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In the Face of Adversity, Love Wins

  • July 2, 2015 - 1:48pm

It was a morning I will never forget and one of the most significant moments in LGBT history. Many said it would never come in their lifetime, but on Friday, June 26, 2015, the Supreme Court ruled in favor of marriage equality. 

Not having equal rights can take a huge toll on a community or individual, from mental health problems to poor behavioral patterns, the path to healing the ailments left by a history of discrimination is a very long journey. To this day, we still see the after effects of once enforced laws that have allowed discrimination on the basis of gender, race, and class – most that have been long since removed. 

Finally, gay and lesbian couples have no lesser rights in regards to love. In all 50 states anyone may marry the person that he or she loves. 

At 5:30 p.m. on June 26, 2015, the Gay and Lesbian Community Center of Southern Nevada (The Center) held a decision day rally that brought a large group of LGBT community members together to celebrate this historic moment. The community cheered, danced, and celebrated as a group. The Center was filled with families and friends, non-profit organizations and community leaders who gathered in celebration of marriage equality.  

Since the ruling, I have seen some very disturbing posts on social media from people who do not support it. Many religious individuals have posted that marriage should be exclusively between a man and a woman. It is unfortunate that we insist on putting each other in categories instead of seeing each individual as a human being. Love has no boundaries.

As a child I remember discovering my sexuality and crying to God, “Why did you do this to me?” There was nobody that I felt safe discussing my feelings with. I knew my family’s stance on homosexuality and feared the consequences. I continued to live with these feelings bottled up inside through junior high and high school. It was a secret that would eat away at my soul. 

Over the years I would become involved in various Christian-based religions to try and cure myself of my homosexuality. My high school friend Nichole Nalder even had an entire church try and save me with prayer, placing their hands over my body in worship. I would get in touch with the Mormon church in my community in hopes that they could “cure me” of what I thought could be cured. 

I would eventually come out to my family and was put through various attempts to “fix” me. I have had holy water doused on my body, been sent to psychiatrists, and was eventually disowned. The mental effects of these experiences brought me to some of the lowest points in my life, where I hurt myself and even attempted suicide. 

Life is the ultimate classroom, and our teachers have yet to define all the answers. Despite my difficulty in dealing with my sexual orientation, I now live my life in happiness and bliss. I have learned to fully love and accept myself and now my entire family has a new relationship with God, allowing them to fully accept me and my partner of five years. Please know that even when things look impossible, there is still hope. Never give up.

Being gay is not easy. It is not a choice. It is not “curable.” It is part of what makes every gay person a person. Even with marriage equality, being gay is still a difficult journey, due largely in part to those who decide to judge you based on their religion and make the choice to limit you from participating in those beliefs because of something you cannot change. 

I hope sharing my experiences can open up some minds to understanding that being gay is not a choice, and that being able to marry the one you love, regardless of gender, should not be anyone else’s choice to make. 

Publisher’s Note

  • July 2, 2015 - 1:44pm

It’s a very exciting time to be an American. On Friday, June 26, 2015, the Supreme Court ruled in favor of marriage equality across the nation. For the first time in my life I feel validated and loved by my country. I have never felt more human and equal in my life as I do right now because of this historical milestone. The fight for LGBT rights is not over, but this was a huge battle won. 

Yet, it has brought a lot of underlying discrimination to the surface. We must be strong in defending love and our freedom to love. It is evident that we as a country have a long way to go, but this ruling was a big step in the right direction. 

You will notice our digital issue has more content than our printed version – we have done this as a teaser of things to come for our Gay Vegas printed issue. This extended digital platform allows us to include an expanded community resources section for our LGBT community and the non-profit organizations that support us. 

Speaking of support, this anniversary issue is also our trans issue, and we discuss some of the local and national trans community news that has been in the public eye lately. This is truly a pivotal moment for the LGBT community, and I’m delighted to see significant advances in social justice for the trans community in particular. We are thrilled for our trans brothers and sisters and hope for many more gains in the near future. 

In this issue I had the opportunity to ask Mariah Carey some Vegas related questions, which I can tell you was a lot of fun. We also have a great interview with Adam Lambert, which I think you will really enjoy, along with lots of summer fun articles and event photos. 

All in all, I think you will love this issue and the further opportunity it provides us to celebrate LGBT history. 

 

Until next issue.

 

Love, 

John Lawrence

LGBT Summit Thinks Small, Scores Big

  • July 1, 2015 - 2:52pm

The first Nike LGBT Sports Summit four years ago was a modest affair. Twenty-five men and women – coaches, professors and activists – spent two days in Portland, Oregon assessing the gay sports landscape, and figuring out how to cast a wider net.

Over the next two years, the event grew. A hundred people gathered, for three days each. Big goals were set, bold plans envisioned, to make the sports world more open and accepting for LGBT athletes and coaches.

This year’s Nike LGBT Sports Summit was the biggest and best, participants agree. And the reason is that the focus became more narrow.

“We finally got it,” says LGBT Sports Coalition co-chair Cyd Ziegler. “Our outcome changed from grand projects to trying to figure out what attendees can do in their own local communities. We ended up with 100 different things” – one for each person in Portland – “and I think everyone left with a real sense of community and purpose.”

This year’s Nike LGBT Sports Summit – sponsored by the Oregon-based footwear, apparel and equipment giant – was the most diverse ever. Last year’s summit included a few college-age athletes, so this time around a concerted effort was made to invite younger participants. Approximately half of the 125 attendees were 17 to 24 years old.

“They bring so much energy. It was palpable,” Ziegler notes.

They inspired the “veterans” – who watched with wonder as some of the young athletes participated in their first Gay Pride event ever. (The final day of the summit traditionally ends at Portland Pride.)

The LGBT Sports Summit was also a chance for teenage and college athletes to meet others like themselves. One of the most powerful parts of the weekend for Ziegler began Friday night, at Nike’s party. A young African-American football player described what happened when he came out. There was abuse from his family and team – but also incredible support, from people he did not expect.

The next morning, Ziegler invited the young man up to tell his story to everyone. On the final day, all 125 attendees gathered together, linked arms, and gave a “group hug” to the football player. It was a small, but very powerful moment – for the individuals, and the entire movement.

Others shared personal moments too. A distance runner from Lewis-Clark State College in Lewiston, Idaho is a Jehovah’s Witness. He described his own very recent coming out process, and the effect it has had on others.

Trans athletes added their own perspectives. Nearly a dozen attendees identified as trans or gender-fluid.

Trans man Isaiah Wilson, 20, attends the University of Wisconsin-Oshkosh. A former high school athlete who now coaches youth basketball, he appreciated sharing “space and air time” with athletes who are making a difference.

One of his favorite workshops centered around the inclusion of trans students in athletics. “I know a number of trans people who either aren’t coming out or aren’t transitioning because they think they will be completely barred for playing sports,” Wilson says. “This weekend reminded me that athletics keep so many LGBT individuals alive and going. Athletes inspire people – and that’s exactly what the attendees of the Summit do too.”

This year’s Summit featured more breakout sessions than ever, but also large group discussions. “It’s not easy with 125 people,” Ziegler acknowledges. “But people really did listen to each other, and learn.” Topics included the importance of inclusion, anti-bullying strategies, the responsibilities of social media, taking care of oneself after coming out, how to lead training sessions for coaches, and how to create trans-inclusive policies.

At the end, each attendee came up with an action plan to bring to his or her community. The plans range from organizing panels on college campuses and creating videos to show at professional conferences, to influencing policies in athletic conferences (especially around trans issues) and creating support networks and safe spaces on campuses for LGBT athletes and coaches.

“Big grand plans are hard to make happen,” Ziegler admits. “This year, we had one big plan: to create an army that can head out across the country and influence local communities. It’s very empowering to feel that you as an individual can make an impact wherever you live.”

