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André C. Wade

Major Changes in Leadership at The Center

The Gay and Lesbian Community Center of Southern Nevada (The Center) has announced the appointment of a new executive director, André C. Wade.

The announcement was made on March 20. Wade is a native of Las Vegas.

“We are excited to have André step into the leadership role for The Center,” said Wayne Cassard, president of the board, in a statement. “André’s countless years of service to Southern Nevada show his passion is ignited for bringing The Center to new heights, and we are looking forward to seeing how he can help us grow to reach more people in Southern Nevada.”

Wade had previously been the director of operations for The Center. He has worked in human services for more than 15 years. Now in his new position, he has become the first African-American executive director of The Center.

“I am excited and honored to have this opportunity to lead The Center at a pivotal moment in its history as we build upon our foundation and look toward new opportunities,” said Wade. “We are going to get right down to business and begin building for a stronger future so that we can better serve the thousands of people who rely on the work and services The Center provides each day.”  

According to the press release, Wade:

Holds a Master’s Degree in Public Administration from the University of Nevada of Las Vegas and has volunteered on several nonprofit boards in Southern Nevada and national advisory boards focusing on LGBTQ issues.

Leaving The Center is Michael Dimengo, who has resigned from his role as the chief executive officer. 

“Serving in this role under the direction of the Board of Directors has been a privilege of a lifetime. After some much-needed relaxation, I look forward to joining The Center in a volunteer capacity in the near future,” said Dimengo.

Other notable changes at The Center include the departure of Director of Marketing Cory Burgess, who left the organization this past November. The Center has yet to find a replacement but is also considering public relations firms.

Cory Sadler, the development manager, also announced in March that he is no longer in his position at The Center.

Current employees of The Center have been advised not to discuss any details of the recent changes.

According to a former associate of The Center, the organization was denied a grant in December and many internal changes were being made to flatten the organization, with few or no levels of management between management and staff level employees being left over. 

To learn more about The Gay and Lesbian Community Center of Southern Nevada, visit TheCenterLV.org.

 
Eiffel Tower Experience View

Vegas 360 Experience

I’ve proudly been the editor of Gay Vegas for two years now. And yet, I only just visited Las Vegas this past March. If you’re wondering, it’s pretty typical for editors working in big markets to not be living in those same markets. There are plenty of benefits to this arrangement as well, including time zone differences and unique interview opportunities. But I would be lying if I said writing about Las Vegas every month didn’t make me want to visit. Well, early March 2017 would see it happen.

This was my experience.

Caesars Stay & Play

So, why was I in Vegas? I had traveled from Toronto, Canada to attend ClexaCon, a convention that brought together “queer women from a multitude of fandoms across TV, film, and the web to celebrate our presence in the media”. 

I obviously needed to stay pretty close to the convention floor, which happened to be located in Bally’s Las Vegas. You can’t get much closer and enjoy an equally as luxurious stay than with its connected sister property Paris Las Vegas. I made my home away from home in one of the hotel’s top floors in a newly renovated Burgundy Room with a view to die for. As for the room itself, gorgeous. A king-sized bed fit for a queen, a bathroom with a shower and separate tub, unique furniture and art pieces, plus the perfect workspace for my needs. I’ve been in enough functional but generic hotel rooms to recognize this is truly a dream experience.

But back to that view! Through my large windows, I could see the famous Caesars Palace, the Fountains of Bellagio and the Eiffel Tower Experience, the latter of which I was able to tour during my last day in Vegas. Having already seen Vegas from incredible heights on the High Roller (in a Happy Half Hour cabin after midnight, I might add – an experience I highly recommend. It’s exactly what it sounds like: bartender service for half an hour while you ride the High Roller with friends and friendly strangers), closing my visit with a 360-degree view from the top on a clear morning was the perfect way to say goodbye to Sin City. For that reason alone, I would recommend the Eiffel Tower Experience to any tourist. Did I also take advantage of Paris’ casino floor, dining options and bars while I was there? You know I did!

The Shows

With an endless amount of shows in Vegas and my stay lasting less than a week, I had to be picky with where I would spend my time. I ended up deciding on two shows that were inclusive of the LGBTQ community (the main reason I was coming to Vegas anyway): Frank Marino’s Divas Las Vegas at the LINQ and Cirque du Soleil’s Zumanity at New York-New York.

Divas Las Vegas stars Vegas’ longest-running headliner, Frank Marino. As the name might lead you to believe, the show is an homage to our great divas, past, and present. What makes it unique? It’s a drag show on steroids! When I was in town, I was fortunate enough to see Marino impersonate the late Joan Rivers. But although Marino is quick with the jokes and spot-on with his introductions, it’s clear he wants the spotlight on his divas. And with good reason too, because they deliver. While the show is always changing, during my visit I got to see drag superstars take on the likes of Whitney Houston, Tina Turner, Cher, Celine Dion, Madonna, Dolly Parton, Lady Gaga, Adele and much more. An extra nice touch I appreciated was seeing Marino and his divas stick around after the show to meet fans and sign autographs. This is a classic Vegas experience I can’t recommend more.

As for Zumanity, it’s proof that while today there are more family-friendly options in Vegas, you can still find a show that is through and through for adults only. Let me tell you, this show is not for prudes! A show that sees many performers interact with several audience members, I can see how couples would enjoy Zumanity as a way to spice up date-night. While the show does feature some of the electrifying stunts that have come to define Cirque du Soleil, Zumanity’s focus is more so on intimate performances. This includes gay and lesbian acts, as well as a very queer host. The show also features an amazing house band and costumes that will blow you away. But don’t get me wrong – despite my talk of intimacy and beautiful artistic choices, this show has several comedic moments. As someone who attended the show alone, those moments helped ease me into the out-there Zumanity

Local Grub Hubs

Full disclosure: I’m not a foodie. But even non-foodies have to eat and even we can tell the difference between bad, so-so, good and really good. Luckily, with the help of some locals, I ate like royalty during most of my stay.

My first stop as a starved traveler was at Kaizen Fusion Roll and Sushi. I don’t think I’ve ever had sushi that looked that beautiful and tasted that good. I also had the chicken katsu, which was just delicious. Pro tip: review Kaizen on Yelp for a free appetizer!

Now when you’re not from Vegas, the idea of vintage Vegas is just seared into your head. The Peppermill Fireside Lounge fulfilled that image for me. Because the Peppermill is open 24 hours a day, I was able to pop by for a very late dinner. Well actually, I was in the mood for breakfast, so it was the Eggs Benedict I had. I also couldn’t resist a late-night coffee, what with the Peppermill’s rainbow-colored sugar calling to me. Loved my meal, enjoyed the quick service and couldn’t be happier with the purely Vegas setting.

As for lunch options, I had been dying to try the Bobbie at Capriotti’s on Paradise since we interviewed lesbian owner Kelly Gwinn for Gay Vegas. As someone who only eats a turkey meal once or twice a year, this Thanksgiving in a sandwich was a godsend. And because I have a sweet tooth, I also had one of their cookies and brownies. But hey, those were on separate occasions… I also lucked out and got my sandwich on a day Kelly was in and I got to meet her. Never got to thank her though for a sandwich that was so filling that it's leftover half doubled as my dinner that day too. So good!

