guerra, Linda Carducci, Susan Myers, Kristie L, Michael Reynolds, Isabel Elliot, Jess Session, Meli Pulido, Jessica Lee, Mecca M. Brown, Life Coach, Steven Hughes, Latasha White, Carly Gagnon, Robinette Nacca, Niasimone Thomas, Colleen Rague, Erin Hamilton, Southern Nevada Health District, Good Carma - Auto Sales and Service, Project 150 and Goettl Air Conditioning.
Email from Doreen Guerra (Youth One-Stop Affiliate East- YOSA):
Vernita came by to see me yesterday, she is doing great! She moved out of the garage and gained new employment – she has also reconnected with her mother. She looked great too, she gained 10 lbs. and is now weighing 100 lbs. Your help did so much more for her than just help her out financially, you gave her hope and that is priceless. Please see attached note she wrote to thank you.
In America, up to 1.6 million youth experience homelessness each year. The statistics for LGBT homeless youth are staggering: they represent 40 percent of all homeless youth.
ClexaCon Convention Las Vegas
- September 1, 2016 - 5:30pm
Mark March 3-5, 2017 on your calendar. ClexaCon is coming to Vegas!
What’s ClexaCon? It’s a convention that “brings together queer women from a multitude of fandoms across TV, film, and the web to celebrate our presence in the media.”
ClexaCon is named after the much loved TV couple Clarke and Lexa of The CW’s The 100. You may remember that controversy followed after Lexa was killed off on the show this year. This infamous moment in television history sparked discussions around queer baiting and the Bury Your Gays Trope. It ultimately led to $130,000 being raised for The Trevor Project, which focuses on suicide prevention efforts among LGBT and questioning youth, and many TV writers signing The Lexa Pledge, a commitment to treating LGBT characters more inclusively.
The convention will be held at Bally’s and Paris in Las Vegas. VIP packages have already sold out, but three-day and daily passes are still available.
You can expect a lot of the same staples we’ve all come to love about fan conventions: celebrity guests, panel discussions, an artist alley and yes, costumes are encouraged.
Names to get excited over include fan favorites Gabrielle Christian and Mandy Musgrave of South of Nowhere (2005-2008), Katherine Barrell of the new TV hit Wynonna Earp and wives Shamim Sarif and Hanan Kattan, who brought us the classic lesbian films The World Unseen (2007) and I Can’t Think Straight (2008). More names are still to come.
“We are a fandom community united by our common love for queer content, our interest in better representation, and our desire for progress and improvement in the media,” reads the ClexaCon website. Now, how can you resist that?
For more info and to purchase tickets, visit www.clexacon.com.
Queercon Recap
- September 1, 2016 - 5:15pm
What they say is true: there’s a community for everybody. This includes hackers and, more specifically, queer hackers. Las Vegas knows this well, as for the 13th year in a row Queercon was back in the city in early August. And we have all the fun details for you.
Queercon is part of Defcon, the annual cyber security convention that draws tens of thousands of attendees. While Queercon started off as an informal gathering during Defcon, it’s now grown to become one of its largest sub-groups. According to the Queercon website, the organization exists to gather all LGBT hackers together so “hopefully we can discover how strong our ranks really are.”
How strong were they this year? According to Vice, Queercon had so many attendees that organizers rented out “an entire 105-room block at the conference hotel and had hotel guards outside their communal suite where the party never seemed to stop.”
It’s no surprise, really, as Queercon has a reputation for putting on the best parties at Defcon. A highlight event has to be their annual pool party, one of the most well-attended events at the convention. According to organizers, this year the event featured:
“Go-go’s from West Hollywood and Vegas, internationally acclaimed DJ Bret Law (Seattle), Skittish and Bus (Salt Lake City), and DJ Mass Effect (San Francisco). Drawing in over 3500 Defcon attendees, the pool party rocked the Blu Pool at Bally’s until 3:00 AM. Over a 100 beach balls filled the pool for an epic beach ball fight that lasted for hours.”
But Queercon isn’t just about partying. Outreach matters too. This year, Queercon hosted Defcon’s first ever transgender meet up. Organizers say the turnout was “overwhelming”.
Just as overwhelming? The love Queercon badges received.
Queercon uses technology to “facilitate a deeper level of group interaction.” A brilliant way to achieve this is through the use of electronic badges. Organizers encourage attendees to “hack, modify, and alter the badges in unique and interesting ways.” Each badge is designed to allow interfacing with other badges. And one of the coolest things about these squid-shaped badges? The various “hats” you can accessorize with!
Queercon “provides a radically inclusive space for LGBTQ attendees,” writes Vice. We agree and can’t wait for next year.