The final Pride Parade pulsed with energy. “There was an overwhelming sense of community,” Ziegler reports. “No one felt alone. The people who already were active in the community found new people to help. And everyone who was at the Summit now has a network of people they can count on.”

In a sense, this year’s LGBT Sports Summit marks a turning point for the entire gay sports movement. The torch has been passed to a new generation. Veteran leaders like Ziegler and his LGBT Sports Coalition co-chair Kathleen Hatch are eager for this new crop of now-empowered athletes and coaches to assume leadership roles.

 

 

Insta-Fam: Getting to Know a Few of Instagram’s Rising LGBT Superstars

  • July 1, 2015 - 2:46pm

Love it or hate it, Instagram is here to stay – and for some members of the LGBT community that means greater exposure with every filtered pic they post. Who are some of these IG movers and shakers actively working to have all eyes on them? Meet a few of my favorites right here.

 

 

Chris Salvatore

Actor/Singer

ChrisSalvatore.com

 

Age: 30

IG Handle: @ChrisSalvatore

# of Followers: 98K

 

Name five character traits your ideal dude must have.

They have to have a sense of humor first and foremost. I would also like them to not be shy when it comes to decision-making time, like where to go on dates. I like to be with someone who is confident in himself. I like good kissers, too! Sexual chemistry is important to me. Also, I am 6-foot-3, so ideally someone around my height I find makes things better.

 

Where’s your favorite place to kick it in L.A.?

This is gonna be such a ‘dad’ answer but probably the dog park. My furry child, Bobby, has a lot of energy and needs to run free. There’s also a lot going on at dog parks, which can be highly entertaining. 

 

What's your next project?

I will be joining the cast of The Horizon, an Australian web series, which is kind of like Queer as Folk. We start filming this summer!

 

Shakeia McCall-Barnes

Comedian/Speaker/Educator

KiaComedy.com

 

Age: 30

IG Handle: @KiaComedy

# of Followers: 7.3K

 

Who are a few of your comedy idols?

Some of my comedy idols are Melissa McCarthy, Eddie Murphy, Rickey Smiley and Wanda Sykes, because they all started off doing open-mic standup comedy and were able to turn that into amazing careers in entertainment. They also took risks and stayed true to themselves, and the world fell in love with their comedy. They have influenced me the most, because their stories and careers encourage me to continue to do what I do.

 

Favorite sitcom of all time?

My favorite sitcom of all time is The Cosby Show, regardless of Bill Cosby’s fall from grace. It showcased a successful and diverse family and addressed difficult issues and concerns, but still managed to be hilarious. Who didn’t want to be Rudy, Theo or Denise Huxtable in the ’90s?

 

Funniest movie of all time?

The funniest movie of all time is absolutely Forrest Gump! The way it comically juxtaposes real-life issues like war, racism, death and American history while still cracking my side makes it the winner in my book!

 

Connor Franta

YouTuber

YouTube.com/ConnorFranta

 

Age: 22

IG Handle: @ConnorFranta 

# of Followers: 3.4M

 

Why do you think you appeal to so many online/social media users?

I think people are attracted to normal people doing great things. I get inspired every single day by my YouTube friends dominating everything from the music industry to the fashion industry. We’re at the brink of a new era where anyone, including you reading this article, can achieve great things – all you need is an Internet connection.

 

How do you keep your YouTube content dynamic and intriguing? 

Variety and consistency is key in keeping your audience engaged with your creations. I never want to fall into a cycle of uploading videos I feel aren’t somewhat unique to me or unique to the space. I’m always trying to add a bit of flare and a twist to my content to keep my viewers interested. 

 

Who are some of your favorite YouTubers?

I’m a huge fan of the entire YouTube community. Each creator brings his or her own strengths to the table. Currently, I’m particularly captivated by what Joe Sugg, Marques Brownlee, Natalie Tran and Casey Neistat are creating. It’s all so good!

 

Patrick Janelle

Co-Founder of Spring Street Social Society & The Liquor Cabinet

SSSSociety.com

 

Age: 33

IG Handle: @AGuyNamedPatrick

# of Followers: 382K
 

You were recently awarded the first Council of Fashion Designers of America Fashion Instagrammer of the Year Award. To what do you owe that honor? 

I won the award for the Instagram work I did with the Thom Browne team, integrating the designer's pieces into my lifestyle over the series of two weeks after I was nominated. The nomination itself was a huge surprise, and I'm not actually sure how the CFDA found out about me – but I couldn't be happier!

 

Tell me a bit about Spring Street Society...

Spring Street Social Society started as a series of cabaret shows in my backyard at the time, which was on Spring Street in SoHo. It has since become a series of different types of events, including dinners and social salons in empty buildings around Manhattan. We've also grown a membership following, in which guests can apply to become members for exclusive access to some of our activities. The events are always different, but some things stay the same: the location is announced the morning of the event, performances are an integral part of each gathering, and no two events are ever the same. Oh, and there are always cocktails.
 

Which is a good segue to the next question: What's the Liquor Cabinet all about?

The Liquor Cabinet is a company I founded with my two brothers. We are developing an app and a website that will act as the authoritative place to get information about liquor and cocktails. As a culture, we are increasingly interested in the origin of what we eat and drink, but this type of information for liquor is either untrustworthy or hard to locate. We aim to be the go-to destination whether you're looking for cocktail recipes or general information about a spirit you'd like to learn more about. 

 

Malcolm René Ribot

Freelance Graphic Designer

YouTube.com/GorillaShrimp

 

Age: 26

IG Handle: @GorillaShrimp

# of Followers: 11.6K
 

Who is your favorite superhero?

Captain America.

 

What's on your summer playlist?

A whole lot of indie folk.

 

What advice do you have for other trans boys, girls, men and women who may be having a hard time right now?

Trust the process, stay positive, and have patience with yourself and others. Embrace each step forward, and celebrate them. It really is a beautiful journey.

 

Luke & Adam Monastero

Twin YouTubers

YouTube.com/TheMonasteroTwins

 

Ages: 22

IG Handles: @MyNameIsLuke, @Adamonastero

# of Followers: Luke, 4K; Adam; 6.4K

 

Which one of you is older?

Adam: Luke is older by two minutes, which doesn't bother me – but the fact that he's an inch taller does a little.

 

Ever had a crush on your brother’s date/boyfriend?

Luke: No, I don’t think that would never happen because Adam likes younger guys and I like older guys.

 

Using only three adjectives, describe your brother.

Adam: Funny, sociable and trustworthy.

Luke: Creative, ambitious and very articulate.

 

 

 

 

 

 

'Top Gun 2,' 'Clueless' the musical, Mikki del Monico, 'Genius'

  • July 1, 2015 - 2:33pm

Top Gun 2. Seriously, you guys, Top Gun 2.

 

Remember back in the day when everybody was like, “Oh, Tom Cruise is gay,” but then it turned out he was just weirdly sci-fi religious? Well, he may not have been gay, but he did star in one of the strangest, gayest, films of the 1980s, a right-wing, Reagan-esque military fantasy that was somehow dunked ride-my-tail-anytime- first in the deep end of homoerotic signifiers. That’s right, we’re talking about Top Gun, the queerest cultural object of the 1980s side of Torch Song Trilogy. Well, guess what? Maverick is coming back to the shirtless beach volleyball court of public adoration in what is right now known as Top Gun 2. David Ellison, CEO of production company Skydance, revealed at a recent press junket that a shooting script is in development and that Cruise is interested. Which means it might not happen at all. Or it might be ready for Christmas 2016. Or 2019. We don’t know. But we believe in the lesbian superpower of Kelly McGillis, and that alone, in a perfect world, would make it so.