And because I’m a sucker for Thai food, I had to go to the Lotus of Siam once I was given the recommendation. Unassuming in its Commercial Center strip mall location, this place is a true Vegas gem. Immediately hit with the smell of chili powder as I entered, I knew I had to have something spicy. I went with the spicy seafood fried rice and a side of dumplings. Delicious! After dinner, I took the time to look around the restaurant, noticing photos of various celebrities who had visited. I guess I wasn’t the only one who had heard good things.

Of course, it wasn’t all about fine dining. We don’t have White Castle and In-N-Out Burger in Toronto, so you know I couldn’t resist the temptation. I also kept things easy by eating at Yong Kang Street Dumpling & Noodle House at Paris instead of leaving the hotel, and by putting Bally’s food court to good use between ClexaCon panels as well (and, yes, I’ll have more on ClexaCon shortly). But I also got adventurous on this trip, trying Ethiopian for the first time. And what an unexpected adventure it was – dinner and a show! We showed up at Blue Nile Restaurant for the food but stayed a bit longer to take in the open mic comedy. Only in Vegas!

Random Fun

I had a lot of concrete plans while I was in Vegas, but fortunately, I was able to fit in a lot of frivolous fun too. Most of the credit for this goes to my publisher, John Lawrence, and his partner, Peter. By the time I finally met John in person, I had been working for and with him for just over two years. I already considered him a friend, and as soon as he picked me up at McCarran International that chemistry was confirmed. 

On that note, Vegas, your airport game is on point. I swear I was off my plane and outside waiting for my ride in 10 minutes, tops. That never happens in Toronto. The drive out of McCarran is also quite pretty, and you’re by the Strip in no time. Great way to get people to the casinos fast and keep them there as long as possible…

 Now, John kept me plenty busy that first day. Right from the airport, we were off to the Nevada State Museum where we met with its director, Dennis McBride, a local LGBTQ historian. I had read plenty of his interviews over the past two years, so I felt incredibly lucky to be gifted his new book, Out of the Neon Closet: Queer Community in the Silver State, and to have him sign it along with a personalized note. That book has got to be one of my favorite Vegas souvenirs.

Speaking of souvenirs, John took me next to the city’s arts district to pick up a custom Gay Vegas t-shirt. You better bet I put it on immediately and wore it for the rest of the day. It was also in this neighborhood that I saw our magazine on stands for the first time. I felt very proud in that moment.

After a late lunch and a nap back at my hotel room, John took me on our agreed upon magazine run. Only later that night did I realize he’d already hit up a vast majority of the places we visited but wanted to show me them anyway. For instance, John took me to the Wynn Hotel to show me the Singing Frog at the Lake of Dreams over cocktails. Don’t tell him, but my favorite part of that visit was discovering an Orange Is the New Black slot machine.

Later that night, John showed me Vegas’ various LGBTQ neighborhoods. I would use that information days later to go back for drinks and drag at Badlands Saloon. But it wasn't just clubbing, although we did enjoy stops at Piranha and FreeZone. Having written about The Gay & Lesbian Community Center of Southern Nevada on several occasions, John knew how important it was for me to visit. And although we stopped by there that night just so I could catch a glimpse, he made sure I visited the next day so I could actually get a tour.

John also took me around Downtown Las Vegas, including a stop at Zappos. I was fortunate enough to see several sides of Vegas most tourists never see, like the affluent Summerlin neighborhood.

And because we did end up setting aside a day for me to help John out on that magazine run, I got to check out the best hotels and casinos Vegas has to offer. Also, maybe, just maybe, I rode the sex bike at the Erotic Heritage Museum during a stop.

By the third day of my trip, ClexaCon had started and I had to say my goodbyes to John and Peter. I hated saying farewell because we had quickly bonded and they couldn’t have been more hospitable. There really is nothing like being shown around by a local. Nonetheless, something tells me we’ll be seeing each other again.

 ClexaCon

I talk about ClexaCon last because it’s by far what has left the most lasting impression on me. 

ClexaCon gave me the excuse I needed to finally visit Vegas. I know that may be surprising to read, but I’m not big on casinos, and every top act has performed in Toronto or has plans to. I always figured it would take a bachelorette party or something big to get me to Vegas. Fortunately, ClexaCon came first.

Now, I’ve been working as a journalist specializing in covering LGBTQ issues since 2012. As of late 2014, a good chunk of my focus shifted to queer entertainment coverage. But my attention to queer women’s representation in television, film and the web goes back 12 years to my teens. So ever since I could really think for myself, this stuff has mattered to me. In many ways, it’s been my world. So when I first heard that ClexaCon was happening, I thought, “This is for me. This is me.” Next, I thought, “I’m finally going to Vegas.”

If the name is throwing you off, let me explain. ClexaCon is named after the much-loved TV couple Clarke and Lexa of The CW’s The 100. Controversy followed after Lexa was killed off on the show just over a year ago. Her death sparked discussions around queer baiting and the “Bury Your Gays” trope. It also led to large sums being raised for The Trevor Project, an organization that focuses on suicide prevention efforts among LGBTQ and questioning youth, and to many television writers signing The Lexa Pledge, a commitment to treating LGBTQ characters more inclusively.

Lexa’s death was the breaking point for many and our community’s response to it was proof that we had the numbers to warrant a convention of our own where we could discuss the nice and not so nice representations of queer women in media. ClexaCon was born.

This first edition of ClexaCon took place from March 3 to March 5. I was there for all three days, and it was magical. Over 2,000 people attended from over 20 countries, the vast majority of them queer and trans women. I’ve never been at an event with so many like-minded people, or ever felt so at home at an event of such a size. Speaking to other attendees, I know I’m not the only one who felt this way.

There was a lot to do at ClexaCon, and I feel like I did a little bit of everything. I went to most of the celebrity reunions, I listened in on several panels and I even saw a film at their film festival. What I didn’t attend sounded really cool too, like their Cocktails for Change fundraiser, their SINFUL party, and their table talk lunches. And while I didn’t pay for any photo ops or autographs, I saw a lot of happy girls that did.

I noticed a lot of people seemed to know each other, only to realize they were meeting in person for the first time at ClexaCon (many had met through the likes of Twitter and Tumblr). While I tend to keep my relationship with social media pretty professional, I found that sense of friendship with fellow lesbian film critic Lisa Tedesco, who I also met in person for the first time at ClexaCon. She quickly became my convention BFF and constant meal companion.

As for the reunions I attended, you may not have heard of all of these shows, but just know that they span my early teen years to my present. We’re talking the likes of All My Children, South of Nowhere, Lost Girl, Person of Interest and Wynonna Earp. I also went to the LGBTQ Actresses in TV & Film presentation, which featured out Canadian actress Ali Liebert, whom I had met with earlier that weekend for work reasons (but, yes, I was fangirling on the inside). Between giving South of Nowhere’s Gabrielle Christian a head nod in the hallway, playing it cool with All My Children’s Elizabeth Hendrickson in the bathroom and freezing up around Lost Girl’s Zoie Palmer like I always will, I was shocked by the access to the talent and pleasantly surprised with how super respectful of boundaries attendees were.

Really, ClexaCon surprised me across the board. Long after I was committed to going, its modest list of celebrities kept growing, as did its list of panelists. The number of attendees also more than doubled initial expectations. ClexaCon was either going to disappoint and go down as representing one unique moment in time or be a huge success that begged for follow-up editions. Fortunately, the latter is the case, and I can only hope that, if a second convention is confirmed, Vegas is once again picked as the host city. I want to go back ASAP!