 

Clueless the musical, as if you’re not excited by that

 

When Cher Horowitz leaves Beverly Hills, her next logical stop is, of course, Broadway. And it will be that next stop if Clueless director Amy Heckerling has her way.  Heckerling’s been kicking around the idea of a Clueless musical for a while; she’s already written the book for it, and is currently pushing even harder for a Broadway stage adaptation (of the film that she already adapted from Jane Austen’s Emma). The director envisions the project as a jukebox project – we’re guessing with period ’90s pop nuggets – rather than one with original songs. And since the critically acclaimed comedy has aged very well over the last 20 years (yep, you are totally old now), there’s no reason why this thing couldn’t be a monster hit. Nothing’s official at all, but Katy Perry is reportedly interested in taking part. This casting move would, of course, make Cher a 30-year-old high school student, but the 90210 zip code has already seen a few of those kicking around its pop-culture campuses. So why not?

 

Trans filmmaker Mikki del Monico’s moment

 

There are times when it seems like you can count the number of trans filmmakers on one hand, and if you think about it, that’s not really an exaggeration. So when a new trans director pops up with finished product ready to screen for an audience, that’s news. Welcome, then, Alto, the debut feature from Mikki del Monico, which recently had its premiere at San Francisco’s Frameline, the venerable international LGBTQ film festival. Starring Diana DeGarmo (American Idol, season 3, whose musical theater career has kept her busy ever since), Alto is a lesbian rom-com musical set in the world of organized crime. And no, that’s not a typo. The shoestring budget indie will be making the film festival rounds as the months roll on, and del Monico will be working it hard to make sure you remember all the relevant names. Keep your eyes peeled for this one.

 

Hey genius, get ready for Genius

 

You might not recognize the name A. Scott Berg, but he’s a gay writer who’s won both a Pulitzer and the National Book Award. He’s also responsible for the story that became Barry Sandler’s screenplay for the classic gay drama Making Love. Now his 1978 biography, Max Perkins: Editor of Genius, about the literary editor of novelists Ernest Hemingway, F. Scott Fitzgerald and Thomas Wolfe, is a film. The directorial debut of English actor Michael Grandage, Genius boasts a script by John Logan (The Aviator, who’s also co-producing alongside Berg) and an awards-season-ready cast. Colin Firth plays Perkins, and the film co-stars Nicole Kidman, Jude Law, Guy Pearce, Dominic West and Laura Linney. In other words, it’s the kind of period picture you’ll see over Christmas, place bets on during the Oscar telecast, spend time wishing you could live in the vintage clothes the actors are sporting, and feel smarter for having seen it. It’s called Genius, after all.

Matt Bomer: More Than Meets the Eyes

  • July 1, 2015 - 2:09pm

Matt Bomer is not buying all the buzz about Matt Bomer.

Channeling his trademark charm, the actor calls it “sheer fallacy” that anyone – let alone heterosexual men – could possibly find his piercing baby-blue eyes swoon-worthy.

And then there’s his body. On display in all its near-nakedness in Magic Mike XXL, Bomer is modest about his sculpted physique. You expect it, of course. The 37-year-old dreamboat – just ask Channing Tatum – was born in Missouri and raised in Texas, and he hasn’t strayed from his humble Southern roots despite scorching screen after screen.

Not just with a striptease, either.

His Golden Globe-winning performance as Felix Turner in HBO’s powerful adaptation of Larry Kramer's 1985 play The Normal Heart was a tear-jerking tour de force. And soon, Bomer will bring the spooks, starring alongside Lady Gaga during the upcoming American Horror Story: Hotel, another collaboration with Ryan Murphy (both worked together previously on Glee and The New Normal).

We talked to Bomer about geeking out to Gaga, explaining _Magic Mike_ to his sons and how Channing Tatum made him blush.

 

You and your Magic Mike co-star Channing Tatum recently made a surprise appearance at LA Pride. As a gay man yourself, what was it like having Channing show his support for you and the rest of the LGBT community?

It’s one of the many things that makes him the magnanimous, amazing, cherished soul that he is. It was his idea, to be honest with you. And he didn’t have to do it. The reality of the situation is, it wasn’t some PR move on his part – he wanted to be inclusive, and that’s a big part of who he is as a human being. So, given the opportunity to work with him, and really everybody in this cast – they’re just a great example of what we all can be, which are people who are secure in themselves, and loving and accepting of people no matter who they are and where they come from.

 

Channing was very complimentary toward you in his recent Reddit AMA interview. He said he "absofuckinglutely gets lost in your eyes, and that I don't know what they are made of outside of dreams and rainbows and amazingness…” How did you react when you learned of his enthusiasm for you?

(Laughs) I mean, obviously, I blushed. Knowing Channing, and what a kind soul he is, I guess when you’re the most handsome man on the planet – and probably the most desired man on the planet – you have the security to give those kinds of compliments. And so, it was great. It made my day, of course! I and the rest of the world feel the same way about him.

 

Your eyes get a lot of attention from a lot of people. Have they always stopped traffic?

I don’t think they do! I think that’s sheer fallacy and kindness on the part of others. (Laughs) No – I’m still just trying to wake up in the morning with the kids, so I don’t really have time to think about that. More like, “Do I look like I got five hours of sleep last night?!”

 

So theres a gay bar scene in Magic Mike XXL.

How great is that, to have a gay bar scene with a full-on drag show and some of the best voguers in the world? I mean, it was like a little vogue ball going on.

 

Did you shoot at a real gay bar?

I’m not sure, to be honest with you. They sure made the location feel like it! I didn’t ask; you roll up on set and that’s where you are that day. I wasn’t like, “Guys, is this a legit gay bar?!” The set-dec team on this movie is so gifted, so everywhere you go you just think, “Oh, this is what it is!”

 

Its good to see you have more lines in XXL.

Well, that wouldn’t be hard. I would only have had to say, like, two or three words to have more lines than I had in the first one. (Laughs)

 

And the singing! You get to cover DAngelos Untitled (How Does It Feel).

Oh my god. I mean, that was the best white man’s attempt I could make at that song. I just tried to stay in the game, man. I mean, that vocal and that song – I couldn’t believe we were even trying to touch it.

 

Were you intimidated?

Of course! The whole thing was Channing’s idea. We did the first movie on a tiny budget, and we entertained the extras between takes. One time he just threw them right in front of my face and was like, “Do something entertaining.” That’s the creative, spontaneous soul that Channing is, and Joe (Manganiello) has known me since we were 18 and so (Joe) was like, “You should sing something!” And I was like, “What do I sing?” Channing was like, “I don’t know – sing some Jodeci.” And so I did!

He remembered that for the second movie. He was like, “Why don’t you sing something? What song would you sing?” I was like, “Obviously the sexiest song of all time is ‘How Does It Feel’ by D’Angelo, but I’m not gonna touch that song.” He was like, “Why don’t you give it a try?” So I basically recorded a vocal over a karaoke track, more or less – I ended up singing it live in the movie – but that recording is basically what we used to choreograph the piece and what we based the eventual performance on.

 

What do you remember thinking the first time you saw DAngelo bare almost all during the Untitled video?

Honestly, I got Voodoo as soon as it came out (in 2000), and I remember hearing that song and just playing it over and over again. And there’s an extended cut of that song that’s, like, seven minutes long! I was just so fascinated to hear a song that’s in six-eight time, and I know that’s musician lingo, but it was so inherently sexy in such an effortless way. Seeing the video was icing on the cake. I think I was like, “How do you get that jacked? How do you get in that kind of shape?” And then I was also like, “Was he really naked?!”

 

And now you are that jacked in Magic Mike.

Oh please! Not even.

 

As they get older, how will you explain Magic Mike to your three sons?