Performer Alan Silva performs astounding aerial tissu act

One Night for One Drop Review

Sometimes you just have to seize the day and save the planet. Well, maybe we didn’t exactly save the planet, but I’d like to think we helped a little by purchasing a few of the remaining tickets to Cirque du Soleil’s One Night for One Drop presented by Zappos.com and MGM Resorts International.

A year in the making, this fabulous annual event features a custom show to raise money for One Drop, Cirque founder Guy Laliberté’s non-profit that aims to provide access to safe water to each and every person on the planet.

The star-studded fundraiser included packages from $1,500 for an individual VIP ticket to $250,000 for the presenting package. A live auction featured luxury items and once-in-a-lifetime experiences, like a 160mph powerboat ride with adrenaline enthusiast Laliberté in Italy. Yikes! All proceeds from the event benefit safe water access and conservation programs across the globe.    

When we arrived at New York-New York for One Night for One Drop, my partner and I immediately took note of the blue red carpet graced by several familiar faces, such as Mayor Carolyn Goodman and her husband Oscar Goodman, comedian Carrot Top, Penn Jillette (Penn & Teller), Red Foo (LMFAO), Marie Osmond (looking absolutely stunning, by the way) and some of our local community favorites, like Mike Snedegar (Tao Group), Michael Shulman (ShulmanSays.com) and Jaymes Vaughan (Celebrity Page TV), who was also covering the event.

Before the show, my partner and I met up with our friend Chris Michael Hepler, whom we had invited to join us for this “Cirque show on steroids”. We had a glass of champagne and wine at the hosted bar and quickly found our seats inside the intimate Zumanity Theater.

What unfolded before our eyes was one of the most thought-provoking and beautiful live performances we have seen in a very long time.
Grace VanderWaal performed her touching song, “Light the Sky”. I am convinced the live performance we were privy to was the best version that will ever exist. Another standout moment was William Shatner singing along with the entire cast underneath a dangling cast member dressed as planet earth.

As for the show itself, it featured quirky characters like The Old Ringmaster, a metaphor for Humanity and his faithful assistant, Orbis, a metaphor for Earth. The show told the story of our finite resources and stressed that time should never be taken for granted. The Old Ringmaster races through time with the help of Tempus the time keeper to try and fix his many wrongdoings to his various circus performers.

One of the performers, the faithful assistant Orbis, pleads with The Old Ringmaster throughout the show to let him perform the act he had been vigorously working on. After facing rejection throughout most of the show, Orbis (played by little person Alan Jones Silva) was finally able to perform his aerial act to “Bohemian Rhapsody”, sung by The Tenors.
In watching his performance, the lines of imagination and reality were blurred as you wondered whether perhaps the scenario of Alan Jones Silva wanting to perform this particular piece existed in reality long before the evening of this show.

Silva performed with such pride, skill and grace in this moment that it was hard not to have the feeling that Freddie Mercury had actually written “Bohemian Rhapsody” especially for Silva’s silk work. “Open your eyes, look up to the skies and see” … Silva blow your mind. “Little high, little low, any way the wind blows doesn’t really matter” because through the Zumanity Theater spotlights, I saw “a little silhouetto of a man” that left the biggest impression on every single one of us.

A reminder that no matter how little of a Scaramouche we may be in this world, we should do what we can to have a positive impact on one another and the bigger picture – our planet.

For more information on One Night for One Drop, visit
onenight.onedrop.org.

To learn how you can help with safe water access and to learn more about One Drop’s global water initiatives, please visit www.onedrop.org.

Kelly Osbourne

Kelly Osbourne

Hollywood spitfire and staunch LGBT ally Kelly Osbourne is feeling tense about her first book, There Is No F*cking Secret: Letters from a Badass Bitch. After all, “What if I change my opinion by the time it comes out?!” she says, laughing because it’s true. 
Then there’s our revealing interview, where the opinionated 32-year-old actress, singer and now author – and daughter of Ozzy and Sharon – let her candid thoughts loose on topics ranging from her sexuality (“everybody’s gay”) to her openness about dating women and her issues with celebrities who feign lesbianism for publicity. And that recent controversy over her statement regarding President Donald Trump? She admits it really got to her. Turns out, even badasses cry sometimes. 

Kelly, your book, which covers your personal journey to self-acceptance, could have a positive influence on so many young people trying to find themselves. 
Oh, thank you so much! It’s the most vulnerable thing I’ve done in a while, I can’t lie. I’m kind of like, oh my god, I’ve actually done this, because for the first time in my life I wanted to take my power back, and instead of people telling me who I am, I wanted to tell them. 

Who are some of your favorite badass bitches? 
I mean, Elton goes without sayin’. Just people who’ve made a difference in my life, like Liza Minnelli. I think Lil’ Kim. It’s anyone who just learned to be themselves and take responsibility for who they are. 

When were you first aware you had an LGBT following? 
I don’t remember a time in my life when I haven’t been submerged in the LGBT community. It’s the only community that, even though I shouldn’t have belonged (laughs), accepted me. It was the only world I ever really felt comfortable in, because, and I say it in my book, I don’t know what it feels like to fit in.

What do you attribute that bond to? 
I think my relationship, especially with the drag community and the drag world, became so prevalent at such a young age because of Boy George, of course, and Blitz Kids and that huge movement in the U.K. I think drag queens choose how they want you to see them and they do that knowing that they’re probably going to get a lot of shit for it, and that’s what magic is. That’s like, “Fuck you, this is who I am,” and you can wake up every day and be whoever you want to be. I love that. 

When did drag first come into your life?
It’s never not been in my life. I mean, my mom was calling up (a drag club) in San Francisco; I was, like, 11 or 12 and being snuck into a drag bar. It was amazing. And there was a time I went to go see Cyndi Lauper on tour when she was playing in the U.K., and she used to have, like, 20 drag queens on tour with her. I was probably about 9 or 10.  
You have to understand, my favorite childhood pastime was putting my mom’s lacy underwear and bustier on over my clothes – because I wasn’t allowed to wear them any other way – and going to see The Rocky Horror Picture Show. Rocky Horror Picture Show is still, to this day, one of my favorite movies of all time. I loved the makeup. If you look really closely at the “Time Warp,” you’ll see where I get all my hair colors from. But yeah, everyone else was watching Annie, and I was watching Rocky Horror Picture Show and singing about sweet transvestites. (Laughs) 

How much of your gay submergence do you credit to your mother?
It’s equally my mom and my dad. In rock ’n’ roll, you were the outcasts back then and outcasts tend to find each other, especially in London. 

How about Boy George – what was his influence on you? 
I remember staring at my TV, thinking, “Is it a beautiful woman or a beautiful man? It doesn’t matter.” He was the first person to break down barriers. He single-handedly changed people’s perspective so much. And he’s such a smart man! If you ever sit down and have a conversation with him about his political views and his opinion of the gay community, he says things that are so spot on and so important because he’s lived long enough through good times and bad times to see what things really are. I love talking to him. And he has the most beautiful eyes you’ve ever looked into! 

You recently wore a hat emblazoned with the words “I Am Gay.” Were you being literal? 
You know my honest opinion? Everybody’s gay. It is a strictly human thing. You can’t put a gender on love. 