You know, I think the dialogue has already begun. I think it’s dangerous to just ignore something. Fortunately or unfortunately there are billboards on the way to their school, so when I’m driving them to school in the morning – the first couple of times I tried to duck my head – they realize it’s me. So, I told them when I was doing the movie, “This is a movie I’m doing where we play dancers and we have fun and we try to entertain these ladies.” I try to frame it in a context that they can understand so that they’re not just operating in the dark and going, “Why is my dad naked on a billboard?” Because I’m trying to help them make sense of their world. In terms of a real conversation as to what that is, that probably won’t start until they’re teenagers. (Laughs)

And by the way, they keep me real grounded and real down to earth about it all. I remember I was actually taking my older son to see Jurassic World, and on the way there was the billboard and I was like, “Ah, crap.” And he brought it up. “Hey, that’s you on that billboard.” I was like, “Yeah.” And he goes, “But they’re not all you.” Like, you ain’t that cool. (Laughs)

The interesting thing about kids is, they don’t care what you do so much or what other people think about you; they’re more interested in what your relationship with them is like and how you prioritize them in your life. I try to make a strong effort to make them know they’re always number one for me.

 

As an actor, whats it like to go from a role in a movie thats as intense as The Normal Heart to Magic Mike XXL? Is that balance critical for you as a person?

I’ll be honest with you, it was for me, man. I went from Normal Heart into the last season of a show I’d done for six years (USA’s White Collar, 2009-2014), and then into a couple of more serious roles in other films, and this was the perfect break. The thing about being an actor is you approach your work the same regardless of what the role is or what the genre is or what the themes are – you try to put the same amount of work into it – but it was certainly nice and a breath of fresh air to get to chill out and have fun with these guys.

 

You came out publicly in 2012, and you handled it with so much grace and subtlety. These days, theres a lot of pressure on Hollywood actors to take that step. Where do you stand on the role of public Hollywood figures in terms of advancing the gay movement?

You know, it’s not my business to get up on a soapbox and tell people what they should and shouldn’t do. I think one thing that people don’t always take into consideration is a holistic aspect of what may or may not be going on in that individual’s life – you know, what kind of relationship they have with their family, how the people around them feel about it. But for me, having kids and being married, it was important to maintain the integrity of those relationships and not teach my kids that this is a shameful secret and that my husband (Simon Halls) has to be waiting in the wings all the time. So that’s why it was important to me personally. By the same token, I don’t hold anyone else accountable. It’s their choice.

 

Now onto American Horror Story. According to a tweet from Ryan Murphy, Lady Gaga has to choose between you and actor Finn Wittrock during the upcoming season of American Horror Story: Hotel. First of all, have you even read the script yet?

(Laughs) That’s a great question. You’re the first person who’s started with that question, which I think is, ultimately, the most important question. I’ve read a couple of them. I wish I could tell you more. Honestly, I have no specifics of who’s playing which role and what Finn is playing, but I have a tremendous amount of respect for him as an actor and a person, and I’m incredibly excited to work with Stefani (Germanotta, aka Lady Gaga) as well and see what she brings to the table. And listen, Ryan is a creative genius. He really is. Nobody does a show quite like he does, so I’m really excited to get to play in that twisted and beautiful world they’ve created. Whatever they bring my way, I’m down.

 

Which Lady Gaga song could you see yourself stripping to?

Oh, you mean which one do I blast full volume in my car? I don’t know which one I’d strip to, to be honest with you, but I definitely get down to The Edge of Glory in my car and just geek out to it. If anyone saw me at a stop light, they would think I was crazy. I just let it fly in the car. I’ll do that.

Do you ever watch that show Broad City? It’s everything. I’m so in love with these two girls who are the leads, and one of them at one point finally gets the apartment to herself and she blasts Edge of Glory and just does a full-on dance around her apartment. I will straight up do the same thing at my house when I get, you know, two free seconds.

 

How have the moves youve learned from doing two Magic Mike movies been an asset to you in your own life?

Um, they haven’t been. (Laughs) First of all, after we finished the first film, my sister got married shortly thereafter, and I took some of my new gyrations to the dance floor at her wedding reception. I realized very quickly, after getting some scathing looks from my cousins, that some things are just best left in the club and not brought to your sister’s wedding reception party. Like, “Oh, I better check myself – I’m not in Magic Mike anymore!” (Laughs)

The nice thing about this movie, and what I personally love, is it’s about freedom, it’s about being comfortable with yourself – especially the second one. It’s about acceptance and a lack of judgment no matter who you are or where you come from. What I love about this world, this kind of odyssey that these guys all go on – yeah, they’re in a drag club, and then they’re at this party where people are doing drugs, but there’s no judgment about it. It’s these guys who are in this world trying to forget who they are but also accepting everything and everyone around them. That’s me and something I take with me in my life.

 

 

Credit Warner Bros

Into the Woods, Selma, Maude: The Complete Series, Dear White People, The Babadook, Wild

  • June 22, 2015 - 6:59pm

Into the Woods

Throughout her longstanding career as Acting God, Meryl Streep has used her cinematic superpowers to, on occasion, expertly polish turds, turning them into beautiful pieces of holy excrement. But even The Streep has her limits.  Mamma Mia! was a scenic snafu no matter what notes the actress nailed; Rob Marshall’s film adaptation of Stephen Sondheim’s Into the Woods, luckily, extinguishes the leftover fumes from that ABBA stinker. This musical is not the Streep Show, however. Though she maintains a godly presence as the morphing witch, the dark magic is more than just Meryl’s. The actress, of course, gives heft (and some seriously solid singing) to the film’s heart, but praise is due all around – to Anna Kendrick as Cinderella, to Chris Pine as her Prince, and to the fantastically paired James Corden and Emily Blunt, the baker and his wife. What’s lost in the translation from stage to screen – a minor gripe – is redeemed by way of transformative sets and Disney’s surprisingly faithful retelling of Sondheim’s upturned “happily ever after.” Deeper in the woods, there’s a fair array of supplements on the Blu-ray release, though none of them will change your life more than this one: “She’ll Be Back,” the Streep number not seen in the final film.

 

Selma

Martin Luther King Jr, we’re sorry. We’re sorry that your life was spent standing for racial equality, and yet here we are a half century later, black people still violently targeted on the basis of skin color. In light of recent events, then, the Oprah-produced MLK story, Selma, resonates with painful truth: strides still need to be made. The drama harrowingly depicts the civil rights movement in full swing, as MLK relentlessly pushes for the end to legalized segregation through demonstrations such as the historical Montgomery-bound march of 1965. A watershed cinematic experience, Selma is a galvanizing portrait of a fearless leader, brought to life with spirited authenticity by a spellbinding performance from English actor David Oyelowo. More than a mere by-the-book history lesson – and under the meticulous direction of Ava DuVernay – it’s a moving masterpiece, from the gut-punch beginning to the heart-healing conclusion. Among the bountiful extras are a featurette called “Recreating Selma,” centered on adapting a true story for film, and two commentaries, both with insight from DuVernay.

 

Maude: The Complete Series

Before wisecrackin’ her way into the hearts of every homo as Dorothy Zbornak on Golden Girls, Bea Arthur was already earning her queer icon cred on Maude. Playing the classic TV comedy’s namesake for six years in the mid ’70s, the Broadway actress earned affection (and Emmys) by proving she could dial up the sass simply by flashing her iconic stone-cold stare. Bold, prickly and politically liberal, Maude epitomized the qualities worthy of gay worship, and the character – in all her button-pushing brilliance – busted the doors down on topical, controversial political and social issues: race, homosexuality and abortion, to name a few. Arthur infused the hard-hitting commentary with her iconic comedic genius and sharp, acerbic wit, all while showcasing her signature real-life speaking voice. All 147 half-hour episodes of Maude are finally culled for the first time on DVD in this vast collection that includes never-before-seen footage, featurettes (among them: "And Then There's Maude: Television's First Feminist") and Maude-centric episodes of All in the Family, the series that launched Bea into queer-culture stardom.