But I know a guy – several of them, in fact – who insists he’s only into women. 
Except he’s letting a guy suck his dick! If you ain’t tried it, you don’t get to tell me what you are. 

Are you open to loving a woman?
I’m open to loving anybody. It’s about the person. I don’t think it’s about sexuality at all.

Your mother came out as bisexual last year. What have you learned about yourself from her regarding sexuality?
I told her, “Would you be the butch one? Come on, tell me, which one would you be?” Because whether it’s man and man, woman and woman, there’s always a masculine and feminine role. So I’m always like, “Mom, which one would you be?” And she’s like, “Oh, shut up, Kelly!”  
But it’s not like I’m trying to be forward-thinking or progressive – it’s just that sexuality is a word I try not to even define the way the world defines it. It’s the _person_ who you are sexually attracted to. 

Do you not label your sexuality, then? 
My whole rule is, never say never. I’ve never been in a relationship with a woman, but I don’t know that it’s not a possibility. But I also don’t like it when people claim to be gay and then not. There’s this whole generation of young Hollywood girls who can’t find love where they think it’s supposed to be, and then they come out being gay and two weeks later they have a boyfriend. It drives me nuts! I think it takes all the proactive work the LGBT community has done and sets them back. Oh, so now you’re gay? Then two weeks later: “Oh no, that was just a phase.” You don’t get to do that. 
I’ll tell you who’s the worst with it: young female celebrities. And I’m like, I know you. I’ve known you pretty much since before you used to shit outside of a diaper. You are not gay! But I think outing somebody in that way is just as bad as outing somebody who has not come out of the closet. It’s one of those things I have to keep to myself... and it drives me fucking crazy! I’ve marched till my feet bled for the right of equal love in the gay community, and you’re just gonna step in because it looks cool for you and now tell everybody that you’re a lesbian when you’ve never even seen another puss that’s not yours so you can get attention?

Where are we at with you having a baby with your gay best friend?
Oh, it’s inevitable. (Laughs) That’s just gonna happen. You know, I was so disappointed that I didn’t have a gay sibling. I was disappointed that I wasn’t gay even! Though I do still think that everybody’s gay, but still. 

You’ve been to a lot of LGBT events: Pride with your mom, where you shut down protesters; Elton John’s wedding. What’s the most memorable gay event you’ve been a part of?  
Oh my god, that’s so hard to pick! I can’t really think of an event that’s not a gay event. When you really think about it, what major party have you ever been to that was put on by a straight person? Because I can’t think of one. 

You tell me. I’m not the one going to Elton John’s birthday party.
It was really fun, actually. (Laughs)

Rub it in. 
So, my favorite gay Christmas event is anything with Mariah. She just brings out the best in everyone. Everyone’s crying, being emotional. 

I love that you consider a Mariah Carey Christmas concert a “gay event.”
It’s totally a gay event – I mean, have you gone?! It’s so much fun. And I love her. I went to Disneyland with Mariah and we had the best time. It was everything you’d imagine going to Disneyland with Mariah would be. A dream come true. 

Late last year, while receiving the Trevor Hero Honoree Award at the Trevor Project’s TrevorLIVE Los Angeles 2016 fundraiser on Dec. 4, during part of your speech you said, “We have to give (Trump) a chance. And we do it by spreading love, not hate.” Do you believe we should still give him a chance? 
I think we should give… you have to think about it. If we’re being told the truth, which we never really are, people voted for him, and at that time when I said that he hadn’t been inaugurated yet. I’ve had to stop watching TV when it comes to politics. I only watch – I think you can hear it in the back; I watch BBC News so I can get a different perspective, because in different countries they show you different things that you don’t see here. It’s a really scary time that we’re living in, and I’m not gonna pretend that it isn’t. 

What scares you most? 
The way that people feel totally lost, don’t feel safe. When people don’t feel safe, it manifests and comes out in evil ways. There’s a lot of evil going around right now when we were finally at a place where people were ready to love. Now people are just ready to point fingers, judge and blame. 
I don’t get to vote. I’m still going through the process of citizenship in this country – if it goes through, because I don’t know how things are going to change. I do encourage people to vote, but when we went down to downtown L.A. to check out the marches after the election, I asked people, “Who did you vote for?” Nine times out of 10, people said they didn’t vote. I was so confused! Like, why are you here? 
But I have to keep to myself right now because I don’t want to enter into this political cannibalism that’s going on where people say stuff and then everyone just eats you alive for your opinion. Every attempt I have made in defending the (LGBT) community I somehow manage to fuck it up and piss everyone off. I cried over the backlash of the Donald Trump thing with my speech, because if you read my whole speech, you’d get what I was saying, but they put that one sentence in there and I was like, “You dicks.”

How are you feeling about where we are headed regarding LGBT rights?
I don’t know – and that’s what’s scary. I mean, I’m sorry, you cannot give somebody the right to marry and then take it away from them. You can’t do that. You just cannot do that. But what I’ve learned right now, because everything is so confusing and every single day threats are made and until you fully understand what’s going on, it’s like, keep your opinion to yourself. 
I’m aware that there’s gonna be a lot more to fight for in our present time. Until I know exactly what it is that I’m fighting for – everything keeps changing and one day this, one day that, and no one can figure out whose side to be on. People can only figure out how to hate, and I refuse to do that.

Gay Vegas Shows

LGBT DRAMA

6 Reasons the LGBT Community Needs to Stop Being A-Holes to One Another

  • April 1, 2017 - 8:18pm

If you’re gay – a gay man, specifically (because that’s all the experience I have) – you know how catty we can be to one another. You’re trying to have a drama-free evening at your local bar and then – bang! – some queen throws you shade for no good reason. Insults (and sometimes wigs) fly, and before you know it yet another homo has ruined an otherwise low-key evening with her sass. I’m over it, and so are you, and these are the reasons we need to stop the bitchery in its tracks.

 

1. Your Parents Probably Didn’t Raise You to Be a Jackass

I can’t speak for everyone, but I’m willing to bet that if you’re an asshole your parents weren’t exactly committed to bringing you up that way. For argument’s sake, I expect they wanted the best for you, for you to get a good education and pursue your passions, and to practice politeness and respect with everyone you meet. But somewhere along the line you said “fuck it all” and turned your repressed sexuality into anger that you dole out on an at-will basis. Not cute. Maybe it got a good chuckle when you were in your late teens and early 20s, but that act gets old after awhile (this advice comes from experience, mind you; I’m a work in progress), and by the time you’re my age – 35 – people are fed up with your juvenile antics. 

Just be nicer, K? Because you never know when you’ll meet the wrong person who will pick you up like a ragdoll and throw you across a bar because your mouth is too big. (This advice also comes from experience.)

 

2. You’ll Attract More Bees With Honey Than Vinegar

Lamenting the fact that you’re always single? Maybe it has to do with your prickly personality. If you have a knack for being negative, it’s hardly a wonder why nobody wants to be around you. It's easy to be a pessimist in this world, sure, but if you look for the good, you’ll find it. Open your eyes.

 

3. Pricks Are Fun to Fuck, Not Date

I’m a firecracker – everyone I know will tell you that. A stereotypical ginge with Irish lineage who has a quick temper and a penchant for too much alcohol. I’m also really good in bed. But while my black book isn’t lacking in return visitors, my dating career – and my marriage – has been plagued with disappointment, hurt feelings and tears. Lots of tears. I’m currently in the middle of a divorce – which, thankfully, is amicable now – and I’m dating someone new. After eight years of being unhappy with my husband (we’re both to blame, not just him) and a couple ill-fated long-term relationships before that, I think I’ve finally learned how to be at peace with myself and my partner. With age comes wisdom, they say, and I’ve learned from my mistakes. Granted, cutting back on my alcohol intake also has contributed to this success – but, hey, whatever works.

 

4. You’re Not as Right As You Think You Are All the Time

I’m starting to recognize that this edition of my column isn’t making me look very good, but I’m nothing if I’m not honest. Alas, I’m a know-it-all, and that really ticks people off. The difference between me and you, though, is that I’m always right when I think I’m right – I won’t argue anything I’m unsure about – and you just think you’re right. I don’t know what burns people up more – people like me who are always right or people like you who will argue to the death about how right they are even though they’re wrong. Either way, we both should cut it out so we don’t die alone.

 

5. Hypocrisy Isn't a Good Color on You

As a community, we collectively wag our fingers at gay Republicans because they're basically Benedict Arnold with Botox, but there’s plenty we need to reconcile on our side of the fence. Like how we treat different races and sexual identities. I mean, come on – are you, preacher of civil liberties, protester of oppression, really being a racist right now? If I hear, “Everyone except Asians” one more time from a fag, I’m gonna shove a pair of chopsticks right up his ass. Then there’s the side-eye many of you give to bisexual men and women just because you don’t “believe” in it. That logic sounds eerily similar to the “Christians” who want you to shut the hell up, just not with a dick in your mouth. Who are any of us to judge? Just mind ya business.

 

6. While We Basked in Our Civil Victories, a New War Emerged

If I had to choose a solitary reason why we all need to get along, it’s that our protections and civil liberties are in grave danger under Führer Trump. This administration is bad news for many Americans, the LGBT community included. Which is why we need to band together and rise up – we’ve done it several times before – to let our fellow citizens know that we’ll take a lot of things lying down, but we won’t accept whatever bullshit they have in store over the next four years. March, call your representatives, hold rallies and continue to exercise your right vote to help change the tide, or at least keep it from coming in full force, poised to drown us out.

I’m HIV-Positive and Still Not Into You

  • April 1, 2017 - 3:55pm

As someone who is out about being HIV-positive, I often get the privilege of hearing from other newly diagnosed gay men from across the country. As anyone can imagine, learning you are positive can feel like taking a cannonball to the chest. So, sometimes you need to talk to a stranger before you can catch your breath and find the words for your family and friends.

Although I’m no psychotherapist, I can relate and speak to the myriad of fears that flood your headspace while sitting in the clinic and receiving the news. In almost every instance, the most pressing concern in the emails, texts and phone calls I receive is about how HIV will affect a person’s dating life.

I remember it all too well. When I first found out about my status, all of my romantic dreams instantly felt like dead ones. Who would love me now? Can I ever enjoy sex again? Will I ever get married? And I went wah, wah, wah into my wine glass all through the night.

The truth is, once I picked myself out of the puddle of tears, I was relatively unaltered. Besides a recurring doctor’s appointment every four months and a new pill to add to my pill box, my worth on the dating market remained the same. Of course, the first couple months were pretty shaky. Learning how to disclose your status isn’t something most gay men discuss over cocktails on a Saturday night – although it should be.

I've had to answer the question I’m asked over and over again. When is the right time to disclose? Many of my friends think you should let the person get to know you first before launching into your medical history. After all, you don’t disclose all of the dirty details of your life on a first date, so what makes your status any different? Right?

Wrong. Being HIV positive isn’t the same as having a beast of a mother or being a Log Cabin Republican. Those dirty details are the layers of who you are as a person, and they’re revealed as a relationship develops. Your status isn’t a part of your character; it’s a matter of logistics. Either your Friday night date is someone who understands the logistics of dating someone positive, or he doesn’t.

If a potential match is afraid of dating someone who is positive, your personality and charm will not remedy his fear. Your status isn’t a deep dark secret or something to hide. But acting as if it is will most assuredly scare away anyone who is unsure about dating you.

Just as in any dating environment, confidence goes further than any amount of money, expensive suit or HIV-negative status. If you treat your status as some cloaked secret that you’re asking him to overlook because everything else is great, he’ll respond accordingly. But if you tell him before the first drink is served and approach it as if it’s something you need to clear up for the benefit of both of you, your honesty will be appreciated and will most likely be a turn on.

You know what confidence is? It’s knowing that the goods you’re selling are worth their sticker price, and you don’t need to discount them for anyone. It doesn’t matter if you’re positive, negative, too short, too tall, balding or bushy-browed, you should be worried about who is right for you and forget about trying to be the right person for anyone else. It may never move past the first date regardless of your status, so don’t act like you’re desperate for your potential match to love you until you know you love him back.

Unfortunately, some people would like to see you stay in a state of despair rather than have you realize you’re the same good catch you’ve always been. It’s human nature to want to feel superior, and people will use any excuse to justify their feelings. You may even have men lash out at you for not being a sad sap and giving them the attention they think they deserve. It’s as if, because you are now positive, you should be grateful for their interest. Conversely, your disinterest in them is a disruption of the natural hierarchy.

To these types of men, just smile more, because there’s nothing more gratifying than getting under the skin of a person who wants to feel better than you but can’t.

Yes, people will try to put you down. A lot of people love a sob story, and a lot of people love to hate a story of success. But, regardless of your status, you’ll always deal with people who want to see you struggle.

People like their boxes. If you’re positive, many will want you to stay in yours. I’ve been told that I have no idea what I am talking about, and I’m not realistic about how hard living with HIV really is. True, living with HIV can be difficult, but only if you listen to other people’s opinions and beliefs of what it’s supposed to be like. If you don’t, you’re free to define how your life is viewed for yourself.

It’s your choice to live your life as a tragedy, a drama, or a romantic comedy. Just remember, you’re in charge of casting your leading man. If he isn’t smart enough to understand your script, then he doesn’t get the part.

Ryan Adams

TC Jacks influence grows far beyond its home

  • April 1, 2017 - 2:53pm

When you grow up in Minnesota, you play hockey. If your family is “masculine and sports-oriented,” you play lots of other sports too.

Ryan Adams was a hockey player, a soccer goalkeeper and a varsity tennis star. 

But, like so many gay men, he knew as young as 4 that he was different. He left the macho environment of hockey after Bantams, a level of youth hockey, and stopped playing soccer in high school. Looking back into the haze of adolescence, Adams can’t even remember what year he quit. The mix of sexuality, sports and “a bit” of bullying was too much.

It did not help that for as long as he could remember, his father made anti-gay jokes. The effect was so strong that for a couple of years after coming out Adams could not even go to a Pride parade. 

“I’ve evolved so much since then,” he says in wonderment. His family has too – including his dad.

Coming out was complicated. Adams had a full military ride to a ROTC program at a Catholic college, ranking third among 46 cadets. “Don’t Ask, Don’t Tell” was still in effect. The Air Force was overstaffed though, so he was allowed to leave without paying back his tuition.