 

Interstellar

The mind-bending ways of Christopher Nolan (don’t pretend you’re still not trying to figure out Inception) return to exhaust your mental capacity during this dense, time-twisty behemoth. Forget details, though. Screw logic. You’re gonna erupt into a geyser of waterworks even if you can’t make sense of it all. Nolan goes all out, grounding his flashy CGI-prettied space odyssey with the emotional heaviness of a hero torn between leaving his family and saving the world – you know, just everyday problems we all have. Technical concepts and heady philosophical affirmations express a relatively simple antithesis to the hard science on hand: the enduring power of love. Poignancy comes courtesy of Matthew McConaughey, who radiates a deep emotional bond with his daughter (the always-radiant Jessica Chastain) that only strengthens as the three-hour epic culminates into a dizzying display of wondrous speculation about life on earth… and beyond. An entire supplemental disc delves into the film’s key scientific observations; the 50-minute, McConaughey-narrated feature on the visuals, theories and science behind Insterstellar is particularly intriguing.

 

Dear White People

The black people of Dear White People want you to know that, no, they aren’t all into Tyler Perry movies, and yes, they like, even love, Taylor Swift. Justin Simien’s funny and frank directorial debut wryly spotlights an astounding number of stereotypes and cultural misappropriations pertaining to a group of “don’t call us African-Americans” at a white-heavy Ivy League. As individual stories thread through a satirical narrative – one arc involves an aspiring gay journalist – race issues in post-Obama, 21st-century America are exposed by blowing the lid off “weaved” black chicks and black guys with big, thick... . Even the film’s classical chestnuts – the whitest of white music – have something profound to say about the racial divide that Dear White People blasts. The sneers don’t end there; “The More You Know” offers six minutes of stereotype debunking via PSA-style segments, and “Racial Insurance” is essentially black eye for the white guy. Outtakes, deleted scenes and a making-of are also included.

 

Also Out

 

The Theory of Everything

Whether he’s Marilyn Monroe’s boy-toy, the real-life physicist Stephen Hawking or, in the forthcoming The Danish Girl, a trans woman, Eddie Redmayne’s versatility is as alluring as the shiny, happy actor himself. And now he has an Oscar to prove it. Winner of Best Actor for his spot-on portrayal of Hawking in the magically moving The Theory of Everything, Redmayne fully embodies the shattered-but-inspiring life he depicts, perfectly capturing the charming sincerity, undying humor and gradual physical impairment required of someone afflicted with motor neurone disease. Special features are few: a director commentary, a brief behind-the-scenes and a handful of deleted scenes.

 

Birdman

The ego is a screaming nuisance in Birdman, an insane acid trip starring Michael Keaton as a washed-up actor who hangs out in the deep, dark corners of his own head. It’s messy in there, and for someone whose career has taken a nosedive – he’s aged out of “Birdman,” the superhero role that earned him notoriety – Riggan Thomson is plagued by being, well, Riggan Thomson. Keaton excels as a neurotic narcissistic whose hallucinations get the best of him as he attempts to reclaim his heyday glory with a Broadway production, unraveling in the process. Adding to the insanity is Emma Stone as his delirious daughter and the technical zippiness of the seemingly-but-not-actually ceaseless shot. Besides a peek into the making of Birdman, there’s also a striking exchange between actor and director during “A Conversation with Michael Keaton and Alejandro G. Iñárritu.”

 

Olive Kitteridge

Just in case you somehow forgot that Frances McDormand is one of the greatest living actresses of our time, Olive Kitteridge is here to remind you. As the titular protagonist in this beautifully bleak four-part HBO miniseries, the Fargo dynamo is a despicable monster, bound to a graceless existence due in large part to a mentally unstable lineage. Why do you still feel so deeply for someone who’s so intolerable? Because McDormand. The masterclass mines the mind and heart of someone suffering mental illness, scaling her every emotion and experience to full effectiveness. At once dreary and life-affirming, Olive Kitteridge is television at its most poetic. Extras are non-existent, but with four hours of McDormand’s brilliance, it hardly matters.

 

The Babadook

Real-life horrors are, oftentimes, more horrific than the made-up yarns of the cinematic frights creeping our psyche. Paralyzed by her own, Amelia, a widowed mother (a sympathetic Essie Davis), falls into a psychological fit on the anniversary of her husband’s untimely death. The trigger? A children’s book called The Babadook, an ominous pop-up that devours Amelia’s mentally unstable, grief-stricken mind. The demon within is often the worst kind, as we learn in this clever and surprisingly touching nail-bitter about the toll tragedy can take, and the unbreakable bond between mother and child. Director Jennifer Kent’s original concept, the short film Monster, is included among a haunting heap of bonus features.

 

Wild 

Reese Witherspoon leaves the pink résumé paper at home in Wild. Based on Cheryl Strayed’s memoir, the Legally Blonde bend-and-snapper steps into Strayed’s hiking boots, packing her bags and the shattered bits of her heart for a trek through the Pacific Crest Trail. The hope of healing her grief-stricken wounds and abating her recklessness follows her through this 1,000-plus-mile stretch of enlightenment and renewal. Jean-Marc Vallée directs a standout performance from Witherspoon, who acts alongside the also-compelling Laura Dern (as her mother in flashbacks), during his raw, picturesque followup to Dallas Buyers Club. Strayed relates the movie to her own life during the extras, which also include a Vallée commentary, deleted scenes and a look at the rustic Oregon shoot. 

The Gift Guide

  • June 19, 2015 - 3:48pm

 

FOR THE NOSTALGIA

Pee-wee’s Playhouse: The Complete Series

For queers of every kind, Pee-wee's Playhouse was a place to hang without feeling weird about being weird. Subverting heteronormativity with its groundbreaking portrayal of a wildly cartoonish man-boy in a bow tie, actor Paul Reubens’ iconic ’80s character smiled and winked at gay culture (Pee-wee once “married” a fruit bowl), and he had a diverse cast of friends who made every kid feel like they fit in. There was Tito, his buff, shirtless, hot-pants-wearing “Playhouse Lifeguard,” and Jambi the Genie – because everyone knows a gossip queen. Beyond the characters, kids tuned in for the “secret word,” the catchphrases (“I know you are, but what am I?!”), the zippy Cyndi Lauper-sung opening and that inimitable Pee-wee giggle. Before Reubens brings his alter ego back to the big screen, as he recently announced, the entire Emmy-winning series – all five seasons of Pee-wee’s Playhouse, spanning eight discs – lands on Blu-ray with over four hours of wonderfully wacky features. Explore the production design, delight in Playhouse fandom, and get reacquainted with the Pee-weeperformers who would forever change childhood.

 

Sleeping Beauty: Diamond Edition

Elsa may be able to turn nothingness into fabulous ice castles with the fling of a finger, but Sleeping Beauty... she... she... yeah, so maybe Sleeping Beauty got the short end of the fairies’ sticks. But now, Aurora is getting some much-deserved respect as Disney awakens her from the vault. One of Walt’s oft-overlooked underdogs – Aurora was always second to Snow White and Cinderella and Ariel and Belle and Jasmine – finally rises from the shadows of her Disney sisters for this dolled-up Diamond Edition, which includes deleted scenes and the bonus “The Art of Evil: Generations of Disney Villains.” Yup, sorry, girls; she woke up like this.

                                         

MERRY… HALLOWEEN?