Exploring the gay world online, Adams found a new life in Nashville. It was a big, important change. But at 21 he moved back to Minneapolis, and began living his life openly and proudly.

He found a Facebook group of LGBT people involved in social and athletic activities like bowling and raising money for AIDS causes. When he learned of a coed LGBT soccer team – and heard about the Gay Games and World Outgames – he realized what he’d been missing. The young man who had been turned off by the sports world wanted back in.

The Twin Cities Jacks became a major part of Adams’ life. Founded in 2007, they’re the only LGBT soccer club in Minnesota. They field teams in local, national and international tournaments; host social outings for LGBT fans; promote the game, and educate other soccer organization about homophobia in sports. Players of all skill levels are welcome. Allies are encouraged too.

Adams, who had earned a master’s degree in sports management and now works full time for a college marketing organization, rose quickly through the volunteer ranks. “I wanted everyone to have a chance to live healthy lives, and make friends,” he says.

He notes that despite increasing openness, “we’re still in an era when a gay adult may be playing sports for the first time in their life, or be out as an athlete for the first time. Lifting that emotional burden is so important. It’s amazing to play a sport as exactly the person you are.” What was once a “hindrance” for many, he says, “now draws us together.”

That sense of fulfillment and camaraderie has opened many eyes. TC Jacks’ outreach to allies has helped straight soccer players experience the world in a new way. A lawyer and his wife who moved to Minnesota from rural Iowa had known only one gay person ever. But they found the Jacks, and became passionate, devoted friends of the LGBT community.

The Jacks use their popularity to influence the broader soccer world. Minnesota United FC begins play in Major League Soccer this year. The Jacks are helping team officials become “socially responsible” – beyond simply sponsoring one Pride Night a year – and have engaged supporters groups too. “They’re incredibly LGBT friendly,” Adams says.

Beyond the Twin Cities, Adams has taken on leadership roles too. He served the International Lesbian & Gay Football Association in an interim role, and has begun a soft launch for an organization called US LGBT Soccer. 

The goal for that group is to offer a home for LGBT players, coaches, administrators and fans around the country. A unified organization can provide a national association for clubs; offer resources and best practices, so that new teams and leagues do not have to reinvent the soccer wheel; tie together LGBT supporter groups of professional clubs; recruit, train and aid LGBT referees; partner with pro leagues to combat homophobia – and create an LGBT national team to represent the United States in foreign tournaments.

There are not many sports with such outreach to all members of their community. There are not many team sports with such global appeal as soccer, either. There are not many people with the energy and vision of Ryan Adams.

But there are plenty of Ryan Adamses in the LGBT sports world – men and women who understand the power of athletics to provide community, competition and fun to everyone, in a healthy, open and affirming environment. As a new year dawns, their work endures.

Dustin Lance Black

Dustin Lance Black - Making America Hopeful Again

  • April 1, 2017 - 2:46pm

With an emotionally resonant acceptance speech, Dustin Lance Black accepted the Oscar for Best Original Screenplay in 2009 for Milk, a powerful tribute to gay political hero Harvey Milk. Could an Emmy be next? 

It’s possible, even if the 42-year-old Sacramento native is too modest to admit that his latest screen ambition, When We Rise, the accomplished filmmaker’s tremendous seven-part undertaking chronicling the progressive uprising of the ’60s and ’70s, is certainly golden statue-worthy. Partly inspired by LGBT rights activist Cleve Jones’ memoir, When We Rise: My Life in the Movement, the miniseries sheds light on our foremothers and -fathers who raised hell – working to combat misogyny, homophobia and racism – to create a changed world for future generations of, as the show declares, “others.”

“With this show, I measure success by whether I get a phone call from one of my Southern family members who have never talked about being gay,” Black says. “When that happens, and that conversation is started, it will have succeeded.” 

And should that conversation stretch beyond Black’s own parochial loved ones, its influence could be life-changing for those in the queer population who now find themselves trying to resist the oppression of Trump’s America. 

For that reason, When We Rise is shockingly relevant, especially considering its half-century-old history isn’t just history – it’s our current reality. 

During this intimate conversation with Black, the filmmaker gets candid about the beginning of his activism at age 7, the importance of “we” in any resistance movement, and how sharing a story is the first step in changing a mind. 

 

Tell me how this miniseries ended up on a commercial network like ABC. 

This project started for me four years ago, when I heard a rumor that ABC was looking at optioning LGBT history properties, and I called my agent and was like, “Is that true?” Just four years before, I had to charge the development cost of Milk on my credit card because no one wanted to pay for it – no one was interested! So, I had made my agent book a meeting with the powers that be at ABC, to look them in the eye and see if it was true – and it was. The funny thing is, they said, “We can’t afford you, but who do you think would be good to write and create something like this?” and I just laughed (laughs). Like, come on! 

So, I thought, “Boy, this is an incredible opportunity to tell our LGBT story, or a part of our LGBT story, and not be preaching directly to the choir.” I had other networks that had been interested for a long time in something of this nature, and I thought, “They’re gonna spend more money, they’re gonna give me all the time in the world, it’ll be a great experience and we’ll get it absolutely right… and we’re gonna turn around and preach directly to the choir and we might not change a single mind.” Here, I had a chance to tell our stories on the network that I watched as a kid, because as a kid, I grew up in the South, I grew up in the military, I grew up in a conservative home, in a Christian home, and we trusted ABC because ABC told family stories. I thought, “Well, here’s a chance to finally be able to tell the story of my LGBT family to my actual family,” and that’s what I set out to do. That’s why I think it’s remarkable that it’s on ABC. We’ve come to a place where we can perhaps talk the same language of family between these two Americas, and perhaps change hearts and minds in a time when that seems absolutely, critically necessary. 

 

Did you go to the recent Women’s March? And having shot a similar march for When We Rise, did it feel like history repeating itself? 

I’m living in London, and we certainly walked through Trafalgar Square, which was jammed with thousands of people. I have to say, I’ve heard the rallying cry at many marches that says, “Gay, straight, black, white, same struggle, same fight.” But usually it’s either mostly black and a little white, or mostly gay and maybe a few straight, even though we chant that chant. This is the first time it truly seemed gay, straight, black, white. It was diverse. And that was, frankly, heartening. 

The reason I designed this show the way I designed it was because four years ago, I was concerned that social justice movements were becoming incredibly myopic and self-interested, forgetting that we need to work together if we’re gonna get anywhere. Not understanding the intersections of our movements, losing sight of where those intersections are, and certainly forgetting the great power that we can gain by working together. So, I was worried. We were becoming divided, and it’s why I insisted when designing the show that I find real people who came from other movements, not just the LGBT movement – people who came from the women’s movement, the black civil rights movement, the peace movement, and the series eventually touches on immigration and healthcare. 

The most important word in the struggle for equality is “we.” It’s why I told ABC right from the beginning when we designed the title: “We” has to be the biggest word in it. It’s a word we’ve forgotten, and it’s the answer to beating back a backlash. The key is that we have to struggle together. So, I was heartened, frankly, by the diversity I saw, not just in the march that I was physically present for here in London, but the ones I paid careful attention to on TV and online. It gives me a little bit of hope. 

When We Rise touches on this glancingly, but I want to remind gay men that the Gay Liberation Front (of 1969) started as a group of men who were feminists because feminism says loud and clear that “gender ought not determine destiny,” and that means one thing to women, but it certainly means that gay men ought to be able to love who they love regardless of gender. So, gay men need to examine why we haven’t been more vocally feminist. 

 

How was the idea for When We Rise first conceived? 

I toyed with the idea for a long time. After Milk was over, I started to think about other stories that need to be told, and I’m doing other LGBT-themed history projects, but I always wondered, “Was there something bigger, and how would I go about doing that?” As I met people – activists – along the way, I would sort of catalog their names in my head in case I ever got the chance to do something like this, and it was ABC saying they would actually pay for a year of research to really figure out who to depict that set it in motion. 

So, it was always something I wanted to do, and I thought ABC was the right home for it. So then, at great personal expense, I set out on a journey. Let me just say nobody made any money off this thing. If anything, my poor agent and business manager were sweating it as we got it to year four. 

 

You have Rachel Griffiths, Mary-Louise Parker and Guy Pearce, and then a terrific cast playing them in their youth. How did the casting process work for this? Did you have any of these actors in mind while researching the real-life person they’re playing?

I never think about who will play the parts while I’m writing if it’s based on a true story because I’m working so hard to get the real people right. Certainly, by the time I was writing the finale, I started brainstorming, and I had one dream for (lesbian women’s rights activist) Roma Guy and that was Mary-Louise Parker, and I had one dream for Cleve Jones and that was Guy Pearce. 

Then, I got this very emotional, beautiful phone call from Michael K. Williams (who plays Ken Jones, African-American community organizer) while I was at the airport scouting locations in San Francisco. He told me how personally meaningful the scripts were to him, and he talked about the people he lost – his friends and fellow artists in New York – when he was growing up, and I could just tell it was coming from a very personal place, so you can’t beat that personal connection. 

The young cast – we went out searching, and we just wanted to cast the very best people. (Transgender civil rights leader) Cecilia Chung was a really interesting one to me. I had said to my casting director that I only wanted to cast trans actors and actresses in the show to play the trans roles, and they brought up Ivory (Aquino) to play Cecilia Chung. I got a little upset with him and said, “You know, I told you it’s important we make an effort and cast trans actors and actresses for these roles,” and he said, “We think you need to get on the phone with Ivory,” and Ivory came out to me as trans on the phone call. She’s now come out to the world.

 

Why was it important for you to include actual trans actors in the trans roles? 

First and foremost, when I’m casting any role, I’m gonna look for somebody who can bring a part of their experience to the role. They still have to be a great actor, so if I can’t find anyone in the world who shares some experience that they’re about to portray in this character, who’s also a good actor, then I’ll happily go for someone else. And the big surprise is, it was not hard to find amazing trans actors and actresses to play these parts. What was difficult was deciding who to cast because so many great tapes came in. So, I call bullshit on Hollywood if they say it’s difficult. And if they think it’s difficult, then they should call our casting directors because they found unbelievable trans actors and actresses, and it was actually tough to decide who to cast. 

 

I think people have the impression it is difficult based on what they’ve heard from directors and casting agents, so this is refreshing to hear.

It’s not true. I’ll tell you what was difficult: Years ago, it was difficult to find openly gay actors to play openly gay roles – that was difficult. When we were doing Milk, that’s what we said we wanted to do, and the studio gave us full permission to do that. So, we called agents and manager friends and they all said they didn’t have any gay actors or actresses, which is funny since I knew some of their clients were gay! (Laughs)
It was very frustrating, but thankfully that’s begun to change as well, particularly in this young generation of actors and actresses who, in one way or another, have come out on social media when they were kids and there’s no putting them back in the closet in today’s social-media age.

An interesting tidbit to share is, they also worked incredibly hard with the real people when that was possible. For both the young cast and the old cast, on my own dime, I flew up the real people to wherever we were shooting so they could be there to work with the costume department, the set design department and the actors, just to make sure we were as close to truthful as possible. 

 

Do you remember the first time you stood up for something you believed in?

(Ponders) My mom was paralyzed from polio since she was 7 years old. She had the use of her arms, but that was about it. So, I grew up with a severely disabled mom, and I didn’t quite know that or realize that until I was probably 7 years old, somewhere in the early years of elementary school when we started having to be out in public with strangers. The way they looked at her and the way they treated her, it ate at me.

I was an incredibly shy kid. I rarely said a word in school. But there was this student named Anthony who was severely mentally disabled, and he would get bullied constantly. I remember the time I finally stood up for him. I was very afraid, because I was a tiny little thing (laughs). And I remember trembling, but the bullies backed down. I told that story to my mom, and my mom looked me in the eyes and said, “You have a strong sense of justice – where does that come from?” And the answer is pretty obvious: I was hiding a pretty big difference of my own, and I knew at that point that I had crushes on my guy friends and not the girls in school. Certainly, having watched my mom being treated so differently because of her difference, those sorts of moments of witness instilled a sense of justice in me. 

 

And now you are one of our most recognized activists. 

Well, your job’s incredibly important right now. I can’t overstate how much we depend on journalists right now to stand up for the truth, so good on you. 

 

We both tell stories about LGBT people, and I imagine, like me, you hope that non-queers see your work and come away with a sense of just... humanity. 

That’s the key, isn’t it? Listen, this show is for ABC. As a kid who grew up watching ABC in the South in a Christian, military home I knew I could show up at the dinner table with all the laws and facts and science I wanted and I wouldn’t change a single mind. You want to change a mind in that other America? You gotta lead from the heart, and you do that by telling stories, not by arguing facts or the Constitution. 

So, that’s what I came armed with for When We Rise. I went out and did my best to find true stories – in particular, stories of families, because the family story transcends these two Americas. There’s not a lot we think we have in common right now, but both Americas have family stories, and we can both be moved by each other’s family stories. That’s why I mine family stories: the families we lost when so many of us were outed or came out, the makeshift families we had to build to survive, and eventually the families we were able to build and raise. 

So, by that design, you tell an emotional story, you can change a heart; if you can change a heart, you can change a mind; you change a mind, you can change the law. But it goes in that order, and so this is the first step of that. Let’s try and change some hearts. 

Ian Harvie

Ian Harvie Interview

  • April 1, 2017 - 1:47pm

For Ian Harvie, it’s not about earning the title of “first trans person in the world with a one-hour standup special.” Though that’s a tag the FTM comedian can now claim, for him, he’s hopeful more trans comedians will walk through the door he swung open with May the Best Cock Win, airing on NBC’s digital network, SEESO.

“I’m so excited that a digital network like SEESO, an NBC-based company, has said ‘yes’ to the first trans comic special, which will provide a pathway for others to come through,” remarks the Portland, Maine native. 

Harvie, who made his acting debut as Dale during the premiere season of Amazon’s Emmy-winning Transparent, recently opened up about how Margaret Cho was instrumental in helping him discover his standup voice, being a “butch dyke who was only visible because I looked like a man with huge tits,” and the unifying power of comedy.