Halloween: The Complete Collection (Deluxe Edition) 

The Halloween franchise has had so many reincarnations – and John Carpenter’s original is such timeless cinema – it’s hard to remember when the bludgeoning began. It was 36 years ago when the classic slasher saga first introduced the freakiness that is Michael Myers and made a star out of Jamie Lee Curtis, who played the resilient Myers’ sister, Laurie Strode, and put up a good fight all the way through 2002’s Resurrection (the film was a hot mess and starred Busta Rhymes, so she probably didn’t fight that hard). Other people didn’t stand a chance against the masked maniac (RIP Joseph Gordon-Levitt and your pretty face). Over the years, from 1978 to 2009, nine films – and the bizarrely Michael-less Season of the Witch – have emancipated the unburnable, unstabbable, unshootable, unstoppable Myers to work his knife on Tyra Banks, Michelle Williams, even comedy king Paul Rudd, who’d probably like to forget Halloween 6: The Curse of Michael Myers as much as the rest of us. Undeniably fierce, however, is Curtis’ comeback in H2O, a reliably creepy anniversary affair that’s arguably the best of the sequels. From Starz/Anchor Bay, the 10-film franchise, including Rob Zombie’s divisive reboots, is together at last on 14 Blu-ray discs (one DVD) with a spate of whatnots: endless hours of special features, a new commentary track with Curtis on H2O and the never-before-released producer’s cut of Halloween 6.

  

(BOOB) TUBE FAVES

 

True Blood: The Complete Series

After leaving the funeral business behind and burying Six Feet Under well, six feet under, creator Alan Ball was desperate to sink his teeth into something less grave. True Blood was a breather for Ball. He would use the show as a platform for timely cultural commentary on the LGBT landscape, equal rights, violence against gays and the quest for identity and build those issues into an insatiable glut of blood, boobs and butts. You couldn’t turn away, and you likely didn’t – the show, which launched in 2008, lasted for seven sexy seasons. So, as if that nude standoff between Eric and Alcide – or the shower fantasy, or the time Eric seduced Talbot, or every shirtless Joe Manganiello scene – isn’t already preserved in all the horny fibers of your head, you now have the power to deploy freeze-frame on 33 discs of vamp camp, Blu-ray beefcake (hi-def abs!) and ample extras. Supplements are season-centric, with faux commercials and episode-specific commentaries. If you make it all the way through the final season’s candid, 15-minute long farewell feature, “True Death: The Final Days On Set,” you’ll know more than you ever cared to about one of TV’s bloodiest, boobiest shows.

 

The Sopranos: The Complete Series

Look at just about any legit “TV That Changed Our Lives” list and there’s The Sopranos, HBO’s celebrated series that has become so part of the pop-culture zeitgeist you can’t say you haven’t seen it without hanging your head in shame. Because even those who’ve been sleeping since 1999, when the show premiered to overwhelming and enduring praise, know this gritty crime drama is about an Italian-American family of mobsters, and that the great, late James Gandolfini created a TV icon. Effortlessly transcending his fictional role, Gandolfini was Tony Soprano. As head of the Soprano household, and in addition to his complicated relationship with his wife (a terrifically memorable Edie Falco), he finds himself at odds trying to maintain dual roles as family man and ass-kicker. The Sopranos had a successful 86-episode run through 2007, fetching gobs of awards, rebranding HBO as a destination for original, cutting-edge drama and, years later, still carrying a legacy indicative of its cultural influence. And, for all its alpha-male machismo, it was queer-inclusive: In season 2, we meet Vito Spatafore, a gay gangster. This boxed set marks the Blu-ray debut of The Sopranos, and commemorating this hi-def experience is “Defining a Television Landmark,” a new in-depth featurette on the show’s transformative effect on TV.

 

CLASSICS

 

The Audrey Hepburn Collection

Screen legend Audrey Hepburn was spirited, charming and beautiful, and every scene moment – particularly during the height of her film career in the mid-20th century – brought infinite joy to all those hopeless romantics basking in her glow. That divinity (and smile) radiates through these three romantic gems culled for a special Blu-ray set: Sabrina, a warmhearted, Cinderella-hued romance where two men pine for the titular character, played by Hepburn; Breakfast at Tiffany’s, the winsome classic that inspired generations of college women to turn their dorms into NYC-inspired, ’60s-centric pads; and Funny Face, the posh 1957 musical that delightfully pairs the actress with Fred Astaire. Even if there are no new extras – they’re carryovers from a previous DVD release – the films look as ravishing as Hepburn herself.

 

Eraserhead

The fear-triggered horrors of fatherhood have never quite seen anything like Eraserhead, birthed from the freakish sensibilities of David Lynch and popular among midnight-movie crowds. Turning heads within the cult circuit since 1977, the Mulholland Drive surrealist’s full-length debut feature descends into the twisted mind of a young man, Henry (Jack Nance), suddenly faced with not just any child but one that appears to have fought its way out of Sigourney Weaver’s stomach. Are we hanging in Henry’s subconscious the whole time? That ugly baby can’t be real, right? Who knows. This is Lynch doing what he does best: working your mind and haunting your thoughts. Finally, Eraserhead is resurrected on Blu-ray thanks to Criterion Collection’s meticulous rendering of the film’s striking black-and-white aesthetics. Included among the extensive extras are new restorations of six shorts directed by Lynch, an illustrated booklet, and archival interviews and footage dating back to the film’s original release.

 

FOR A LAUGH

 

22 Jump Street

Next Jump Street, Jonah Hill and Channing Tatum will inevitably tie the knot, adopt babies and inspire a whole world of bros to become LGBT activists. How could they not? 22 Jump Street is so gay the only thing gayer would be if they made their penises kiss. In this sequel to the original reboot, doofus duo Schmidt (Hill) and Jenko (Tatum) are college-bound and facing the challenges of bromance, sassy roommates (please cast Jillian Bell in everything) and words (Jenko confuses “carte blanche” for “Cate Blanchett” – easy mistake). With a seriously funny couple’s-therapy session, a Harvey Milk namedrop and Tatum teaching gay lingo, 22 Jump Street is just two cowboy hats away from being the gayest movie of 2014. Their love affair sustains throughout the special features, which, among them, are a fun, irreverent commentary; the film’s “Dramatic Interpretation”; and “Janning and Chonah,” a look at the actors’ bromantic chemistry.

 

Neighbors

Here’s an early Christmas gift, and it’s already unwrapped: Zac Efron’s ripped, frequently shirtless body in Neighbors, a comedy about a frat (led by Efron and a butt-baring Dave Franco) whose hard-party shenanigans drive their quiet neighbors to react in ridiculous ways. The married couple – Seth Rogen and Rose Byrne – go to awkwardly desperate measures to coax the raucous brats into curbing the noise so they can put their baby boy down. Buffoonery unravels. Robotic boners happen. And stay through the credits to see said tot emulate each cast member, some in drag (the kid does an impressive Lisa Kudrow). Fun with prosthetic penises – based on Efron’s “real cast molding,” according to Christopher Mintz-Plasse – can be found on the bonus feature “On the Set With...”

 

Obvious Child

Suddenly single, Donna Stern (Jenny Slate) is just your average dumpee, self-medicating with wine and casual sex. But when a drunken night of hanky-panky leads to bigger breasts, which leads to a check-up at Planned Parenthood, she finds herself preggers. It’s not your everyday setup for a rom-com, even though it is one (a very cute one, at that), but therein lies its allure: It’s a refreshing spin on a tried-and-true formula. With former SNL-er Slate taking lead (this needs to be a thing more often, FYI), even a pro-lifer couldn’t resist the adorable, empathy-inducing candor she brings to Donna. But, also, who doesn’t like a good vagina joke? The 2009 short film that inspired the full-length, a commentary and a making-of are among the extras.