I have a feeling people will be questioning their own penis adequacy after seeing your comedy special.  Because you get what you get? Don’t overthink it! I make jokes, but people think I must have it bad because I’m a guy without a dick, but really I have many. I have tons of dicks. I have a range: softies that you can pack in your underwear to make it look like you have a penis, but, really, I’m too lazy to even remember to do that. Small, medium, large. Vibrating ones. Balls, no balls. Different colors. Ones that look kind of alien that don’t have a penis head. All kinds of different dicks. I’m old enough to have a collection. (Laughs) 

Oh, you’ve been collecting for that long? Yes, and I’ve had girlfriends be like, “No, we’re getting a new one.” It’s very lesbian to be like, “Listen, those other dicks you bought with other girlfriends – they’re not going in me. We’re getting a new one.” (Laughs) It’s very interesting. I mean, I can’t say, “Listen, you gotta get a new vagina.” And if you’re a dude with a dick, you can’t get rid of it and get a new one just because you fucked someone else with it. That’s the dick you have. It’s a very loose queer/lesbian/dyke rule that if you have a collection of dicks and you have a new partner, you’re getting a new dick. 

For some trans people, discussing genitalia and gender-reassignment surgery can be touchy subjects. How do trans people react to those topics when you talk about them? I don’t get negative feedback from trans people because I’m only talking about my story, and I think most people understand when they’re watching comedy, especially my comedy, it’s narrative. So, I’m not sharing someone else’s story. I don’t think that you can go, “Well, that’s not true about trans people,” because, well, I’m a trans person and it’s true for me. 

It’s rare, but I think the negative stuff that I get has been when I maybe come across as ageist, like wanting old, conservative people to die.

Because you’re a public figure, many trans people may see their story reflected in yours.  Listen, you can identify with feelings – you don’t have to identify with a person’s exact story. I want to make a distinction because it’s so funny when people come out – if you like what they have to say, people call them a role model; if you don’t like what they have to say, they’re a public figure. That’s the difference. (Laughs) So, I may be a public figure, but being a comic, just by the nature of the art, people aren’t always going to agree with me, and that’s OK. 

I don’t mind being a public figure. I hope that some of the things that I have to say actually resonate with people. I had a guy come up to me after a show who was a cisgender male – a straight guy – who was tortured in junior high because his nipples were raised. He started to play sports and people tortured the shit out of him. He was labeled as feminine because of his raised nipples, which today would be worshipped in gay culture! (Laughs) But he said he had surgery to correct this thing that he had been tortured by. He wanted to do it for himself to feel better in his body, and he came up to me after a show and was like, “Listen, I never, ever thought of it that way, and I never thought anybody would speak to me like you did.” 

What I realized by doing these shows: At first I thought this was gonna be great for the trans community. We’d have this shared experience, and I can speak and they can have things that resonate with them. Now, I just feel I’m speaking to everybody. We’re all the same. This is so stupid. We’re all trans. All the same. We’re all struggling with this. It’s not unique to trans people. And I don’t want trans people to think they’re not unique or beautiful and special – I don’t mean it that way. But this is a shared experience. If you don’t feel weird, you’re the weirdo. 

Do you see your comedy as a bridge to trans acceptance? Yeah, I do. I think it’s one of the most powerful ways to help people access something that they haven’t been able to access before. I marched with ACT UP and Queer Nation back in the late ’80s, early ’90s. Started waving signs. I actually had blank foam core and markers in the trunk of my car ready to go anytime, and I remember going to marches and getting in people’s faces. That resistance is effective – it absolutely is. But I also found this other medium in comedy, where you walk into a comedy club and the audience is so incredibly diverse. People just want to laugh, and it doesn’t matter what you’re talking about. If you can make them laugh, you can access them and give them information about something that they had no idea about before. So, I think comedy is a really amazing tool to change people on old ideas they had. 

And this is part of the privilege of being a dude. I get there, I look like a dude, I sound like a dude, and grossly people listen to dudes more. I think what happens is people walk away without realizing it, having this new frame of reference for who trans people are. We’re not weirdos. We’re not freaks. We’re not all the stereotypes that people have put out there in the media in the past. And there’s not a fucking foam core sign in their face. That has value too, absolutely. But it’s a totally different way of accessing them. I’m not wagging my finger at them. I’m making them laugh. 

You say that an audience is more apt to listen to a man rather than a woman. Is that based on any personal experience of your own? It’s this weird shift for me to go from this butch dyke who was only visible because I looked like a man with huge tits. I mean, I was visible for that, but I wasn’t sexually visible to people. I definitely wasn’t anything near a sort of female standard that culturally we have, so I was largely invisible until they figured out that I was female. Then, I was just weird. Now, there’s a shift in how people look at me and listen to me. 

How does it make you feel to know that people sexualize you in a way they didn’t before you transitioned? I’m gonna say something that will piss people off, but generally speaking, if people find true value in compliments about their appearance, then there’s probably some void that needs to be filled that will never be filled with compliments. (Compliments) have never, ever done anything for me. After my chest surgery, I started taking hormones, and I started to love myself in a different way and people (were) seeing what I was feeling about myself. But comments on my appearance? Those are empty to me.

What kind of place did comedy have in your life as a kid? When you were a kid did you get together with siblings or cousins and put on shows for your family? My thing was, I would come out in the intermission and do a comedy set, and I wrote my own jokes and they were horrible. They made no sense whatsoever. I didn’t understand joke structure – I was 6. But I used to watch The Carol Burnett Show and all the Dean Martin roasts. I used to watch Flip Wilson and Rich Little. Oh god, when I was a kid, we had Bill Cosby’s album of storytelling, which I kind of cringe at now. But at the time, while he was, you know, drugging women, we had his vinyl on our record player, and I remember listening to that. So, I was the comic relief in the theatrical shows we performed. I would always come out during the break while they were changing behind the curtain sheet on a clothesline, and they would be behind me, and I would be telling jokes to my aunts and uncles. That was my early sort of exposure. It’s so weird that after being a kid it never even dawned on me – never registered – that I could ever be an artist like that and entertain people and have it be a career. 

I talk about this frequently, but it really was life changing: This guy – a writer for The Daily Show – was writing jokes for The Daily Show and he was looking for something creative to do locally. He started offering comedy-writing workshops at our local comedy club, and he sent me a postcard, and randomly I got it. I owned a web development company, and I’m like, “What the hell is this?” It’s so weird because it was really kind of kitschy, with this cartoony black, old-timey microphone in the spotlight. I left it on my desk at my office for a couple of weeks, and I stared at it many times. I was like, “I’m interested, but I’m really scared.” Finally, I picked up the phone at the end of the week before the class started the following Monday and said, “Hey, I saw your postcard,” and he was like, “I got one spot left.” I said, “I’ll take it! I’ll take it!” I did the workshop and fell in love, and that was 15 years ago this January. 

At first I started by writing poop and fart jokes, and I’m like, “OK, that’s not me,” but I was too scared to tell the truth in the beginning of who I was. About two years into it, I wrote my material but didn’t really understand who I was on stage until a couple of years later. It takes a while to figure out who you are.

How did getting to know and touring with Margaret Cho in 2006 help you find your voice?  I consider Margaret one of those people who’s an absolute truth-teller on stage. She’s very raw and open about who she is, what she’s done, what’s she’s seen, how she deals with things. Traveling with her absolutely cracked me open and helped me be more brave about exactly who I was.

I remember saying to her that I was scared to tell LGBT audiences that I was trans, and she’s like “Why? These are your people!” But I’m like, “I know, but they’re the ones I want to love me the most.” She’s like, “We need representation from the trans community. We really need that. They need to hear your story.” It really changed my perspective because I was like, “I can actually be of service here. I can tell my story.” 

 

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