 

Boyhood, Pride, Gone Girl, Looking, Love Is Strange, Skeleton Twins, Tootsie

  • June 19, 2015 - 2:00pm

Pride

Pride, you ain’t foolin’ nobody. So fine, strip all traces of gayness from your box art, but no closet can hide the fact that you, by title alone, are an exploding rainbow of gay. You got all the colors. You’re loud and proud. YOU HAVE DILDOS. In this hilarious, moving British dramedy based on the true story of an unlikely alliance between coal miners and LGBT activists in mid-’80s Britain, queers abound. Uniting to stand up with and for each other, a fired-up group of elderly lunch-lady types working to support families affected by the British miners’ strike, team up with a gaggle of “gays” (as they’re affectionately referred to by elders with curiosities of their own) for a good cause. In the process, unexpected bonds are formed as a reminder that the power of many is greater than the power of one. With a brilliant ensemble cast, Pride boasts hearty laughs – the discovery of a pleasure chest, for example, will have you rolling – while also imparting emotional segues so unexpected you hardly notice them until they’ve got you by the tear ducts and you’re at the mercy of such perfectly poignant filmmaking. The feature’s greatness more than makes up for the lacking extras, which merely include deleted scenes and a brief history of the real-life Pride story.

 

Tootsie

Before everyone and their mother was down with drag (because for real – moms love drag these days), frolicking in clothes of the opposite sex existed in specific corners of the world – queer corners, mostly. With then-Hollywood heavyweight Dustin Hoffman taking on the titular Southern-belle role in a comedy that earned commercial and critical cred, Tootsie certainly didn’t hinder the broad embrace of drag culture. And it’s no wonder Hoffman gets emotional (and self-critical) when discussing the film years later during a candid new interview for the Criterion Collection’s Blu-ray release: The classic, for all its hijinks involving a dress-donning Hoffman awkwardly stammering his way through sticky situations, is really a heartfelt journey through self-discovery. It’s to Hoffman’s credit as an actor that he humanizes what could have otherwise been a one-note caricature. But no – his portrayal of Tootsie expresses more than meets the eye, as we witness what being a woman means to a man. Hoffman’s own present-day thoughts on the dramedy bring this much-anticipated Blu-ray release full circle, as Criterion looks back on the 1982 production with a revealing behind-the-scenes doc, during which the actor passionately talks about his character’s sexuality with director Sydney Pollack, and then to 2007, with another feature, the one-hour “A Better Man.” 

 

Boyhood        

Universal despite its specificity, renowned filmmaker Richard Linklater’s poignant observation of growing up isn’t just groundbreaking for its ambitious undertaking – shot over a span of 12 years, and with the same cast – but also in the unique way it admirably reflects the human condition. The Oscar-bound Boyhood – my favorite film of 2014 – is fixed on life’s easy-to-miss “small moments” (a “birds and the bees” conversation during a bowling outing, Bible-gifting grandparents, a sibling’s Britney Spears dance; the evolution of game consoles, music and communicative technology). By turning the lens on life’s minutia, Boyhood is as much a story of the “boy,” Mason, as it is the story of every person who sees it. As Mason transitions into adulthood, his mother (an incredibly nuanced Patricia Arquette) tearfully laments, “I just thought there would be more.” Her directness encapsulates the melancholic nostalgia brought on by Boyhood. Talk of a possible Criterion release is heartening given that the special features are modest. Among them: an insightful Q&A with the cast and “The 12 Year Project,” a too-brief behind-the-scenes look at the film’s creation. 

 

Gone Girl                  

So much for the “sanctity of marriage.” All that nonsense is out the door when the crazy comes a-knockin’ in director David Fincher’s twisty and twisted Gone Girl, the best new reason not to tie the knot. In Fincher’s adaptation of the popular novel, the fairy-tale romance of Nick (Ben Affleck) and Amy Dunne (the hypnotically versatile Rosamund Pike) results in murder, spite and one very unlucky penis. After Amy’s sudden disappearance, Nick goes on a massive search for his wife, piecing together a puzzle that leads to disturbing revelations and deceptive outcomes, and even Neil Patrick Harris (who plays the creepy old flame Desi Collings). Unfolding as a stylish whodunit that toys with our loyalty pertaining to each half of the couple, we become witness to a deliciously wicked game of “till death do us part.” So, sanctity? Uh, no. More like insanity. And because you can never have enough crazy, the special features don’t just include a commentary from Fincher but also a faux copy of the children’s book “Amazing Amy Tattle Tale,” a meta tie-in to the movie.

 

Love Is Strange

The unheard struggles of aging gays are heard in Ira Sach’s achingly beautiful Love Is Strange, a heartfelt indie with married male leads who aren’t significant because of who they love but how they love. After 39 years together, George and Ben are inseparable until an unexpected employment discharge leads to a new set of challenges, including forced separation due to financial repercussions. Making a heartbreaking situation all the more agonizing is how much George (Alfred Molina) and Ben (John Lithgow) embody the devotion, patience and steadfastness of a couple bound by the truest form of love. Whether at the piano, joyously leading a family sing-along, or quietly rushing to the other in a verbal display of affection, Lithgow and Molina’s chemistry is subtly rendered by an affecting tenderness that’s so authentic and sensitive – and, ultimately, what every hopeless romantic dreams of – that every resulting emotion is magnified. During the extras, which includes an actors/director Q&A and commentary, Sachs discusses the film as a personal reflection of his own relationship. 

 

Looking: Season 1

With Season 2 in full Jonathan Groff-giving, sex-having mode, it’s clear the creators of HBO’s homo-centric, San Francisco-centered Looking heard the unjust critiques of its initial launch in 2014. Longer shags! Less boring! The criticism was largely overblown; as the show finds its groove mid-season, there’s something to be said for how creator Michael Lannan and director Andrew Haigh keep the show focused on the ordinary realities of gay life, strongly suggesting it’s really no different from non-gay life. Dating travails, circumcision talk, friend clashes and that whole sexing your boss thing – she might not have Grindr, but even your mom would find herself preaching relationship advice to Groff’s torn and naive Patrick. Looking isn’t blind to the nitty-gritty details of the community it reflects, however; it’s just that even during the gayest of situations, like a Folsom Street Fair outing, the characters break stereotypes to expose a refreshing humanity that reaches beyond sexuality. In addition to Season 1’s eight episodes, HBO’s home release is surprisingly barebones, with just episodic commentaries from the cast and crew. 

 

Skeleton Twins

Obviously suicide is no laughing matter, and so SNL alumni Kristen Wiig and Bill Hader – as estranged siblings forced to face crippling pasts – effectively shed resemblances of Target Lady and Stefon to get in touch with the brooding shadows of their characters, Milo and Maggie. Well, mostly anyway. The resolve, it seems, isn’t just sibling love and understanding –  it’s poop jokes too. And if all else fails, shake it off with some ‘80s music. During a moment of levity, Milo lightens the mood by going full-on homosexual – which he is, by the way – during an uproarious lip-sync to Starship’s “Nothing’s Gonna Stop Us Now” that even a reluctant, self-loathing sad-sack like Maggie can’t resist. Performances are impressively outside the realm of their sketch-comedy roots, as both Wiig and Hader go to the dark side but still manage to come off as two of Hollywood’s hammiest hams. The message: Suicide sucks. Don’t do it. Instead, keep the film’s message in mind: “Baby, we can make it if we’re heart to heart.” The special features benefit from Wiig and Hader’s contribution to a commentary with gay director/co-writer Craig Johnson, along with a gag reel, a goofy-good making-of and extended improv from the acting duo’s rib-tickling dentist scene. 

 

 

Into the Woods, Selma, Maude: The Complete Series, Dear White People, The Babadook, Wild

  • June 19, 2015 - 1:42pm

 

Into the Woods

Throughout her longstanding career as Acting God, Meryl Streep has used her cinematic superpowers to, on occasion, expertly polish turds, turning them into beautiful pieces of holy excrement. But even The Streep has her limits. Mamma Mia! was a scenic snafu no matter what notes the actress nailed; Rob Marshall’s film adaptation of Stephen Sondheim’s Into the Woods, luckily, extinguishes the leftover fumes from that ABBA stinker. This musical is not the Streep Show, however. Though she maintains a godly presence as the morphing witch, the dark magic is more than just Meryl’s. The actress, of course, gives heft (and some seriously solid singing) to the film’s heart, but praise is due all around – to Anna Kendrick as Cinderella, to Chris Pine as her Prince, and to the fantastically paired James Corden and Emily Blunt, the baker and his wife. What’s lost in the translation from stage to screen – a minor gripe – is redeemed by way of transformative sets and Disney’s surprisingly faithful retelling of Sondheim’s upturned “happily ever after.” Deeper in the woods, there’s a fair array of supplements on the Blu-ray release, though none of them will change your life more than this one: “She’ll Be Back,” the Streep number not seen in the final film.

 

Selma

Martin Luther King Jr, we’re sorry. We’re sorry that your life was spent standing for racial equality, and yet here we are a half century later, black people still violently targeted on the basis of skin color. In light of recent events, then, the Oprah-produced MLK story, Selma, resonates with painful truth: strides still need to be made. The drama harrowingly depicts the civil rights movement in full swing, as MLK relentlessly pushes for the end to legalized segregation through demonstrations such as the historical Montgomery-bound march of 1965. A watershed cinematic experience, Selma is a galvanizing portrait of a fearless leader, brought to life with spirited authenticity by a spellbinding performance from English actor David Oyelowo. More than a mere by-the-book history lesson – and under the meticulous direction of Ava DuVernay – it’s a moving masterpiece, from the gut-punch beginning to the heart-healing conclusion. Among the bountiful extras are a featurette called “Recreating Selma,” centered on adapting a true story for film, and two commentaries, both with insight from DuVernay.

 

Maude: The Complete Series

Before wisecrackin’ her way into the hearts of every homo as Dorothy Zbornak on Golden Girls, Bea Arthur was already earning her queer icon cred on Maude. Playing the classic TV comedy’s namesake for six years in the mid ’70s, the Broadway actress earned affection (and Emmys) by proving she could dial up the sass simply by flashing her iconic stone-cold stare. Bold, prickly and politically liberal, Maude epitomized the qualities worthy of gay worship, and the character – in all her button-pushing brilliance – busted the doors down on topical, controversial political and social issues: race, homosexuality and abortion, to name a few. Arthur infused the hard-hitting commentary with her iconic comedic genius and sharp, acerbic wit, all while showcasing her signature real-life speaking voice. All 147 half-hour episodes of Maude are finally culled for the first time on DVD in this vast collection that includes never-before-seen footage, featurettes (among them: "And Then There's Maude: Television's First Feminist") and Maude-centric episodes of All in the Family, the series that launched Bea into queer-culture stardom.

 

Interstellar

The mind-bending ways of Christopher Nolan (don’t pretend you’re still not trying to figure out Inception) return to exhaust your mental capacity during this dense, time-twisty behemoth. Forget details, though. Screw logic. You’re gonna erupt into a geyser of waterworks even if you can’t make sense of it all. Nolan goes all out, grounding his flashy CGI-prettied space odyssey with the emotional heaviness of a hero torn between leaving his family and saving the world – you know, just everyday problems we all have. Technical concepts and heady philosophical affirmations express a relatively simple antithesis to the hard science on hand: the enduring power of love. Poignancy comes courtesy of Matthew McConaughey, who radiates a deep emotional bond with his daughter (the always-radiant Jessica Chastain) that only strengthens as the three-hour epic culminates into a dizzying display of wondrous speculation about life on earth… and beyond. An entire supplemental disc delves into the film’s key scientific observations; the 50-minute, McConaughey-narrated feature on the visuals, theories and science behind Insterstellar is particularly intriguing.

 

Dear White People

The black people of Dear White People want you to know that, no, they aren’t all into Tyler Perry movies, and yes, they like, even love, Taylor Swift. Justin Simien’s funny and frank directorial debut wryly spotlights an astounding number of stereotypes and cultural misappropriations pertaining to a group of “don’t call us African-Americans” at a white-heavy Ivy League. As individual stories thread through a satirical narrative – one arc involves an aspiring gay journalist – race issues in post-Obama, 21st-century America are exposed by blowing the lid off “weaved” black chicks and black guys with big, thick... . Even the film’s classical chestnuts – the whitest of white music – have something profound to say about the racial divide that Dear White People blasts. The sneers don’t end there; “The More You Know” offers six minutes of stereotype debunking via PSA-style segments, and “Racial Insurance” is essentially black eye for the white guy. Outtakes, deleted scenes and a making-of are also included.

 

Also Out

 

The Theory of Everything

Whether he’s Marilyn Monroe’s boy-toy, the real-life physicist Stephen Hawking or, in the forthcoming The Danish Girl, a trans woman, Eddie Redmayne’s versatility is as alluring as the shiny, happy actor himself. And now he has an Oscar to prove it. Winner of Best Actor for his spot-on portrayal of Hawking in the magically moving The Theory of Everything, Redmayne fully embodies the shattered-but-inspiring life he depicts, perfectly capturing the charming sincerity, undying humor and gradual physical impairment required of someone afflicted with motor neurone disease. Special features are few: a director commentary, a brief behind-the-scenes and a handful of deleted scenes.

 

Birdman

The ego is a screaming nuisance in Birdman, an insane acid trip starring Michael Keaton as a washed-up actor who hangs out in the deep, dark corners of his own head. It’s messy in there, and for someone whose career has taken a nosedive – he’s aged out of “Birdman,” the superhero role that earned him notoriety – Riggan Thomson is plagued by being, well, Riggan Thomson. Keaton excels as a neurotic narcissistic whose hallucinations get the best of him as he attempts to reclaim his heyday glory with a Broadway production, unraveling in the process. Adding to the insanity is Emma Stone as his delirious daughter and the technical zippiness of the seemingly-but-not-actually ceaseless shot. Besides a peek into the making of Birdman, there’s also a striking exchange between actor and director during “A Conversation with Michael Keaton and Alejandro G. Iñárritu.”

 

Olive Kitteridge

Just in case you somehow forgot that Frances McDormand is one of the greatest living actresses of our time, Olive Kitteridge is here to remind you. As the titular protagonist in this beautifully bleak four-part HBO miniseries, the Fargo dynamo is a despicable monster, bound to a graceless existence due in large part to a mentally unstable lineage. Why do you still feel so deeply for someone who’s so intolerable? Because McDormand. The masterclass mines the mind and heart of someone suffering mental illness, scaling her every emotion and experience to full effectiveness. At once dreary and life-affirming, Olive Kitteridge is television at its most poetic. Extras are non-existent, but with four hours of McDormand’s brilliance, it hardly matters.

 

The Babadook

Real-life horrors are, oftentimes, more horrific than the made-up yarns of the cinematic frights creeping our psyche. Paralyzed by her own, Amelia, a widowed mother (a sympathetic Essie Davis), falls into a psychological fit on the anniversary of her husband’s untimely death. The trigger? A children’s book called The Babadook, an ominous pop-up that devours Amelia’s mentally unstable, grief-stricken mind. The demon within is often the worst kind, as we learn in this clever and surprisingly touching nail-bitter about the toll tragedy can take, and the unbreakable bond between mother and child. Director Jennifer Kent’s original concept, the short film Monster, is included among a haunting heap of bonus features.

 

Wild 

Reese Witherspoon leaves the pink résumé paper at home in Wild. Based on Cheryl Strayed’s memoir, the Legally Blonde bend-and-snapper steps into Strayed’s hiking boots, packing her bags and the shattered bits of her heart for a trek through the Pacific Crest Trail. The hope of healing her grief-stricken wounds and abating her recklessness follows her through this 1,000-plus-mile stretch of enlightenment and renewal. Jean-Marc Vallée directs a standout performance from Witherspoon, who acts alongside the also-compelling Laura Dern (as her mother in flashbacks), during his raw, picturesque followup to Dallas Buyers Club. Strayed relates the movie to her own life during the extras, which also include a Vallée commentary, deleted scenes and a look at the rustic Oregon shoot. 

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